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Warenkorb

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • David Harvey

    Die urbanen Wurzeln der Finanzkrise

  • Jeffrey T. Schnapp, Adam Michaels

    The Electric Information Age Book

  • Christian Naujoks

    True Life / In Flames CD/LP

  • Winy Maas

    The Vertical Village. Individual, Informal, Intense

  • Andrew Shea

    Designing for Social Change

  • Ian Bogost

    How to Do Things with Videogames

  • Deborah Schneiderman

    Inside Prefab. The Ready-Made Interior

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • Marc Angélil, Rainer Hehl (Hg.)

    Building Brazil!

  • Klanten, Ehmann, Sinofzik (Hg.)

    Introducing. Visual Identities for Small Businesses

  • Dietmar Dath, Barbara Kirchner

    Der Implex. Sozialer Fortschritt: Geschichte und Idee

  • Eva Grubinger, Jörg Heiser (Hg.)

    Sculpture Unlimited

  • Montreal CCA (Hg.)

    Imperfect Health. The Medicalization of Architecture

  • Jun Igarashi

    Construction of a State

  • Jérôme Knebusch

    Notizen zu Berlin

  • Ryan McGinley

    You and I

  • Magnus Ericson, Ramia Mazé (Hg.)

    Design Act. Socially and Politically Engaged Design Today

  • Nigel Coates

    Narrative Architecture

  • Lois Weinthal

    Toward a New Interior

  • Daniel Miller

    Das wilde Netzwerk. Ein ethnologischer Blick auf Facebook

  • Mark Borthwick

    Light up Playbutton

  • William E. Jones

    Halsted Plays Himself

  • Hans Ulrich Obrist, Kazuyo Sejima

    SANAA. The Conversation Series 26

  • Helen Armstrong, Zvezdana Stojmirovic

    Participate. Designing with User-Generated Content

  • Aaron Levy, William Menking

    Four Conversations on the Architecture of Discourse

  • 2G 60

    Lacaton & Vassal. Recent Work

  • Ilka Ruby, Andreas Ruby

    Lacaton & Vassal (2G Books)

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Gertrud Lehnert (Hg.)

    Räume der Mode

  • Miriam Bratu Hansen

    Cinema and Experience

  • ETH Studio Basel (Hg.)

    Belgrade. Formal/Informal

  • Michael Biggs, Henrik Karlsson

    Routledge Companion to Research in the Arts

  • Chris Dercon (Hg.)

    Carlo Mollino. Maniera Moderna

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Lida Hujic

    The First to Know. How Hipsters and Mavericks Shape the…

  • Archphoto 2.0

    Radical City 01

  • V. Smith, M. Taussig, I. Garcia (Hg.)

    Juan Downey. The Invisible Architect

  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • John McHale

    The Expendable Reader. Articles on Art, Architecture,…

  • Juan Bonet, Sean Kissane (Hg.)

    Vertical Thoughts. Morton Feldman and the Visual Arts

  • Craig Buckley, Mark Wasiuta

    Dan Graham's New Jersey

  • Differences. A Journal of Feminist…

    The Sense of Sound

  • Annette Wehrmann

    Luftschlangentexte

  • Craig Buckley, Pollyanna Rhee

    Architects' Journeys. Building, Traveling, Thinking

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Eva Moser

    Otl Aicher. Gestalter

  • Elias Redstone (Hg.)

    Archzines

  • Beate Lendt

    Der Traum vom Baumhaus. Das Ökohausprojekt von Frei Otto in…

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Artur Zmijewski, Joanna Warsza (Hg.)

    Forget Fear. 7. Berlin Biennale (Reader Dt. & Engl.)

  • Marit Paasche, Synne Bull (Hg.)

    Urban Images. Unruly Desires in Film and Architecture

  • James Langdon

    Pugin’s Contrasts Rotated

  • A+T 37

    Strategy Space. Landscape, Urbanism, Strategies

  • Markus Miessen, Andrea Phillips (Hg.)

    Caring Culture. Art, Architecture and the Politics of Health

  • Benjamin Sommerhalder

    Ghost Knigi

  • Jose Pierre (Hg.)

    Investigating Sex. Surrealist Discussions

  • Museum Ludwig (Hg.)

    Cosima von Bonin. The Lazy Susan Series

  • Francois Dallegret

    God & Co. Beyond the Bubble

  • Brandon LaBelle, Claudia Martinho (Hg.)

    Site of Sound. Of Architecture and the Ear Vol 2

  • El Croquis 157

    Studio Mumbai 2003-2011

  • Katja Blomberg

    Distinct Ambiguity. Graft

  • Metropolar (Hg.)

    Und der Zukunft zuge­wandt. Pots­dam und der gebaute…

  • Ulrike Steglich

    Universum Ackerstrasse. Berliner Geschichten

  • Claire Colomb

    Staging the New Berlin

  • Tone Hansen (Hg.)

    (Re)Staging the Art Museum

  • Terry Richardson

    Mom/Dad

  • Rosa Ferré

    Red Cavalry: Creation and Power in Soviet Russia Between…

  • Sevgi Ortac

    The Monument Upside Down. The City Walls of Istanbul

  • Sven-Olov Wallenstein


    Nihilism, Art, Technology


  • Frederik Frede (Hg.)

    Freunde von Freunden. Berlin

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Martha Wilson (Hg.)

    Martha Wilson Sourcebook

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • L. Cavalcanti , F. Rambert (Hg.)

    Roberto Burle Marx. The Modernity of Landscape

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

  • Clog 1

    BIG Bjarke Ingels Group

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

  • Kit White

    101 Things to Learn in Art School

  • Peter Pfrunder (Hg.)

    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

  • N. Brenner, P. Marcuse, M. Mayer (Hg.)

    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

  • Rosalind E. Krauss

    Under Blue Cup

  • Andres Lepik (Hg.)

    Moderators of Change. Architektur, die hilft

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5