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  • Matt Mullican

    Editions 1985-2012

  • Daan Paans

    Letters from Utopia

  • Marcus Quent, Eckardt Lindner (Hg.)

    Das Versprechen der Kunst

  • Kerry Brougher

    Damage Control. Art and Destruction Since 1950

  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

  • Olafur Eliasson

    Eine Feier, elf Räume und ein gelber Korridor

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    Three Faces. Archive Chalayan

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    The Global Art Compass

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  • Jan Verwoert

    COOKIE!

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    War postdigital besser?

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    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

  • Andrew Hemingway

    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Sascha Peters

    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

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    Mapping Everything

  • Ryan Gander

    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Anna Kostreva

    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

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    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

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    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

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    and Materials and Money and Crisis

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    Bathroom (Objekt series)

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    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    Seeing from Above. The Aerial View in Visual Culture

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    The Ritual of the Snake

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    Wunderland

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    The Mysticism of Money. Precisionist Painting and Machine…

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    Das Marburger Bausystem. Offenheit als Prinzip

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    After Butler's Wharf. Essays on a Working Building

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    The Future of Architecture

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    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    Nuggets – New and Old Writing on Art, Architecture, and…

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    The Economy of Sustainable Construction

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    Art Is a Problem. Selected Criticism, Essays, Interviews…

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    Berlin Quarterly. European review of Culture. Issue 1

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    Ein Märchen

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    Isa Genzken. Retrospective

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    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

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    Kosmetiksalon Bar Babette

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    Pancho Guedes. Vitruvius Mozambicanus

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    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    Institutional Attitudes. Instituting Art in a Flat World

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    Architecture / Architektur

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    Radio

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    Gwangju Folly II

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    Andrea Zittel. Institute of Investigative Living. Leben und…

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    3 New York Dadas and the Blindman

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

  • Aleksandra Mir

    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

  • Viola Vahrson, Susanne Märtens, Beate…

    Gehen

  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

Art in the Periphery of the Center

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.
This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach
Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke
Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig


Behnke, Kastelan, Knoll, Wuggenig (Eds.)
Art in the Periphery of the Center
Sternberg Press, 2015, 978-3-95679-077-5