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  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

    Feminist Designer. On the Personal and the Political in…

  • Slanted

    Slanted 42. Books

  • Graeme Thomson & Silvia Maglioni

    b for the birds by Graeme Thomson & Silvia Maglioni

  • Gabriela Burkhalter (Hg)

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  • LIQUIFER Systems Group, Jennifer…

    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

  • Anke Haarmann, Alice Lagaay, Tom…

    Specology. Zu einer ästhetischen Forschung

  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

  • Regina Bittner, Katja Klaus, Catherine…

    The New Designer - Design as a Profession

  • Rowan Coupland, Anastasiia Zhuravel (…

    Re:imagine Your City. Rethinking Urban Paradigms

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    BLESS. Celebrating 25 Years of Always Stress with BLESS N°…

  • Werner Sobek

    non nobis – über das Bauen in der Zukunft Band 2

  • Félix Guattari

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    Crip Negativity

  • Sabine von Fischer

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    Brutalist Italy. Concrete Architecture from the Alps to the…

  • Carson Chan (ed)

    Emerging Ecologies. Architecture and the Rise of…

  • Kotte, Schulz, Weber, Witt, Brants (Hg.)

    Inklusion gestalten

  • Peter Arlt

    PRAKTISCHES STADT ABC. Lexikon + Übungen

  • Christine Schranz (Ed.)

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  • Arch+ Zeitschrift für Architektur und…

    Arch+ 253. The Great Repair. Praktiken der Reparatur / A…

  • dérive

    dérive N° 92/93, Urban Commons (Okt-Dez 2023). Zeitschrift…

  • Deborah Enzmann

    Emojisierung. Eine historische und semiotische Studie zu…

  • Nina Möntmann

    Decentring the Museum: Contemporary Art Institutions and…

  • Hans Ibelings

    Modern Architecture: A Planetary Warming History

  • Monique Wittig

    Das straighte Denken

  • Amber Husain

    Meat Love. An Ideology of the Flesh

  • Moritz Gleich, Christa Kamleithner (Hg.)

    Medium unter Medien. Architektur und die Produktion…

  • Ursula Böckler, Julia Lazarus &…

    Radical Film, Art and Digital Media for Societies in Turmoil

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    Building African Futures. 10 Manifestos for Transformative…

  • Fareed Armaly

    The (re)Orient

  • Valerio Calavetta, Peter Hoffmann

    Sortenrein Bauen - Methode, Material, Konstruktion

  • Umut Yıldırım (ed)

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  • Chang Wen-Hsuan

    Xsport On Paper. Samplings of Publishing Practices from the…

  • Rich Pell

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  • Armen Avanessian

    Flüchtigkeitsmanagement

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    Ludwig Hilberseimer: Die neue Stadt. Prinzipien der Planung

  • Jae Kyung Kim, Anna Schanowski (eds)

    How to Book in Berlin

  • Keith Tan Kay Hin, Nurul Alia Ahamad (…

    Kedah: A History In Drawings

  • Suffian Shahabuddin

    61X Appeal to Read Between the Sheets

  • Camelia Kusumo, Lee Sze-Ee

    Kaki Lima Stories.

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    Small Practices : In Conversation with Malaysian and…

  • Nazmi Anuar

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  • Louis Rogers (Hg)

    Upper Lawn, Solar Pavilion. Alison & Peter Smithson

  • Bojana Kunst

    Das Leben der Kunst. Transversale Linien der Sorge

  • Jule Govrin

    Begehrenswert. Erotisches Kapital und Authentizität als Ware

  • Isabell Otto

    TikTok (Digitale Bildkulturen)

  • Eran Schaerf

    Gesammeltes Deutsch

  • El Croquis 222. David Chipperfield (2015 - 2023) Selected…

  • Tom Holert, Doreen Mende (Hg)

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    Rubber Boots Methods for the Anthropocene: Doing Fieldwork…

  • Antonio Castore, Federico Dal Bo (eds.)

    Untying the Mother Tongue

  • Carsten Lisecki

    Carsten Lisecki. Urbane Handlungsspielräume

  • Elizabeth Duval

    Nach Trans. Sex, Gender und die Linke

  • Lydia Zinovieva-Annibal

    Thirty-Three Monsters

  • Oliver Elser, Anna-Maria Mayerhofer,…

    Protestarchitektur. Barrikaden, Camps, raumgreifende…

  • Laura Gardner, Daphne Mohajer va…

    Radical Fashion Exercises. A Workbook of Modes and Methods

  • IDEA Magazine

    IDEA 403. Typeface design for the voice of the world: The…

  • Lorenzo De Chiffre, Benni Eder, Theresa…

    Hollein Calling. Architectural Dialogues

  • Masure, Anthony

    Manifestes 5. Artificial Design: Creation Versus Machine…

  • Ahmed Abdullah

    A Strange Celestial Road: My Time in the Sun Ra Arkestra

  • Mike Laufenberg, Ben Trott (Hg)

    Queer Studies. Schlüsseltexte

  • Josef Albers (Autor), Heinz Liesbrock (…

    Josef Albers. Interaction of Color. Grundlegung einer…

  • Paperside Editorial Culture

    Bookshop Guide. Independent Publishing Culture Spots

  • Sven Lütticken

    Objections. Forms of Abstraction, Volume 1

  • Christoph Brunner, Grit Marti Lange,…

    Technopolitiken der Sorge

  • Jean-Louis Cohen

    Building a new New World. Amerikanizm in Russian…

  • Gerda Breuer

    HerStories in Graphic Design

  • Tanja C. Vollmer, Andres Lepik (Hg.)

    Das Kranke(n)haus. Wie Architektur heilen hilft

  • Marc Bonner

    Offene-Welt-Strukturen. Architektur, Stadt- und…

  • Matthew Beaumont

    The Walker. Die Stadt, die Moderne und ihre Fußgänger

  • Harald Kisiedu and George E. Lewis (Hg.)

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  • Dynamische Akustische Forschung

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  • Alec Leach

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  • Dorothee Richter

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  • Ciarán Finlayson

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  • Graphicabulary - MAKERMAKER

    Closing Ceremony. Hilton Seoul 1983 - 2022

  • Sunny Kerr (ed.)

    Drift. Art and Dark Matter

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  • Claudia Kromrei

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    Formafantasma: Oltre Terra. Why Wool Matters

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    Fugitive Feminism

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    Kathrin Böhm. Art on the Scale of Life

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  • Bas Hendrikx (Ed.)

    Queer Exhibition Histories

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5