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    Dreams of Art Spaces Collected

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    Beyond Live/Work. The Architecture of Home-Based Work

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    Schleifen. Zur Geschichte und Ästhetik des Loops

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    Governing by Debt

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    Formalism and Historicity. Models and Methods in Twentieth-…

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    Hypernatural. Architecture's New Relationship with…

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    Artist Novels. The Book Lovers Publication

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    Der Aufstand. Über Poesie und Finanzwirtschaft

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    Out of Time, Out of Place. Public Art (Now)

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    Politically Unbecoming. Postsocialist Art against Democracy

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    Risiko und Idiotie. Streitschriften

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    Urban Living. Strategien für das zukünftige Wohnen

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    Subjects and Objects

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    Turning Inward

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    Oskar Schlemmer. Visionen einer neuen Welt

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    The Age of Earthquakes. A Guide to the Extreme Present

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    Isa Genzken (October Files)

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    Form, Heft, Material

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    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

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    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

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    Grammatologie der Bilder

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    Der Souveränitätseffekt

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    9999. An Alternative to One-Way Architecture

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    African Modernism

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    Elisa van Joolen. 11"x17" Reader

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    Drone Theory

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    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

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    Madame Bovary

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    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

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    Hartz IV und wir

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    The Curatorial. A Philosophy of Curating

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    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

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    Das Konkrete und die Architektur

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    Urbanism and Dictatorship. A European Perspective

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    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

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    State of Insecurity. Government of the Precarious

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    Deja Vu and the End of History

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    Sonia Delaunay. Fashion and Fabrics

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    Siegfried Kracauer. Fotoarchiv

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    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

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    Lina Bo Bardi. Built Work. Obra construida

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    Function Follows Strategy. Architects' Strategies from…

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    Beautiful Data

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    Der Algorithmus des Manfred Mohr

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    Weltausstellung

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    Collapse: Philosophical Research and Development: Casino…

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    Film as Film. The Collected Writings of Gregory J.…

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    Immanuel Kant. Kritik der Urteilskraft

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    Metageschichte der Architektur. Ein Lehrbuch für angehende…

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    Kuratieren!

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    The Universe of Things. On Speculative Realism

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    Everything is Connected. Home Collection (Vitra)

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

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    How to do things left

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    The Physiology of the Employee

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    Come Together. The Rise of Cooperative Art and Design

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    Public Collectors

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    Works 2001–2019

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    Translations

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    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

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    The Metabolic Landscape. Perception, Practice and the…

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    Thought by Hand. The Architecture of Flores & Prats

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    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Sigfried Kracauer. Photographic Archive

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    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

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    Kew. Rhone

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    Building as Ornament

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    Harry Glück: Wohnbauten

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    Museum of the Future

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    Aesthetics of the Flesh

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    The Fabric of Space. Water, Modernity, and the Urban…

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    Women's Work. Is Never Done

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    The Shape of Evidence. Contemporary Art and the Document (…

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    New Management

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

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    The Long March Of Pop. Art Music and Design 1930-1995

In Place

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.
Based upon paying close attention to his surroundings, In Place documents the artist's sonorous engagement with specific locations. Spending hours at a given place within various cities, Kahn would do nothing else but listen, watch, and observe the daily life. Through such an elongated duration, sometimes up to 12 hours, a deeper and richer sense of place emerges. In Place is an elegant and thoughtful reflection on these experiences, capturing those small details that ultimately compose the world around us. Turning his ear to the daily life around him, Kahn's diaristic accounts capture an extremely tenacious form of attention—a bare listening.
Jason Kahn (born 1960 in New York, lives and works in Zürich) is a musician and artist who grew up in Los Angeles, and relocated to Europe in 1990. His work includes sound installation, performance and experimental composition. Kahn has been exhibiting his sound and visual works since the late 1990s, and has had solo and group exhibitions internationally, including Townhouse Gallery of Contemporary Art, Cairo, Diapason Gallery, New York, and Centre d'Art Neuchatel, Switzerland. Originally a percussionist, Kahn later began integrating live electronics into his playing. As a composer, his work draws on electronic and acoustic sound sources to create slowly developing compositions imbued with a sense of timelessness. His work addresses the entity of sound as both a physical and psychological factor shaping our consciousness. Kahn's sound installations seek to enhance spatial awareness through sonic intervention, focusing on expanding our perception to other dimensions of seeing, hearing and feeling a space. Kahn has given concerts at various festivals, art spaces and clubs throughout the world, traveling and presenting extensively in Europe, North and South America, as well as Asia.


Jason Kahn
In Place
Errant Bodies Press, 2015, 978-0-9889375-4-3