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    A Collection of Latin American Modern Architecture

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    No more learning from Las Vegas. Stadt, Wohnen oder…

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    On the Existence of Digital Objects

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    Reading Contemporary Performance. Theatricality Across…

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    Parrot Problems

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    The Chaplin Machine. Slapstick, Fordism and the Communist…

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    Composition, Non-Composition. Architecture and Theory in…

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    Fuck Seth Price (Second Edition, Hardcover)

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    Herzog de Meuron. Trügerische Transparenz. Beobachtungen…

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    Open House 2. Gestaltungskriterien für eine neue…

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    Extended Caption (DDDG)

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    Frederick Kiesler. Function Follows Vision, Vision Follows…

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    Friedrich Kiesler – Lebenswelten / Life Visions

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    Syria, A Travel Guide to Disappearance

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  • Timothy D. Taylor

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    Architecture Activism

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    RAVE. Rave and its Influence on Art and Culture

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    Constant. New Babylon. To Us, Liberty

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    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

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    World of Malls. Architekturen des Konsums

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    William Krisel's Palm Springs

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    Overheard and Interrupted

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    Design. The Invention of Desire

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    galesburg, illinois+

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    Archigrafie. Schrift am Bau

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    Housing Cairo

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    Harun Farocki. Another Kind of Empathy

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    Decolonizing Nature: Contemporary Art and the Politics of…

  • Hans Ulrich Obrist

    Lives of the Artists, Lives of the Architects

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    Behind the facts. Interfunktionen 1968-1975

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    Facebook-Gesellschaft

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    Die Mauerpark-Affäre

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    Raw Concrete. The Beauty of Brutalism

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    The Order of Sounds. A Sonorous Archipelago

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    Practical Poetics in Architecture

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    Builders. Socially engaged Architecture from Hungary

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    Betrachtungen einer Ungestalt. Die schönsten Schweizer…

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    Poltronova Backstage: Archizoom, Sottsass and Superstudio.…

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    Nach Kunst

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    Documentary Across Disciplines

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    Reproducing Autonomy. Work, Money, Crisis and Contemporary…

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    Formbewusstsein. Eine kleine Vernetzung der alltäglichen…

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    Roberto Burle Marx: Brazilian Modernist

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    VeryGraphic. Polish Designers of the 20th Century

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    Front, Field, Line, Plane. Researching the Militant Image

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    Residential Towers

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    The Present in Drag

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    Social Media Abyss. Critical Internet Cultures and the…

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    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

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    Spiritus

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    Mortal Cities and Forgotten Monuments

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    Sentiment Architectures. A Field Trip to Behaviour and…

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    Manifestly Haraway

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    The Arab City: Architecture and Representation

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    Nervous Systems

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    Outlaw Territories. Environments of Insecurity/…

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    Landscapes of Communism. A History Through Buildings

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    Mogadishu. Lost Moderns

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    Making Heimat. Germany, Arrival Country

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    Visual Cultures as Opportunity

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    Transparenzen/Transparencies

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    Super Superstudio

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    This Brutal World

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    Sou Fujimoto

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    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

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    The Autobiography of Video. The Life and Times of a Memory…

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    Dark Ecology. For a Logic of Future Coexistence

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    The Stack. On Software and Sovereignty

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    Berlin Raum Radar. Neue Architekturfotografie

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    Active Withdrawals. Life and Death of Institutional Critique

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    Rethinking the Modular. Adaptable Systems in Architecture…

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    Gedruckt und erblättert. Das Fotobuch als Medium…

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    Banking on Images. From the Bettmann Archive to Corbis

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    Construction Matters

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    Sonnets

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    Art in the Making: Artists and Their Materials from the…

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Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €