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    The Sense of Brown (Perverse Modernities Series)

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    Gestures of Concern (Cultural Politics Series)

  • Harmony Bench

    Perpetual Motion. Dance, Digital Cultures, and the Common

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  • ETH Zurich, MAS Urban Design

    Migrant Marseille. Architectures Of Social Segregation And…

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    Living the City. Von Städten, Menschen und Geschichten

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    Performance Works

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    Ströme und Zonen. Eine Genealogie der "funktionalen…

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    Oval

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    Suppose a Sentence

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    Recommendation Engines

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    Ode to Routine

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    How many female type designers do you know? I know many and…

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    Geht doch! Ein Buch über bezahlbares Wohnen

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    Revolutions of Choice

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    Here and Now? Explorations in Urgent Publishing

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    In Search of African American Space. Redressing Racism

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    Revisions. Essays by Apollo Musagète, Yvonne Rainer, and…

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    Video Vortex Reader III: Inside the YouTube Decade. INC…

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    Superpowers of Scale

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    Das Arbeitende Konzert / The Working Concert

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    Moments of Rupture. Spaces, Militancy & Film

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    Belgrads radikale Ränder

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    Bauen und Erhalten. Eine Einführung

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    Come Closer: The Biennale Reader

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    Sibyl Moholy-Nagy. Kritikerin der Moderne

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    Master of Voice

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    Critique: The Stakes of Form

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    Ansteckkino. Eine politische Philosophie und Geschichte des…

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    Souveränes Virus? Atemnot des Kapitalismus

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    A Companion to Contemporary Documentary Film

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    Behelfsheim

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    Free Love Paid Love. Expressions of Affection in Mykonos

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    Branches. A Philosophy of Time, Event and Advent

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    Digital Life

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    A History of Solitude

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    The Metabolic Museum

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    Culture Sensitive Design. A Guide to Culture in Practice

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    The Fury Archives. Female Citizenship, Human Rights, and…

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    Undeclared Movements

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    Adriaan Beukers, Ed van Hinte

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    How To Build An Indian House. The Mumbai Example

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    Die Architekturmaschine: Die Rolle des Computers in der…

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    Afropessimism

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    Construction Site for Possible Worlds

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    Theory of the Gimmick. Aesthetic Judgment and Capitalist…

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    Live Cinema. Cultures, Economies, Aesthetics

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    Retroactivity and Contemporary Art

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    Performing Architectures. Projects, Practices, Pedagogies

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    Figur und Grund. Entwurfshaltungen im Design von William…

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    The Cosmos of Design. Exploring the Designer’s Mind

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    Ultrablack of Music

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    I Will Draw a Map of What You Never See

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    The World as Project: A Political Theory of Design

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    Futurity Report

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    Yvonne Rainer. Work 1961-73

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    What the Fire Sees. A Divided Reader

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    Qualities of Inhabiting. Studio Anne Lacaton, Lacaton…

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    Toward Freedom. The Case Against Race Reductionism

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    An Artificial Revolution. On Power, Politics and AI

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    Ferienmüde. Als das Reisen nicht mehr geholfen hat

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    Rights of Future Generations. Conditions

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    The Gentrification Debates A Reader

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    People Without History. India's Muslim Ghettos

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    Rave

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    Dirty Theory: Troubling Architecture

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    Queer Ancient Ways. A Decolonial Exploration

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    Niegeschichte. Science Fiction als Kunst- und Denkmaschine

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Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €