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  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

    Plastic Capitalism. Contemporary Art and the Drive to Waste

  • Stefanie Graefe

    Resilienz im Krisenkapitalismus: Wider das Lob der…

  • Daniel Johnston

    Where are the ducks when you need them?

  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

  • A. Juppien, R. Zemp

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  • Paul O'Neill, Simon Sheikh, Lucy…

    Curating after the Global: Roadmaps for the Present

  • Maya Vinitsky (Ed.)

    Solar Guerrilla: Constructive Responses to Climate Change

  • Annette Jael Lehmann

    Tacit Knowledge. Feminism / Post Studio (Post Studio /…

  • G. Cachin (Hg.)

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  • H. Bodenschatz, D. Brantz

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  • Christoph Cox

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  • Rosi Braidotti, Simone Bignall (eds.)

    Posthuman Ecologies. Complexity and Process after Deleuze

  • T. Garcia, V. Normand (Hg)

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  • David Byrne

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  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

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  • Richard Buckminster Fuller

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  • Ulrike Bernard

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    Less Is a Bore: Maximalist Art & Design

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    Impossible Design: Außergewöhnliche Designobjekte der…

  • C. Leonard, L. Khonsary (Hg)

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  • Birgit Rieger, Claudia Wahjudi

    Berlin Interviews. 16 Künstlerinnen und Künstler über eine…

  • Paolo Cirio

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  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

    Conflictual Aesthetics: Artistic Activism and the Public…

  • Jürgen Hasse, Sara F. Levin

    Betäubte Orte: Erkundungen im Verdeckten

  • Alexandra Klei

    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

    Empowered. Popular Feminism and Popular Misogyny

  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

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    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

    The Withdrawal of the Red Army

  • IDEA #381

    Transboundary Design. Perspective of Yoshihisa Tanaka

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  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

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    Museums at the Post-Digital Turn

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    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

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  • Marco Revelli

    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

  • Tchoban Foundation

    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

  • HeK (House of Elecronics Basel)

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  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

  • Rosi Braidotti

    Posthuman Knowledge

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    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

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    We Are Many. Art, the Political and Multiple Truths

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    Critical Care. Architecture and Urbanism for a Broken Planet

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    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

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    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

  • Heike Munder (Ed.)

    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

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    Design for the Real World

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    Wohnen für Alle: Bautenkatalog

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    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

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    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

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    Graphic Design Play Book: An Exploration of Visual Thinking

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    Working Aesthetics: Labour, Art and Capitalism

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    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

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    Boden behalten - Stadt gestalten

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    Afterlives of Neoliberalism

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    Slow Down Fast, A Toda Raja

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    Virtual Reality: Edition Digital Culture 6

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Seeing Science: How Photography Reveals the Universe

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    XYZT

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    Comradeship: Curating, Art, and Politics in Post-Socialist…

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    Color for Architects

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    Junya Ishigami

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    Sad by Design: On Platform Nihilism

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    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

  • Ben Green

    The Smart Enough City: Putting Technology in Its Place to…

Seamless: Digital Collage and Dirty Realism in Contemporary Architecture

Während der letzten 50 Jahre haben sich Architektur und Fotografie immer stärker miteinander verwoben. Den Anfang machten Robert Venturi und Denise Scott Brown, die sich von Ed Ruschas und Stephen Shores Fotokunst begeistern liessen. Seither wurde das Verhältnis zwischen Fotograf und Architekt immer enger. Die heutige Generation von Architekten und Fotografen folgt nicht mehr der tradierten Arbeitsteilung. Vielmehr profitieren beide von der Rolle des jeweils anderen.
Seamless widmet sich dieser stetigen Annäherung des Gestaltens und Abbildens von Gebäuden und betrachtet das Verhältnis zwischen Architekten und Fotografen, ihre gegenseitige Beeinflussung und die Ideologie einer solchen Zusammenarbeit. Jesús Vassallo untersucht auch, wie digitale Technologie auf die Entstehung von Architektur einwirkt, und hinterfragt deren fotografische Darstellung. Basierend auf Gesprächen werden in drei Kapiteln exemplarische Kooperationen nachgezeichnet: Filip Dujardin mit Jan De Vylder, Philipp Schaerer mit Roger Boltshauser und Bas Princen mit OFFICE Kersten Geers David van Severen.
During the past fifty years, documentary photography and architecture have become increasingly interdependent, blurring the disciplinary boundary between the two. Seamless looks at the work of a new generation of European photographers and architects working together to produce images of architecture made from fragments of reality. At the same time, it investigates how shared digital technologies influence the creation of architecture and its photographic representation through images.
Based on a series of interviews, Seamless discusses the collaborations between Filip Dujardin and Jan De Vylder, Philipp Schaerer and Roger Boltshauser, and Bas Princen and OFFICE Kersten Geers David van Severen. Each of the three sections is illustrated with a series in images that form parallel narratives within the book. In the concluding essay, architect Jesús Vassallo pulls together the treads of the conversations to investigate questions about the impact of digital technology on the value assigned to images, how shared technological platforms enhance the influence photographers and architects have on each other, and why they have often chosen to focus on the dirty realism of the urban spaces.


Jesús Vassallo
Seamless: Digital Collage and Dirty Realism in Contemporary Architecture
Park Books, 2016, 9783038600190