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  • Kersten Geers, Joris Kritis, Jelena…

    Architecture Without Content

  • Jussi Parikka

    A Geology of Media

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    See this Sound. Audiovisuology. Compendium and Essays

  • A+t Research Group

    Why Density? - Debunking the Myth of the Cubic Watermelon

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    Bauen für die Massenkultur: Stadt- und Kongresshallen der…

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    Aesthetic Justice. Intersecting Artistic and Moral…

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    ZOOM! Architektur und Stadt im Bild. Picturing Architecture…

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    World of Matter

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    The Architecture of Taste

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    Der sinnhafte Aufbau der gebauten Welt. Eine…

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    Art of the Book. Structure, Material and Technique

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    Risse im Raum. Erinnerung, Gewalt und städtisches Leben in…

  • Markus Rathgeb

    Otl Aicher

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    When Site Lost the Plot

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    Displayed Spaces. New Means of Architecture Presentation…

  • Vladimir Belogolovsky

    Conversations with Architects. In the Age of Celebrity

  • Deimantas Narkevičius

    Da capo. Fifteen Films

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    Wohnhäuser. Eine Typologie

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    The Images of Architects

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    Peripherie und Ungleichzeitigkeit. Pier Paolo Pasolini,…

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    Städtebau

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    MoneyLab Reader. An Intervention in Digital Economy

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    Design, When Everybody Designs. An Introduction to Design…

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    Alphabet

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    Melancholy and Architecture: On Aldo Rossi

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    Küchen / Möbel. Design und Geschichte

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    Guggenheim

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    texturen Nr. 2 — Spielen

  • A+U 523

    Juliaan Lampens

  • Emanuele Piccardo

    Beyond Environment

  • Klaus Bädicker

    Gerade zur Krummen zieht's ihn. Die Sophienstraße und…

  • Yona Friedman

    Architecture with the people, by the people, for the people

  • Triisberg, Krikortz, Henriksson (Ed.)

    Art Workers. Material Conditions and Labour Struggles in…

  • Gin Müller

    Possen des Performativen. Theater, Aktivismus und queere…

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    Translating Housing: Berlin - Belfast. Innovative Housing…

  • Irene Kurtishvili (Hg)

    Hotel Orient / Haus der Künstler

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    Architektur und Philosophie. Grundlagen. Standpunkte.…

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    Dreams of Art Spaces Collected

  • Frances Holliss

    Beyond Live/Work. The Architecture of Home-Based Work

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    Reform! Essays on the Political Economy of Urban Form – Vol…

  • Tilman Baumgärtel

    Schleifen. Zur Geschichte und Ästhetik des Loops

  • Maurizio Lazzarato

    Governing by Debt

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    Mirrors for Princes

  • Benjamin H. D. Buchloh

    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

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    Artist Novels. The Book Lovers Publication

  • Franco »Bifo« Berardi

    Der Aufstand. Über Poesie und Finanzwirtschaft

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    Out of Time, Out of Place. Public Art (Now)

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    Politically Unbecoming. Postsocialist Art against Democracy

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    Risiko und Idiotie. Streitschriften

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    Urban Living. Strategien für das zukünftige Wohnen

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    Subjects and Objects

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    Turning Inward

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    Oskar Schlemmer. Visionen einer neuen Welt

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    The Age of Earthquakes. A Guide to the Extreme Present

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    Allan Sekula. Ship of Fools/The Dockers' Museum

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    Isa Genzken (October Files)

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    Mike Kelley. Educational Complex

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    Form, Heft, Material

  • Shumon Basar, Douglas Coupland, Hans…

    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

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    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

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    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

  • Adrian George

    The Curator's Handbook. Museums, Commercial Galleries…

  • Renate Lorenz (Ed.)

    Not Now! Now! Chronopolitics, Art & Research

  • Anne Waak

    Hartz IV und wir

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    Fantasies of the Library

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    Land & Animal & Nonanimal

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    Art City Lab. Neue Räume für die Kunst

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    The Curatorial. A Philosophy of Curating

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    The Forgotten Pioneer Movement: Guidebook

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    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

  • Susanne Hauser, Claus Dreyer (Hg.)

    Das Konkrete und die Architektur

  • Harald Bodenschatz, Piero Sassi, Max…

    Urbanism and Dictatorship. A European Perspective

  • Chris Tedjasukmana

    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

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    State of Insecurity. Government of the Precarious

  • Paolo Virno

    Deja Vu and the End of History

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    Sonia Delaunay. Fashion and Fabrics

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    Siegfried Kracauer. Fotoarchiv

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    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

  • Eduard Sancho Pou

    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

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    Der Algorithmus des Manfred Mohr

  • Stephanie Kloss

    Weltausstellung

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    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

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    Metageschichte der Architektur. Ein Lehrbuch für angehende…

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5