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  • IDEA Magazine

    Idea 413. Fault Lines in Printing History: Risograph and…

  • AFF Architekten, Kim Grundlach (Hg)

    AFF Architekten. New Schools on the Block. A Typological…

  • Christopher Dell

    Michel Foucault oder die Heterotopie

  • Cassie Thornton & Magdalena Jadwiga…

    It's Too Late. Do It Anyway!

  • World of Interiors. December 2025 Mini Edition

  • Monique Wittig

    The Lesbian Body

  • Eva von Redecker

    Dieser Drang nach Härte. Über den neuen Faschismus

  • Amanda-Li Kollberg, Siri Lee Lindskrog

    Notes on Book Design: by Formal Setting

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    Anh-Linh Ngo

    ARCH+ 263. Stadtnatur / Urban Nature

  • Wolfgang Ullrich

    Memokratie. Soziale Medien und autoritäre Bildpolitik

  • Ilka Becker

    Mykoästhetik. Pilze, Kunst und Kino

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    Robotron. Code und Utopie

  • Sekou Cooke

    Black Architect

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    The Word for World is Water. World-Building and Creative…

  • Ferda Kolatan

    Misfits & Hybrids. Architectural Artifacts for the 21st…

  • Olaf Nicolai, Maraina Pende

    Olaf Nicolai, Mariana Pende. Dance Deluxe

  • Tiphaine Abenia, Louis Destombes,…

    Clara No. 11: The Ethics of Detailing

  • Marjan Unger (Autorin), Theo Smeets (Hg)

    Jewellery in Context. A multidisciplinary framework for the…

  • Volker M. Heins

    Sichere Häfen. Städte als Zuflucht

  • Krystina Castella

    Designing for Kids. Creating for Playing, Learning and…

  • Hans Teerds

    Space Is Politics. A Manifesto on Architecture

  • Felix Torkar

    Brutalist Berlin. An Architect's Guide to Brutalist…

  • Santiago Bogani, Igo Kommers Wender,…

    SHIFT. Architecture in Times of Radical Change

  • Michelle Christensen, Florian Conradi,…

    Re/Embodied Data. Ambiguities of Knowing

  • Tobias Allers

    Freiräume. Berliner Clubkultur. Berlin’s Club Culture…

  • Samantha Parsley

    Minor Keys. Gender, Inequality and Work In Electronic Music

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    Olga Goriunova

    Ideal Subjects. The Abstract People of AI

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    Susan Leigh Foster

    Knowing as Moving. Perception, Memory, and Place.

  • Joshua Comaroff

    Spectropolis. The Enchantment of Capital in Singapore

  • Olga Touloumi

    Assembly by Design. The United Nations and Its Global…

  • Lisa Lagova, Manon Fraser (eds.)

    Pure Fiction

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    Zeitschrift für Ideengeschichte Heft XX/1 Frühjahr 2026.…

  • Alexander Eisenschmidt

    At Home with the Collective. A Report from the Future of…

  • Heike Grebin (Ed.)

    Play the System. Parametric Approaches in Graphic Design

  • Uta Brandes, Tom Bieling, Michelle…

    Nutzen statt Besitzen. Michael Erlhoff Revisited

  • Sarah Horn

    Trans*Werden. Queere Zeitlichkeiten und Transitionen in…

  • Andrew Santa Lucia, Daniel Jonas Roche

    Antifascist Architecture. A Genealogy of Antifascist…

  • Freek Persyn, Seppe De Blust, Ilka Ruby

    51N4E. Negotiating Infrastructure

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    Jamie Taylor

    Studio Electrophonique. The Sheffield Space Age, from the…

  • Bruno Munari

    Bruno Munari. Design and Visual Communication

  • Irénée Scalbert

    Totems: Selected Essays on Architecture

  • Katja Klaus (Hg.)

    Experiment: Learning Communities. (Schools of Departure No…

  • Regina Bittner, Katja Klaus, Philipp…

    Pedagogies of Machine Learning. (Schools of Departure No 4)

  • Hanna Mattes

    Hanna Mattes. Naked Janitor

  • Anna-Verena Nosthoff

    Kybernetik und Kritik. Eine Theorie digitaler…

  • Quinn Slobodian, Ben Tarnoff

    Muskismus. Aufstieg und Herrschaft eines Technoking

  • Marc Siegel (Hrsg.), Jack Smith

    What's Underground About Marshmallows? Texts by and…

  • Taavi Hallimäe, Neeme Lopp (Eds.)

    Leida Reader No. 1. Fifteen Selected Articles

  • Luis Manovel Mariño, Alberto Nicolau…

    Penshirubiru. Collective housing in Japan taken to its…

  • Baukunst

    In a way, it is also more primitive. Baukunst on technology…

  • Pier Vittorio Aureli

    Weniger ist genug. Architektur und Askese

  • Philipp Goll (Ed.), Oleksiy Radynski,…

    Leak. The Other Side of the Pipeline

  • Leander Nowack (Ed.)

    Territorial Control. Case Studies on European Borders

  • Edward W. Said

    Representations of the Intellectual

  • Geert Lovink

    Die Brutalität der Plattform. Von der radikalen Kritik zum…

  • Sung Hong Kim

    Seoul Urban Architecture. Rising from the Crushing Bowl

  • Paul Virilio

    Paul Virilio. Bunker Archaeology

  • Fatima-Zahra Lakrissa

    Turning Frozen Yesterdays into Fluid Now... Or how to…

  • Spike

    Spike Art Magazine Issue 86 Salad Days

  • Benze De Ream

    The Blue Flower Syndrome. Multithread 01. Benze de Ream

  • Nora O'Murchú, Janez Fakin Janša

    Are You a Software Update? Reader with Wassim Z. Alsindi,…

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    Kenneth Hujer

    »All das passierte in diesem irrsinnigen Milieu Frankfurt…

  • Marius Babias (Hg.)

    Portrait Mode. Moyra Davey

  • Valentina Tanni

    Exit Reality. Vaporwave, Backrooms, Weirdcore, and Other…

  • Alexander Schröder, Dominic Eichler,…

    MD72. Door Slamming Festival (2007 - 2018)

  • Marek Poliks & Roberto Alonso…

    Exocapitalism. Economies with absolutely no limits

  • Diedrich Diederichsen, hg. von Carolin…

    Ästhetik im Planetarischen Zeitalter

  • Christoph Liepach (Hg)

    Gera ostmodern

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    Eline Benjaminsen, Dayna Casey

    Collapsed Mythologies. A Geofinancial Atlas

  • Christoph Liepach, Irina Schultheiß (Hg)

    In Lusan geht die Sonne auf

  • Elena Malzew, Lisa Klosterkötter (Ed.)

    Über Brücken - Bridging

  • Birgitta Heid

    Faszination Sichtbeton. Werke des Architekten Bernhard Heid

  • dérive

    dérive N° 102, Spekulation (Jan - Mar 2026)

  • Michael Klipphahn-Karge

    Bildökologie (Digitale Bildkulturen)

  • Kayoung Kim, Lisa Marie Zander, Marius…

    Versammlung der Mikropolitiken

  • Jiyoung Yoon, Kirenia Martinez Acosta

    Invisible Tapestry Vol. 2.

  • TAT.

    TAT.1 - Wand / Wall

  • Ita Dreyfus

    Niche Design. A Magazine exploring where design flourishes…

  • Christoph Liepach (Hg)

    Max braucht Gesellschaft. Der Kulturpalast des VEB Maxhütte…

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    Melissa Bruntlett, Chris Bruntlett

    Women Changing Cities. Global stories of urban…

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    Caspar Henderson

    A Book of Noises. Notes on the Auraculous

  • Louis Möckel

    Sonic Footprints. Ecology of Technophony

  • Sarah Robinson

    Architecture of Resonance. From Objects to Interactions

  • Anna Pollmann, Christopher Möllmann (Hg)

    Schlüsselbegriffe gesellschaftlichen Zusammenhalts. Ein…

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    Nick Newman

    Protest Architecture. Structures of civil resistance

  • Bailey Bestul

    Reuse of Architectural Components

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    Florian Urban, Barnabas Calder

    Form Follows Fuel. 14 Buildings from Antiquity to the Oil…

  • Market Cafe

    Market Cafe Magazine Issue 9 Invisible Data

  • “Bizhan Jazani”, Parham Ghalamdar

    SIAHKAL 2.0: An A.I. resurrected discourse on Marxism…

  • Mario Mainetti (Hg)

    Diagrams. A Project by AMO/OMA

  • Chris Kraus

    The Four Spent the Day Together

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    Nick Srnicek

    Silicon Empires. The Fight for the Future of AI

  • Palais Sinclaire, Achim Szepanski (Hg)

    Ultrablack of Music. Volume 2

  • Christian Dehli, Andrea Grolimund (Eds.)

    Kazuo Shinohara. Residential Architecture

  • Sofia Lemos (Hg)

    Reluctant Gardener

  • Britt Müller, Winnes Rademächers

    Don't Sleep. The Graphic Language of Vinyl Labels

  • Judith Siegmund

    Künstlerisches Handeln in digitalen und postkolonialen…

  • Friedrich Kittler, Alexander Kluge,…

    Raketenbilder

Style and Epoch. Issues in Modern Architecture

Originally published in Moscow in 1924, Moisei Iakovlevich Ginzburg's book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century.
Preface by Kenneth Frampton
Moisei Iakovlevich Ginzburg, one of the founders and chief spokesmen of the Constructivist movement in Soviet architecture, combined the talents of scholar, theoretician, writer, and practicing architect. Originally published in Moscow in 1924, his book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century. It elucidates the aims and ideals of a Constructivist architecture, providing what is essentially an official manifesto of the Constructivist program and becoming the cornerstone of virtually all of the Constructivist writings that followed. Its translation makes available to English readers one of the seminal works of modern architectural theory. Style and Epoch has often been compared to Le Corbusier's Vers Une Architecture (published the year before Ginzburg's book) as a classic of early twentieth-century architectural thought.
In it, Ginzburg expresses admiration for the products of engineering and machine technology and voices dismay at the failure to apply the means of that technology to improving architecture. By virtue of his unusually broad education; Ginzburg was able to draw upon elements of Western architecture and literature in such a way as to connect the Russian avant-garde with the simultaneously evolving network of progressive European movements. The result is a cogent analysis of architectural composition from antiquity to modern times in which Ginzburg attempts to plot those universal laws that determine any work of architecture, and proposes a systematic design method that is both rational and humane. An Oppositions Book.
Moisei Ginzburg was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. Born in Minsk in 1896 into an architect's family, he went abroad to Italy and France for his architectural training. He settled in Moscow, where he taught architectural history and theory at the Moscow High Technical School and in the architecture faculty at the Vkhutemas Art School. An influential young pedagogue, Ginzburg published discerning critiques of modern architecture. His magnum opus, Style and Epoch (1924), emphasized the civilizing role of the machine and its capacity to rationalize new building types consistent with the needs of the working class. Asserting that the revolution had engendered a new constructive phase of architectural development, Ginzburg's treatise was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.


Moisei Ginzburg
Style and Epoch. Issues in Modern Architecture
Fontanka, 2019, 9781906257293
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