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  • Marnie Fogg

    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

  • Zbynek Baladran, Vit Havranek (Hg.)

    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

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    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

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    The Just City

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    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

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    History Becomes Form. Moscow Conceptualism

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    Selected Maria Lind Writing

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    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

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    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

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    Kritische Masse. Von Profis und Amateuren im Design

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    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

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    XXX Macarena LP

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    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

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    Turning Pages. Editorial Design for Print Media

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    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

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    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

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    Dara Birnbaum. Technology/Transformation: Wonder Woman

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    Assume Vivid Astro Focus

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    Louis Kahn. On the Thoughtful Making of Spaces

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    Abstract City #04. Urbanes Hausen

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    Elfter September. 2010

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    Dance with Camera

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    Joan Jett

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    The Rejected, the Recycled, the Regenerated

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    Civic City Cahier 1. Social Movements in the (Post-)…

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    Contemporary Painting in Context

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    The Biennial Reader

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    Typomag. Typography in Magazines

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    Los Logos. Compass

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    Moiré Index

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    Coma

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    The Master Builder. Talking with Ken Briggs

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    Gestaltung denken. Ein Reader für Designer und Architekten

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    Candide. Journal for Architectural Knowledge Heft 2

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    Dialogue between Fashion and Death

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    Total Housing. Alternatives to Urban Sprawl

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    The Portable John Latham

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    New Communities

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    Trends and Fads

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    Marina City. Bertrand Goldberg's Urban Vision

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    Solution 186–195. Dubai Democracy

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    On the Movement of the Fried Egg and Other Astronomical…

  • Harald Bodenschatz

    Städtebau in Berlin. Schreckbild und Vorbild für Europa

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    Dead on Arrival

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    Berlin Sampler. Le son de Berlin de 1904 à 2009

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    Every Day is a Good Day. The Visual Art of John Cage

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    Wohnlabor Berlin

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    Ret Marut Handshake (Vinyl)

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    Formlose Ähnlichkeiten oder die Fröhliche Wissenschaft des…

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    Restless Cities

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    Rethinking the Power of Maps

  • Koen Brams, Dirk Pültau

    The Clandestine in the Work of Jef Cornelis

  • Bless

    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

  • Architecture Words 5

    Max Bill: Form, Function, Beauty = Gestalt.

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    Utopia of Sound. Immediacy and Non-Simultaneity

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    89/90

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    Living in the End Times

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    The Studio Reader. On the Space of Artists

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    IDEA 341. Dialogues with Tatsuya Ariyama

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    Design/Research 02

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    Chain Ring

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    Show and Tell. A Chronicle of Group Material

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    Über Origami

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    The Politics of Recorded Sound (Social Text)

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    49 Cities

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    Introduction to Civil War (Semiotexte)

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    The Journal of HomeShop

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    Solution 168-185. America

  • Yoshiharu Tsukamoto, Momoyo Kaijima

    The Architectures of Atelier Bow-Wow. Behaviorology

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    Pink Noises. Women on Electronic Music and Sound

  • Frederique Bergholtz, Iberia Perez (Hg.)

    (Mis)reading Masquerades

  • Stephen Graham

    Cities under Siege. The New Military Urbanism

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    Acoustic Territories. Sound Culture and Everyday Life.…

  • Helmut Höge

    Pollerforschung

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    The Form of the Book Book

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    Modern Architecture in Africa

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    Curating and the Educational Turn

  • Judy Pray

    Garden Wisdom and Know-How

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    Die Alarmbereiten

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    Was passiert? Stellungnahmen zur Lage der Universität

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    Dubai Düsseldorf

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    Sun Ra. Interviews & Essays

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5