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  • Andrew Witt

    Formulations. Architecture, Mathematics, Culture (Writing…

  • Nick Axel, Nikolaus Hirsch, Daniel…

    Accumulation. The Art, Architecture, and Media of Climate…

  • Andreas Kemper

    Privatstädte. Labore für einen neuen Manchesterkapitalismus

  • Vogliamo tutto (Hg.)

    Revolutionäre Stadtteilarbeit. Zwischenbilanz einer…

  • Michel Leiris, Irene Albers (eds.)

    Phantom Afrika

  • Jan Herres

    Das Berliner Zimmer. Geschichte, Typologie,…

  • Jonathan Crary

    Scorched Earth. Beyond the Digital Age to a Post-Capitalist…

  • Cary Wolfe

    Art and Posthumanism. Essays, Encounters, Conversations

  • Joanna Zylinska (Hg)

    The Future of Media

  • Matthew Gandy

    Natura Urbana. Ecological Constellations in Urban Space

  • Matthew Wizinsky

    Design after Capitalism. Transforming Design Today for an…

  • Jan De Vylder, Annamaria Prandi / ETH…

    Seven Questions

  • Katja Eydel

    Appointed Habitus Set

  • Yaiza Camps, Moritz Grünke, Pascale…

    Decolonizing Art Book Fairs: Publishing Practices from the…

  • Carla Zaccagnini

    Carla Zaccagnini. Cuentos de Cuentas

  • Beate Söntgen, Julia Voss (Hg.)

    Why Art Criticism? A Reader.

  • Denise Ferreira da Silva

    Unpayable Debt

  • Carol Vernallis, Holly Rogers, Jonathan…

    Cybermedia. Explorations in Science, Sound, and Vision

  • Kathy Acker, McKenzie Wark

    Du hast es mir sehr angetan. E-Mails 1995/96

  • Kirsty Bell

    The Undercurrents. A Story of Berlin

  • Arnold Bartetzky Nicolas, Karpf, Greta…

    Architektur und Städtebau in der DDR. Stimmen und…

  • Timo Feldhaus

    Mary Shelleys Zimmer. Als 1816 ein Vulkan die Welt…

  • Barbara Winckler, Enass Khansa,…

    Thinking Through Ruins. Genealogies, Functions, and…

  • Stanislas Chaillou

    Artificial Intelligence and Architecture. From Research to…

  • Reclaim Your City

    Bitte Lebn. Urbane Kunst & Subkultur in Berlin 2003 -…

  • Claudia Mareis, Moritz Greiner-Petter,…

    Critical by Design? Genealogies, Practices, Positions

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 247. Cohabitation

  • Mark Sealy

    Photography. Race, Rights and Representation

  • Anna-Sophie Springer & Etienne…

    These Birds Of Temptation (Intercalations 6)

  • Ioanna Gerakidi & Danae Io

    In the Current of the Situation

  • Ricardo Devesa

    Outdoor Domesticity. On the Relationships between Trees,…

  • Nils Wortmann

    Alles so schön still hier 100 Ambient-Alben, die man gehört…

  • Herbert Haffner

    His Master's Voice. Die Geschichte der Schallplatte.…

  • Markus Müller (Hg)

    Free Music Production. FMP - The Living Music

  • Alexander Opper, Katharina Fink, Nadine…

    Das Bauhaus verfehlen/ Missing the Bauhaus

  • Katharina Fink, Marie-Anne Kohl, Nadine…

    Ghosts, spectres, revenants. Hauntology as a means to think…

  • Christine Schranz (ed.)

    Shifts in Mapping. Maps as a tool of knowledge

  • Finn Dammann, Boris Michel (Hg.)

    Handbuch Kritisches Kartieren

  • Krypto-Kunst Kolja Reichert

    Krypto-Kunst. NFTs und digitales Eigentum (Digitale…

  • Alexander Stumm, Victor Lortie (Hg)

    Überbau. Produktionsverhältnisse der Architektur im…

  • Robin Becker, David Hagen, Livia von…

    Ästhetik nach Adorno. Positionen zur Gegenwartskunst

  • Giovanna Borasi (Hg.)

    A Section of Now. Social Norms and Rituals as Sites for…

  • Boris Groys

    Philosophy of Care

  • Terry Smith

    Curating the Complex and the Open Strike

  • Pedro Neves Marques (ed.)

    YWY, Searching for a Character between Future Worlds Gender…

  • Bassam El Baroni (ed.)

    Between the Material and the Possible. Infrastructural Re-…

  • AA Cavia

    Logiciel. Six Seminars on Computational Reason

  • IDEA Magazine

    IDEA 397. Encountering Books. Art Book Fairs of the World,…

  • Oxana Timofeeva

    Solar Politics (Theory Redux)

  • Dhanveer Singh Brar

    Teklife, Ghettoville, Eski. The Sonic Ecologies of Black…

  • Jeanne van Heeswijk, Maria Hlavajova,…

    Toward the Not-Yet. Art as Public Practice

  • Karin Harrasser

    Surazo

  • Chase Galis, Christina Moushoul, Sonia…

    Party Planner, Vol. 1, Party Favor

  • Oli Freke

    Synthesizer Evolution: From Analogue to Digital and Back

  • Felix Pfeiffer-Kloss (Hg)

    Berlin U-Bahn Architecture & Design Map. Berliner U-…

  • Alvin Lucier

    Eight Lectures on Experimental Music

  • Derek Lamberton (Hg.)

    Brutalismus Stadtplan Berlin. Brutalist Berlin Map

  • Daniel Strassberg

    Spektakuläre Maschinen. Eine Affektgeschichte der Technik

  • Laurie Penny

    Sexuelle Revolution. Rechter Backlash und feministische…

  • bell hooks

    Männer, Männlichkeit und Liebe

  • Angela Million, Christian Haid, Ignacio…

    Spatial Transformations. Kaleidoscopic Perspectives on the…

  • Saidiya Hartman

    Diese bittere Erde (ist womöglich nicht, was sie scheint)

  • Simone Forti

    Simone Forti. Handbook in Motion. An Account of an Ongoing…

  • Paul Dobraszcyk

    Architecture and Anarchism. Building without Authority

  • Elke Genzel, Pamela Voigt

    BUCH ZWEI. Leben in Kunststoffbauten

  • Marie-Luise Angerer

    Nichtbewusst. Affektive Kurzschlüsse zwischen Psyche und…

  • Martin Eberle

    Hi Schatz!

  • Ernesto Laclau

    Die populistische Vernunft

  • Desiree Förster

    Aesthetic Experience of Metabolic Processes

  • Brandon LaBelle

    Dreamtime X

  • Israel Martínez

    Dead People Whispering to Us

  • Rodrigo Karmy Bolton

    The Future Is Inherited: Fragments of a Chile in Revolt

  • Ina Wudtke

    Worker Writers / Arbeiterschriftsteller:innen

  • Ekaterina Degot, David Riff, Jan Sowa (…

    Perverse decolonisation? (Deutsche Ausg.)

  • The Otolith Group, Megs Morley (Hg)

    Xenogenesis. The Otolith Group (Anjalika Sagar, Kodwo Eshun)

  • Karin Krauthausen, Rebekka Ladewig (Hg.)

    Modell Hütte. Von emergenten Strukturen, schützender Haut…

  • Edited by Michèle Leloup, Cyrille…

    The Wood That Makes Our City

  • Lars Henrik Gass (Hg.)

    Hellmuth Costard. Das Wirkliche war zum Modell geworden

  • Peter Swinnen, Nikolaus Hirsch

    A.J. Lode Janssens 1,47 mbar

  • Juliane Rebentisch

    Der Streit um Pluralität. Auseinandersetzungen mit Hannah…

  • Helke Sander

    I like chaos, but I don’t know, whether chaos likes me

  • Viction Workshop (Hg.)

    More Is More: Designing Bigger, Bolder, Brighter

  • Cristina Baldacci, Clio Nicastro,…

    Over and Over and Over Again Reenactment Strategies in…

  • Pauline Agustoni, Satomi Minoshima

    Craft Portrait: Dorozome

  • Nick Axel, Nicholas Korody (eds)

    Babyn Yar. Past, Present, Future

  • Brian Massumi

    Couplets. Travels in Speculative Pragmatism

  • Justin Joquue

    Revolutionary Mathematics. Artificial Intelligence,…

  • Melissa Anderson

    Inland Empire

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 246. Zeitgenössische feministische Raumpraxis

  • Alexander Galloway

    Uncomputable. Play and Politics in the Long Digital Age

  • Friedrich Balke, Bernhard Siegert,…

    Kleine Formen – Archiv für Mediengeschichte, Bd. 19

  • Ekaterina Degot, David Riff, Jan Sowa (…

    Perverse decolonisation? (English Ed.)

  • Hanka van der Voet, Johannes Reponen (…

    Warehouse Review 002, A Review of Reviews

  • Elizabeth Wilson

    Eingeweide, Pillen, Feminismus

  • Christiane Paul (Hg)

    A Companion to Digital Art (Blackwell Companions to Art…

  • Mariana Pestana, Sumitra Upham, Billie…

    Empathy Revisited. Designs for more than one

  • McKenzie Wark

    Philosophy for Spiders. On the Low Theory of Kathy Acker

  • Olivia Horsfall Turner, Simona…

    An Alphabet of Architectural Models

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €