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  • Jörg H. Gleiter, Ludger Schwarte (Hg.)

    Architektur und Philosophie. Grundlagen. Standpunkte.…

  • IGBK (Hg.)

    Dreams of Art Spaces Collected

  • Frances Holliss

    Beyond Live/Work. The Architecture of Home-Based Work

  • Marc Angélil & Sarah Nichols (Ed.)

    Reform! Essays on the Political Economy of Urban Form – Vol…

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    Schleifen. Zur Geschichte und Ästhetik des Loops

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    Governing by Debt

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    Mirrors for Princes

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    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

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    Artist Novels. The Book Lovers Publication

  • Franco »Bifo« Berardi

    Der Aufstand. Über Poesie und Finanzwirtschaft

  • Claire Doherty (Ed.)

    Out of Time, Out of Place. Public Art (Now)

  • Anthony Gardner

    Politically Unbecoming. Postsocialist Art against Democracy

  • Monika Rinck

    Risiko und Idiotie. Streitschriften

  • Kristien Ring, AA Projects, SenStadtUm…

    Urban Living. Strategien für das zukünftige Wohnen

  • Annette Kelm

    Subjects and Objects

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    Turning Inward

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    Oskar Schlemmer. Visionen einer neuen Welt

  • Shumon Basar, Douglas Coupland, Hans…

    The Age of Earthquakes. A Guide to the Extreme Present

  • Hilde van Gelder (Ed.)

    Allan Sekula. Ship of Fools/The Dockers' Museum

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    Isa Genzken (October Files)

  • John Miller

    Mike Kelley. Educational Complex

  • David Adjaye

    Form, Heft, Material

  • Shumon Basar, Douglas Coupland, Hans…

    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

  • Lisa Smirl

    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

  • Marc-Camille Chaimowicz

    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

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    The Curator's Handbook. Museums, Commercial Galleries…

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    Not Now! Now! Chronopolitics, Art & Research

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    Hartz IV und wir

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    Land & Animal & Nonanimal

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    Art City Lab. Neue Räume für die Kunst

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    The Curatorial. A Philosophy of Curating

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    The Forgotten Pioneer Movement: Guidebook

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    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

  • Susanne Hauser, Claus Dreyer (Hg.)

    Das Konkrete und die Architektur

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    Urbanism and Dictatorship. A European Perspective

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    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

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    State of Insecurity. Government of the Precarious

  • Paolo Virno

    Deja Vu and the End of History

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    Sonia Delaunay. Fashion and Fabrics

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    Siegfried Kracauer. Fotoarchiv

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    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

  • Eduard Sancho Pou

    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

  • Manfred Mohr, Margit Rosen

    Der Algorithmus des Manfred Mohr

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    Weltausstellung

  • Robin Mackay (Ed.)

    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

  • Andri Gerber

    Metageschichte der Architektur. Ein Lehrbuch für angehende…

  • Hans Ulrich Obrist

    Kuratieren!

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    The Universe of Things. On Speculative Realism

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    Everything is Connected. Home Collection (Vitra)

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

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    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

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    Translations

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    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Open Form. Space, Interaction, and the Tradition of Oskar…

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    Sigfried Kracauer. Photographic Archive

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    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

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    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

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    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

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    Museum of the Future

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    Aesthetics of the Flesh

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    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

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    New Management

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €