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  • Christoph Tannert (Hg.)

    Berlin Art Scene

  • Andreas van Dühren (Hg.)

    TEXT Gespräche

  • Dario Azzellini, Marina Sitrin

    They Can't Represent Us! Reinventing Democracy from…

  • Valentin Groebner

    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Hans Ulrich Obrist

    Ways of Curating

  • Nina Möntmann (Ed.)

    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

  • Emil Ruder

    Fundamentals

  • Graham Cairns

    The Architecture of the Screen

  • Andrej Holm

    Mietenwahnsinn

  • René Pollesch

    Kill Your Darlings

  • Helmut Lethen

    Der Schatten des Fotografen

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

  • Diedrich Diederichsen

    Über Pop-Musik

  • Helmut C. Schulitz

    Entfesselung der Architektur. Der Architekt: Baumeister…

  • Elisabeth Roudinesco

    Lacan. In Spite Of Everything

  • Claudia Quiring, Andreas Rothaus,…

    Neue Baukunst. Architektur der Moderne in Bild und Buch

  • Judith Butler, Athena Athanasiou

    Die Macht der Enteigneten. Das Performative im Politischen

  • Matt Mullican

    Editions 1985-2012

  • Ljiljana Kolešnik (Ed.)

    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Birkenstock, Kastner, Sonderegger (Eds.)

    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

  • Tactical Technology Collective

    Visualising Information for Advocacy

  • Emma Lavigne

    Pierre Huyghe

  • IDEA Magazine

    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Anna Feigenbaum, Fabian Frenzel,…

    Protest Camps

  • Gianni Politi

    The Ritual of the Snake

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

  • Karl-Siegbert Rehberg, Paul Kaiser (Hg.)

    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens II. Siegfried…

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Aleksandra Mir

    The Space Age. Poster Book

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Stefan Römer

    The ups and downs of Stan Back

  • Robert Lippok

    Steady Unsteady

  • Deborah Ligorio

    Survival Kits

  • Barbara Vinken

    Angezogen. Das Geheimnis der Mode

  • Heimo Lattner

    A Voice That Once Was In One's Mouth

  • Martha Buskirk

    Creative Enterprise. Contemporary Art Between Museum and…

  • Hans-Christian Dany

    Morgen werde ich Idiot. Kybernetik und Kontrollgesellschaft

  • Turit Fröbe

    Die Kunst der Bausünde

  • IFA (Ed.)

    Future Perfect. Contemporary Art from Germany

  • Wilfried Wang, Dan Sylvester (Hg.)

    Hans Scharoun. Philharmonie

  • Chair of Prof. Dr. Josep Lluís Mateo…

    Middle East. Landscape City Architecture

  • Volko Kamensky, Julian Rohrhuber (Hg.)

    Ton. Texte zur Akustik im Dokumentarfilm

  • Anna Schober

    The Cinema Makers. Public Life and the Exhibition of…

  • von Borries, Ahlert, Fischer (Hrsg.)

    Die Berliner Weltverbesserungsmaschine. Die Rekonstruktion…

  • Friedrich von Borries, Jens-Uwe Fischer

    Die Berliner Weltverbesserungsmaschine. Die Geschichte (…

  • Sven Lütticken

    History in Motion. Time in the Age of the Moving Image

  • Kevin C. Smith

    Recombo DNA. The Story of Devo, or How the 60s Became the…

  • Bastian Lange, Gottfried Prasenc,…

    Ortsentwürfe. Urbanität im 21. Jahrhundert

  • E. Beyer, A. Hagemann, M. Zinganel (Eds…

    Seaside Architecture and Urbanism in Bulgaria and Croatia.…

  • Claudia Mareis, Matthias Held, Gesche…

    Wer gestaltet die Gestaltung? Praxis, Theorie und…

  • Jean-Luc Nancy

    Äquivalenz der Katastrophen (Nach Fukushima)

  • Rem Koolhaas, Hal Foster

    Junkspace with Running Room

  • Hilke Wagner, Axel Wieder (Eds.)

    Susanne Kriemann

  • Alison Knowles

    The Big Book

  • Lionel Bovier

    Paulina Olowska. Book

  • Anri Sala

    Ravel Ravel Unravel

  • Anne Huffschmid, Kathrin Wildner (Hg.)

    Stadtforschung aus Lateinamerika: Neue urbane Szenarien.…

  • Jonathan Crary

    24/7. Late Capitalism and the Ends of Sleep

  • Thomas Keenan, Tirdad Zolghadr (Eds.)

    The Human Snapshot

  • Between Artists

    Thom Andersen / William E. Jones

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599