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  • Ingeborg Bloem & Klaus Kempenaars

    Branded Protest. The Power of Branding and its Influence on…

  • Wiel Arets

    Un-Conscious-City

  • Achille Mbembe

    Necropolitics

  • K. Jacobson, A. Ray (eds)

    ...and Other Such Stories: 2019 Chicago Architecture…

  • Barsac, Cheruet, Perriand (eds.)

    Charlotte Perriand: Inventing A New World

  • Daniel López-Pérez

    R. Buckminster Fuller - Pattern-Thinking

  • Carlana, Mezzalira, Pentimalli (eds.)

    Quirino De Giorgio. An Architect's Legacy

  • Annette Weisser

    Mycelium

  • Hendrik Kempt, Megan Volpert (Ed.)

    RuPaul's Drag Race and Philosophy. Sissy That Thought

  • Warren Neidich

    The Glossary of Cognitive Activism (For a not so distant…

  • Crimson Historians & Urbanists

    City of Comings and Goings

  • Alan Quireyns, Nav Haq

    Sustainability is not enough. Non-Conventional…

  • Borasi, Ferré, Garutti, Kelley, Zardini…

    The Museum Is Not Enough

  • Mark van Wageningen

    Color and Type: Mehrfarbige Multi-Layer-Schriften entwerfen…

  • M. Kries, T. Cunz (Hg)

    Objekte der Begierde. Surrealismus und Design 1924 - Heute

  • Lukas Feireiss

    Radical Cut-Up: Nothing Is Original

  • Chanon Goodwin (Ed.)

    Permanent Recession: A Handbook on Art, Labour and…

  • David Toop

    Inflamed Invisible: Collected Writings on Art and Sound,…

  • Tom Bieling (Ed.)

    Design (&) Activism: Perspectives on Design as Activism…

  • Material Matters 04

    Paper: Creative interpretations of common materials

  • Kate Franklin, Caroline Till

    Radical Matter: Rethinking Materials for a Sustainable…

  • Owen Hatherley, Christopher Herwig

    Soviet Metro Stations

  • Amt für Hochbauten der Stadt Zürich

    Pavillon Le Corbusier Zürich: Restaurierung eines…

  • Peter Adam

    Eileen Gray: Her Life and Work

  • Diedrich Diederichsen, Anselm Franke (…

    Liebe und Ethnologie: die koloniale Dialektik der…

  • Eyal Weizman

    Forensic Architecture: Violence at the Threshold of…

  • Jens Müller (Ed.)

    West-Berlin Grafik-Design. Gestaltung hinter dem Eisernen…

  • Dimitry Kochenov

    Citizenship (Essential Knowledge Series)

  • Jason Oddy

    Revolution Will Be Stopped Halfway: Oscar Niemeyer in…

  • Alessandro Zambelli

    Scandalous Space - Between architecture and archaeology

  • Holly Buck

    After Geoengineering: Climate Tragedy, Repair, and…

  • Junya Ishigami

    Serpentine Pavilion 2019

  • Jesús Vassallo

    Epics in the Everyday: Photography, Architecture, and the…

  • A. Gigon, M. Guyer (Hg.)

    Bürogebäude

  • Mckenzie Wark

    Capital Is Dead: Is This Something Worse?

  • Susanne Hefti & Damjan Kokalevski

    Skopje Walkie Talkie

  • K. Grimstad, S. Rennie (Hg)

    The New Woman's Survival Catalog: A Woman-Made Book

  • Fink, Graff, Rostek, Wagner (Hg.)

    Architects on Architects

  • Natasha Lennard

    Being Numerous. Essays on Non-Fascist Life

  • Graphic #44

    Berlin Issue

  • Peter Weibel (Hg.)

    Sound Art: Sound as a Medium of Art

  • Walter Scheiffele

    Ostmoderne-Westmoderne

  • Samuel Greengard

    Virtual Reality

  • Ion Grigorescu

    From static oblivion

  • Guy Standing

    Plunder of the Commons: A Manifesto for Sharing Public…

  • Sofia Bempeza

    Geschichte(n) des Kunststreiks

  • Vilém Flusser

    Vom Stand der Dinge. Eine kleine Philosophie des Design

  • Jane Hall

    Breaking Ground: Architecture by Women

  • Jason Bahbak Mohaghegh

    Omnicide: Mania, Fatality, and the Future-in-Delirium

  • Chantal Akerman

    My Mother Laughs

  • Stiftung Buchkunst

    Die Schönsten Deutschen Bücher 2019: The Best German Book…

  • Franco "Bifo" Berardi

    Die Seele bei der Arbeit: Von der Entfremdung zur Autonomie

  • Judith Butler

    Rücksichtslose Kritik. Körper, Rede, Aufstand

  • Alexandra Hopf, Regine Steenbock

    Vogue. M29 Special.09/2019 September

  • J. Dowling, C. Leterme

    From Latin America

  • Extinction Rebellion

    This Is Not A Drill: An Extinction Rebellion Handbook

  • Matthias Schmelzer, Andrea Vetter

    Degrowth / Postwachstum zur Einführung

  • M. Rothenberger, T. Weber (Hg)

    Nico – Wie kann die Luft so schwer sein an einem Tag an dem…

  • Marcel Hénaff

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  • Francesco Garutti

    Our Happy Life. Architecture and Well-Being in the Age of…

  • Kenya Hara

    Designing Japan. A Future Built on Aesthetics

  • T. Rieniets, C. Kämmerer

    Architektur der 1950er bis 1970er Jahre im Ruhrgebiet: Als…

  • Janwillem Schrofer (Ed.)

    Plan and Play, Play and Plan: Defining Your Art Practice

  • Giorgio Agamben

    Creation and Anarchy: The Work of Art and the Religion of…

  • Danae Io, Callum Copley (Ed.)

    Schemas of Uncertainty

  • Lucy Cotter

    Reclaiming Artistic Research

  • Sabine Hansmann, Finn Geipel (Hg.)

    Raummaschine: Exploring the Manifold Spaces

  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

    Plastic Capitalism. Contemporary Art and the Drive to Waste

  • Stefanie Graefe

    Resilienz im Krisenkapitalismus: Wider das Lob der…

  • Daniel Johnston

    Where are the ducks when you need them?

  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

  • A. Juppien, R. Zemp

    Vokabular des Zwischenraums: Gestaltungsmöglichkeiten von…

  • Paul O'Neill, Simon Sheikh, Lucy…

    Curating after the Global: Roadmaps for the Present

  • Maya Vinitsky (Ed.)

    Solar Guerrilla: Constructive Responses to Climate Change

  • Annette Jael Lehmann

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  • G. Cachin (Hg.)

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  • H. Bodenschatz, D. Brantz

    Grünfrage und Stadtentwicklung. 100 Jahre Groß-Berlin

  • Christoph Cox

    Sonic Flux: Sound, Art, and Metaphysics

  • Rosi Braidotti, Simone Bignall (eds.)

    Posthuman Ecologies. Complexity and Process after Deleuze

  • T. Garcia, V. Normand (Hg)

    Theater, Garden, Bestiary: A Materialist History of…

  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

  • Sabine Breitwieser (Ed.)

    E.A.T. - Experiments in Arts and Technology

  • Richard Buckminster Fuller

    R. Buckminster Fuller. Nine Chains to the Moon. An…

  • Ulrike Bernard

    Wuan Wandeln

  • Jenelle Porter

    Less Is a Bore: Maximalist Art & Design

  • Agata Toromanoff

    Impossible Design: Außergewöhnliche Designobjekte der…

  • C. Leonard, L. Khonsary (Hg)

    The Halifax Conference. Oct. 5&6 1970

  • Birgit Rieger, Claudia Wahjudi

    Berlin Interviews. 16 Künstlerinnen und Künstler über eine…

  • Paolo Cirio

    Evidentiary Realism. Investigative, Forensic, Documentary…

  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

    Conflictual Aesthetics: Artistic Activism and the Public…

  • Jürgen Hasse, Sara F. Levin

    Betäubte Orte: Erkundungen im Verdeckten

  • Alexandra Klei

    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

    Empowered. Popular Feminism and Popular Misogyny

  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

Wanderlust: Actions, Traces, Journeys 1967-2017

Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary in process, with some artists working as solitary figures implanting themselves physically on the landscape while others perform and create movements in a collaborative manner or in public.
Many of the earlier works use what were at the time nontraditional methods of art making. In Trail Markers (1969), for example, Nancy Holt spent time in the English countryside, where she documented the painted orange trail markers she found dotting the landscape. Vito Acconci explored his body's "occupancy" of public space through the execution of preconceived actions or activities. In Following Piece (1969), Acconci followed one randomly chosen stranger through the streets of New York. A Line Made by Walking (1967), a black-and-white photograph of Richard Long's imprint of a straight line in a field, was Long's first walking art work, made on a journey to St Martin's from his home in Bristol. Ana Mendieta's influential Silueta Works in Mexico (1977) documents performances by the artist during her travel between Iowa and Mexico, in which she imprints her body on the landscape while addressing issues of displacement.
Each of these works recognizes the walk and the journey as much more than just a basic human act. Rebecca Solnit observes that walking replicates thinking, adding "the motions of the mind cannot be traced, but those of the feet can." These works trace the motions of wandering artists' focused minds.
Artists include Vito Acconci, Bas Jan Ader, Nevin Aladag, Francis Alÿs, Janine Antoni, John Baldessari, Kim Beck, Roberley Bell, Blue Republic, Sophie Calle, Rosemarie Castoro, Cardiff/Miller, Zoe Crosher, Fallen Fruit, Mona Hatoum, Nancy Holt, Kenneth Josephson, William Lamson, Richard Long, Marie Lorenz, Mary Mattingly, Anthony McCall, Ana Mendieta, Teresa Murak, Wangechi Mutu, Efrat Natan, Gabriel Orozco, Carmen Papalia, John Pfahl, Pope.L, Teri Rueb, Michael X. Ryan, Todd Shalom, Mary Ellen Strom, and Guido van der Werve.
Contributors Rachel Adams, Lucy Ainsworth, Andrew Barron, Pamela Campanaro, Andy Campbell, Hannah Cattarin, Ian Cofre, Jamie DiSarno, Katherine Finerty, Joshua Fischer, Natalie Fleming, Melanie Flood, Jason Foumberg, Allison Glenn, Kate Green, Ross Stanton Jordan, Anna Kaplan, Jamilee Lacy, Jennie Lamensdorf, Toby Lawrence, Jane McFadden, Lynnette Miranda, Conor Moynihan, Liz Munsell, Karen Patterson, Ariel Lauren Pittman, Sean Ripple, Eve Schillo, Holly Shen, Rebecca Solnit, Lexi Lee Sullivan, Whitney Tassie, Charlie Tatum, Zoe Taleporos, Lori Waxman


Rachel Adams
Wanderlust: Actions, Traces, Journeys 1967-2017
MIT Press, 2017, 978-0-262-03705-1