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  • Matt Mullican

    Editions 1985-2012

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    Letters from Utopia

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    Das Versprechen der Kunst

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    Damage Control. Art and Destruction Since 1950

  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    Three Faces. Archive Chalayan

  • Alistair Hicks

    The Global Art Compass

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  • Jan Verwoert

    COOKIE!

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    War postdigital besser?

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    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

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    Mapping Everything

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    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

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    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

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    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

  • Barbara Penner

    Bathroom (Objekt series)

  • Otto Paans, Ralf Pasel

    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    Domes, Arches and Minarets. A History of Islamic-Inspired…

  • Tracey Thorn

    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

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    Contestations. Learning from Critical Experiments in…

  • IDEA Magazine

    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Hans Ulrich Obrist

    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

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    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

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    The Ritual of the Snake

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    Wunderland

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

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    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

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    The Future of Architecture

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    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    Nuggets – New and Old Writing on Art, Architecture, and…

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    The World According to Patricia Esquivias. Fernando Garrido…

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    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

  • Model House Research Group (Ed.)

    Transcultural Modernisms

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    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

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  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens 1. Siegfried…

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    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

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    Gwangju Folly II

  • Katrin Grögel

    Andrea Zittel. Institute of Investigative Living. Leben und…

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    3 New York Dadas and the Blindman

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

  • Aleksandra Mir

    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    China's Vanishing Worlds. Countryside, Traditions, and…

When Artists Curate. Contemporary Art and the Exhibition as Medium

An increasing proportion of exhibitions are curated by artists rather than professional curators, and in this book Alison Green provides the first critical history of visual artists as curators. Green’s curatorial artist emerges as a seemingly contradictory figure: someone who carries a special responsibility for critiquing art’s institutions, for bringing considerable creativity to the craft of making exhibitions and, through experimentation, someone who has changed the way exhibitions are understood to be authored and experienced—but at the same time, someone who is curiously ubiquitous.
Rather than portraying artist curators as exceptional or rare, Green establishes the fact that artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the story of art starts to look very different. Beautifully illustrated and featuring in-depth explorations of the work of revered artist curators like Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol, and Félix González-Torres, When Artists Curate will change the way we think about and look at exhibitions.


Alison Green
When Artists Curate. Contemporary Art and the Exhibition as Medium
Reaktion Books, 2018, 9781780239330