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  • Chus Martínez

    The Complex Answer. On Art as a Nonbinary Intelligence

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    The White West: Fascism, Unreason, and the Paradox of…

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  • Piet Eckert, Wim Eckert (Hg.)

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  • Arnold Aronson

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  • Flavien Menu (Ed.)

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  • Matteo Pasquinelli

    The Eye of the Master. A Social History of Artificial…

  • Angelika Burtscher, Daniele Lupo

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  • Anna Unterstab

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  • Silvio Lorusso

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  • OASE Journal for Architecture #116

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  • Ruth Duma-Coman

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  • Andrew Berardini

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  • dérive

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  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

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  • Talja Blokland

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  • Małgorzata Bartosik

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  • Bernadette Krejs

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  • Myria Georgiou

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  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

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  • Anthony Brand

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    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

    Architecture from Public to Commons

  • Edna Bonhomme, Alice Spawls (Eds)

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  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

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  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

    Bruno Munari. Fantasia. Erfindung, Kreativität und…

  • Simone Jung, Steffi Hobuß, Sven Kramer

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  • Ben Schwartz (ed)

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  • Rick Poynor

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  • Jonathan Cary

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  • Monica Ponce De Leon (Ed.)

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  • George Brugmans

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  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

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    Pippa Garner. Act Like You Know Me

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When Artists Curate. Contemporary Art and the Exhibition as Medium

An increasing proportion of exhibitions are curated by artists rather than professional curators, and in this book Alison Green provides the first critical history of visual artists as curators. Green’s curatorial artist emerges as a seemingly contradictory figure: someone who carries a special responsibility for critiquing art’s institutions, for bringing considerable creativity to the craft of making exhibitions and, through experimentation, someone who has changed the way exhibitions are understood to be authored and experienced—but at the same time, someone who is curiously ubiquitous.
Rather than portraying artist curators as exceptional or rare, Green establishes the fact that artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the story of art starts to look very different. Beautifully illustrated and featuring in-depth explorations of the work of revered artist curators like Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol, and Félix González-Torres, When Artists Curate will change the way we think about and look at exhibitions.


Alison Green
When Artists Curate. Contemporary Art and the Exhibition as Medium
Reaktion Books, 2018, 9781780239330