Direkt zum Inhalt

Warenkorb

  • Benjamin Bühler, Stefan Rieger

    Vom Übertier. Ein Bestiarium des Wissens

  • Jochen Brüning, Eberhard Knobloch (Hg.)

    Die mathematischen Wurzeln der Kultur. Mathematische…

  • Matthias Bruhn, Kai-Uwe Hemken (Hg.)

    Modernisierung des Sehens. Sehweisen zwischen Künsten und…

  • Horst Bredekamp, Gabriele Werner (Hg.)

    Bildtechniken des Ausnahmezustandes. Bildwelten des Wissens…

  • Horst Bredekamp, Pablo Schneider (Hg.)

    Visuelle Argumentationen. Die Mysterien der Repräsentation…

  • Cornelius Borck, Armin Schäfer (Hg.)

    Psychographien

  • Anette Bitsch

    "always crashing in the same car". Jacques Lacans…

  • Markus Miessen (Hg.)

    The Violence of Participation

  • Joachim Krausse (Hg.)

    Richard Buckminster Fuller. Bedienungsanleitung für das…

  • Mark E. Smith

    Renegade. The Lives and Tales of Mark E. Smith

  • Anthony Vidler

    Histories of the Immediate Present. Inventing Architectural…

  • Metahaven (Kruk, van der Velden,…

    White Night Before A Manifesto

  • Henri Lefebvre

    Critique of Everyday Life (Volume 2). Foundations for a…

  • Henri Lefebvre

    Critique of Everyday Life (Volume 1)

  • Alexander Hamedinger

    Raum, Struktur und Handlung als Kategorien der…

  • Stuart Elden

    Understanding Henri Lefebvre. A Critical Introduction

  • Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Michel Auder

    Michel Auder. Selected Video Works 1970 - 1991

  • Claude Levi-Strauss

    Das wilde Denken

  • Siegfried Zielinski

    Variantology 2. On Deep Time. Relations of Arts, Sciences…

  • Norbert Wiener

    Cybernetics or the Control and Communication in the Animal…

  • Margarete Vöhringer

    Avantgarde und Psychotechnik: Wissenschaft, Kunst und…

  • Erich Hörl, Michael Hagne

    Die Transformation des Humanen. Beiträge zur…

  • Mario Fusco (Hg.)

    The Happy Hypocrite. For and About Experimental Art Writing…

  • Peter Mörtenbeck, Helge Mooshammer (Hg.)

    Networked Cultures. Parallel Architectures and the Politics…

  • Rosalind Krauss

    A Voyage on the North Sea. Broodthaers, das Postmediale

  • Paul D. Miller (Hg.)

    Sound Unbound. Sampling Digital Music and Culture

  • Dirk Bronger (Hg.)

    Marginalsiedlungen in Megastädten Asiens

  • Saskia Sassen (Hg.)

    Deciphering the Global. Its Spaces, Scales and Subjects

  • Gerald Raunig

    Tausend Maschinen

  • Hans-Jörg Rheinberger

    Epistemologie des Konkreten. Studien zur Geschichte der…

  • Thomas S. Kuhn

    Die Struktur wissenschaftlicher Revolutionen

  • Friedrich Kittler, Ana Ofak (Hg.)

    Medien vor den Medien

  • Friedrich Kittler

    Aufschreibesysteme 1800 - 1900

  • Wolfgang Ernst, Friedrich Kittler (Hg.)

    Die Geburt des Vokalalphabets aus dem Geist der Poesie.…

  • Nils Lindahl Elliot

    Mediating Nature: Environmentalism and Modern Culture (…

  • Gaston Bachelard

    Der neue wissenschaftliche Geist

  • Stefan Andriopoulos, Bernhard J. Dotzler

    1929. Beiträge zur Archäologie der Medien

  • Esther K. Smith

    How to Make Books. Fold, Cut & Stitch Your Way to a One…

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • Marina Grzinic, Rosa Reitsamer (Hg.)

    New Feminism. Worlds of Feminism, Queer and Networking…

  • Marco d'Eramo

    Das Schwein und der Wolkenkratzer. Chicago: Eine Geschichte…

  • Andrew Pickering

    Kybernetik und Neue Ontologien

  • W.J.T. Mitchell

    Bildtheorie

  • Peter Gidal

    Andy Warhol. Blow Job

  • Merlin Carpenter

    Relax It's Only a Bad Cosima von Bonin Show

  • Jesko Fezer, Matthias Heyden

    Hier entsteht. Strategien partizipativer Architektur und…

  • Kyohei Sakaguchi

    Zero Yen Houses

  • Martha Rosler

    If You Lived Here. The City in Art, Theory, and Social…

  • Lloyd Kahn

    Home Work. Handbuilt Shelter

  • Jesko Fezer, Katja Reichard, Axel…

    Martin Pawley's Garbage Housing with Preconsumer Waste…

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Vice Magazine

    The Vice Photo Book

  • Robert Klanten, Lukas Feireiss

    SpaceCraft. Fleeting Architecture and Hideouts

  • Catherine de Smet, Emmanuel Bérard

    Wim Crouwel. Typographic Architectures

  • Paula Court

    New York Noise: Art and Music from the New York Underground…

  • James Elkins, Michael Newman

    The State of Art Criticism

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • John Fahey und Karl Bruckmaier

    John Fahey. Orange

  • Yona Friedman, Hans-Ulrich Obrist

    Yona Friedman. The Conversation Series (7)

  • Margrit Brehm, Axel Heil, Roberto Ohrt

    Paul Thek. Tales the Tortoise Taught Us

  • Brian O'Doherty

    Studio and Cube. On The Relationship Between Where Art is…

  • Guy Debord

    Comments on the Society of the Spectacle

  • Ruth Slavid

    Micro: Very Small Buildings

  • Norbert E. Yankielun

    How to Build an Igloo and Other Snow Shelters

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Igor J. Polianski

    Die Kunst, die Natur vorzustellen: Die Ästhetisierung der…

  • Lisa Gitelman, Geoffrey B. Pingree (Hg.)

    New Media, 1740-1915 (Media in Transition)

  • Bernhard Siegert

    Passage des Digitalen

  • Alexander Böhnke, Jens Schröter (Hg.)

    Analog/Digital - Opposition oder Kontinuum? Zur Theorie und…

  • Wolfgang Schäffner, Sigrid Weigel,…

    Der liebe Gott steckt im Detail. Mikrostrukturen des Wissens

  • Slava Gerovitch

    From Newspeak to Cyberspeak. A History of Soviet…

  • Alex Steffen

    Das Handbuch der Ideen für eine bessere Zukunft.…

  • Lisa Diedrich (Hg.)

    Territories. Agence Ter. Die Stadt aus der Landschaft…

  • James Corner (Hg.)

    Recovering Landscape. Essays in Contemporary Landscape…

  • Peter Lamborn Wilson, Bill Weinberg (Hg…

    Avant-Gardening. Ecological Struggle in the City and the…

  • Daniela Colafranceschi

    Landscape + 100 words to inhabit it

  • Gilles Clement, Philippe Rahm

    Environ(ne)ment. Approaches for Tomorrow

  • Clare Cumberlidge, Lucy Musgrave

    Design and Landscape for People

  • Jutta Nachtwey, Judith Mair

    Design Ecology! Neo-grüne Markenstrategien

  • Duncan McCorquodale

    Recycle. The Essential Guide

  • Manfred Hegger, Matthias Fuchs, Thomas…

    Energie Atlas. Nachhaltige Architektur

  • Sergi Costa Duran

    Green Homes. New Ideas for Sustainable Living

  • Ian McHarg

    Conversations with Students. Dwelling in Nature

  • Nik Heynen, Maria Kaika, Erik Swyngedow

    In the Nature of Cities. Urban Political Ecology and the…

  • Marina Alberti

    Advances in Urban Ecology: Integrating Humans and…

  • Heather Rogers

    Gone Tomorrow. The Hidden Life of Garbage

  • Allen Carlson

    Nature and Landscape. An Introduction to Environmental…

  • Donna Haraway

    When Species Meet

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Gregory Bateson

    Ökologie des Geistes. Anthropologische, psychologische,…

  • Mark Garcia

    Architextiles

  • Susanne Küchler, Daniel Miller

    Clothing as Material Culture

  • Caryn Simonson

    Textile Volume 6 Issue 3. The Journal of Cloth and Culture…

  • Quentin Hirsinger, Elodie Ternaux,…

    Materiology. Handbuch für Kreative. Materialien und…

  • Luis Fernandez-Galiano

    AV 115. Materiales de Construccion. Building Materials

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €