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  • Marnie Fogg

    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

  • Zbynek Baladran, Vit Havranek (Hg.)

    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

  • S. Gaensheimer, S. von Olfers (Hg.)

    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

  • Susan S. Fainstein

    The Just City

  • Teal Triggs

    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

  • Boris Groys

    History Becomes Form. Moscow Conceptualism

  • Brian Kuan Wood (Hg.)

    Selected Maria Lind Writing

  • Artspeak / Fillip Editions

    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

  • dérive 40/41

    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

  • Florian A. Schmidt, Peter Lasch,…

    Kritische Masse. Von Profis und Amateuren im Design

  • TwoPoints.Net (Hg.)

    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

  • Tony Conrad, Jutta Koether, John Miller

    XXX Macarena LP

  • Paul Le Blanc, Helen C. Scott (Hg.)

    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

  • S. Ehmann, R. Klanten (Hg.)

    Turning Pages. Editorial Design for Print Media

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

  • Harald Bodenschatz, Thomas Flierl (Hg.)

    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

  • T.J. Demos

    Dara Birnbaum. Technology/Transformation: Wonder Woman

  • C. S. Rabinowitz, N. Kovacs (Hg.)

    Assume Vivid Astro Focus

  • Michael Merrill

    Louis Kahn. On the Thoughtful Making of Spaces

  • Bettina Götz (Hg.)

    Abstract City #04. Urbanes Hausen

  • Rainald Goetz

    Elfter September. 2010

  • Jenelle Porter (Hg.)

    Dance with Camera

  • Todd Oldham

    Joan Jett

  • Umool Umool Vol.9

    The Rejected, the Recycled, the Regenerated

  • Margit Mayer

    Civic City Cahier 1. Social Movements in the (Post-)…

  • Anne Ring Petersen (Hg.)

    Contemporary Painting in Context

  • M. van Hal, S. Ovstebo, E. Filipovic (…

    The Biennial Reader

  • Laura Meseguer

    Typomag. Typography in Magazines

  • R. Klanten, A. Mollard (Hg.)

    Los Logos. Compass

  • Carsten Nicolai

    Moiré Index

  • Pierre Guyotat

    Coma

  • Sara De Bondt, Fraser Muggeridge (Hg.)

    The Master Builder. Talking with Ken Briggs

  • K. T. Edelmann, G. Terstiege (Hg.)

    Gestaltung denken. Ein Reader für Designer und Architekten

  • Axel Sowa, Susanne Schindler (Hg.)

    Candide. Journal for Architectural Knowledge Heft 2

  • Giacomo Leopardi

    Dialogue between Fashion and Death

  • Sakamoto, Hwang, Ferré (Hg.)

    Total Housing. Alternatives to Urban Sprawl

  • Antony Hudek, Athanasios Velios (Hg.)

    The Portable John Latham

  • Nina Möntmann (Hg.)

    New Communities

  • Beyond 3

    Trends and Fads

  • Igor Marjanovic, Katerina Rüedi Ray

    Marina City. Bertrand Goldberg's Urban Vision

  • Ingo Niermann

    Solution 186–195. Dubai Democracy

  • Pedro Paiva, Joao Maria Gusmao

    On the Movement of the Fried Egg and Other Astronomical…

  • Harald Bodenschatz

    Städtebau in Berlin. Schreckbild und Vorbild für Europa

  • Andrew Lewthwaite (Hg.)

    Dead on Arrival

  • Théo Lessour

    Berlin Sampler. Le son de Berlin de 1904 à 2009

  • Jeremy Millar (Hg.)

    Every Day is a Good Day. The Visual Art of John Cage

  • Deutsche Bauzeitung

    Wohnlabor Berlin

  • ANBB (Alva Noto & Blixa Bargeld)

    Ret Marut Handshake (Vinyl)

  • Georges Didi-Huberman

    Formlose Ähnlichkeiten oder die Fröhliche Wissenschaft des…

  • Matthew Beaumont, Gregory Dart (Hg.)

    Restless Cities

  • Denis Wood

    Rethinking the Power of Maps

  • Koen Brams, Dirk Pültau

    The Clandestine in the Work of Jef Cornelis

  • Bless

    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

  • Architecture Words 5

    Max Bill: Form, Function, Beauty = Gestalt.

  • D. Diederichsen, C. Ruhm (Hg.)

    Utopia of Sound. Immediacy and Non-Simultaneity

  • Michael Schmidt

    89/90

  • Slavoj Zizek

    Living in the End Times

  • Mary Jane Jacob, Michelle Grabner (Hg.)

    The Studio Reader. On the Space of Artists

  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

  • Unit

    Design/Research 02

  • Ryoko Aoki

    Chain Ring

  • Julie Ault (Hg.)

    Show and Tell. A Chronicle of Group Material

  • Duy Nguyen

    Über Origami

  • Gustavus Stadler

    The Politics of Recorded Sound (Social Text)

  • Work AC

    49 Cities

  • Tiqqun

    Introduction to Civil War (Semiotexte)

  • Wear. Number Two

    The Journal of HomeShop

  • Tirdad Zolghadr

    Solution 168-185. America

  • Yoshiharu Tsukamoto, Momoyo Kaijima

    The Architectures of Atelier Bow-Wow. Behaviorology

  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Frederique Bergholtz, Iberia Perez (Hg.)

    (Mis)reading Masquerades

  • Stephen Graham

    Cities under Siege. The New Military Urbanism

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

  • Helmut Höge

    Pollerforschung

  • Sara De Bondt, Fraser Muggeridg

    The Form of the Book Book

  • Antoni Folkers

    Modern Architecture in Africa

  • Paul O'Neill, Mick Wilson (Hg.)

    Curating and the Educational Turn

  • Judy Pray

    Garden Wisdom and Know-How

  • Kathrin Röggla

    Die Alarmbereiten

  • Unbedingte Universitäten (Hg.)

    Was passiert? Stellungnahmen zur Lage der Universität

  • Kunstverein für die Rheinlande und…

    Dubai Düsseldorf

  • John Sinclair (Hg.)

    Sun Ra. Interviews & Essays

In Place

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.
Based upon paying close attention to his surroundings, In Place documents the artist's sonorous engagement with specific locations. Spending hours at a given place within various cities, Kahn would do nothing else but listen, watch, and observe the daily life. Through such an elongated duration, sometimes up to 12 hours, a deeper and richer sense of place emerges. In Place is an elegant and thoughtful reflection on these experiences, capturing those small details that ultimately compose the world around us. Turning his ear to the daily life around him, Kahn's diaristic accounts capture an extremely tenacious form of attention—a bare listening.
Jason Kahn (born 1960 in New York, lives and works in Zürich) is a musician and artist who grew up in Los Angeles, and relocated to Europe in 1990. His work includes sound installation, performance and experimental composition. Kahn has been exhibiting his sound and visual works since the late 1990s, and has had solo and group exhibitions internationally, including Townhouse Gallery of Contemporary Art, Cairo, Diapason Gallery, New York, and Centre d'Art Neuchatel, Switzerland. Originally a percussionist, Kahn later began integrating live electronics into his playing. As a composer, his work draws on electronic and acoustic sound sources to create slowly developing compositions imbued with a sense of timelessness. His work addresses the entity of sound as both a physical and psychological factor shaping our consciousness. Kahn's sound installations seek to enhance spatial awareness through sonic intervention, focusing on expanding our perception to other dimensions of seeing, hearing and feeling a space. Kahn has given concerts at various festivals, art spaces and clubs throughout the world, traveling and presenting extensively in Europe, North and South America, as well as Asia.


Jason Kahn
In Place
Errant Bodies Press, 2015, 978-0-9889375-4-3