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  • Christopher Dell

    Ware: Wohnen. Politik. Ökonomie. Städtebau

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    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

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    Land und Freiheit. Zum Diskurs über das Eigentum von Grund…

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    Zeichnungen für lange Bilder. Kunsthalle Zürich

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    An Inquiry Into Modes of Existence. An Anthropology of the…

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    Nachtleben Berlin.1974 bis heute

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    Never Modern

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    The ups and downs of Stan Back

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    Steady Unsteady

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    Talking Fashion. Von Helmut Lang bis Raf Simons: Gespräche…

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    Weaponized Architecture. The Impossibility of Innocence

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    French Theory and American Art

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    Angezogen. Das Geheimnis der Mode

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    A Voice That Once Was In One's Mouth

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    Rapport. Raban Ruddigkeit 1988 - 2013

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    Fabricate. Making Digital Architecture

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    the book on books on artists books

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    Wie überlebe ich als Künstler?

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    Morgen werde ich Idiot. Kybernetik und Kontrollgesellschaft

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    The Berlin Reader. A Compendium on Urban Change and Activism

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    Open Space. Urban Public Landscape Design

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    Vom Bauhaus nach Palästina

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    Die Kunst der Bausünde

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    Visual Time. The Image in History

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    Ton. Texte zur Akustik im Dokumentarfilm

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    Kengo Kuma 2006 - 2012

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    The Cinema Makers. Public Life and the Exhibition of…

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    System City. Infrastructure and the Space of Flows (AD)

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    Booktrek. Selected Essays on Artists’ Books since 1972

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    No is not an Answer. On the work of Marie-Louise Ekman

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    History in Motion. Time in the Age of the Moving Image

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    Super Graphic. A Visual Guide to the Comic Book Universe

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    Ultrabody. 208 works between art and design

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    On Continuous and Systematic Nutrition Improvement

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    La Di Da Di. The Eclectic Manifesto

The Disco Files 1973-78: New York's Underground, Week by Week

In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews.
As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews.
Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990.
Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.


Vince Aletti
The Disco Files 1973-78: New York's Underground, Week by Week
DISTRIBUTED ART PUB, 2018, 9781942884309