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    Genesis Breyer P-Orridge. Sacred Intent. Conversations with…

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    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Zur Architektur des Wohnens

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    Pine Flat. (Afterall Series One Work)

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    2G 80. Fala Atelier

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    Botanical Inspiration: Nature in Art and Illustration

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    Designing Programmes: Programme as Typeface, Typography,…

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    Pocket Folklore

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    Building Critique: Architecture and its Discontents

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    Biomorphe Architekturen

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    Flying Panels: How Concrete Panels Changed the World

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    Stop and Go. Nodes of Transformation and Transition

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    Of(f) Our Times: Curatorial Anachronics

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    What's the Use? On the Uses of Use

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    Art and Objects

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    The Terraforming

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    Stop and Go. Nodes of Transformation and Transition

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    A Live Gathering: Performance and Politics in Contemporary…

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    Alle Macht der selbstorganisierten Wissensproduktion

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    FIRE: Safe & Sound

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    Visionary

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    How To Make A Happening CD

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    Polyphone Ästhetik: Eine kritische Situierung

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    Being Material

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    Films for the Colonies. Cinema and the Preservation of the…

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    Auch eine Geschichte der Philosophie. Bd 1: Die okzidentale…

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    Tony Conrad. Writings

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    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

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    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

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    Maschinen Fabriken Industrien

The New Normal

What is the new normal? Something has shifted, it seems. We are making new worlds faster than we can keep track of them, and the pace is unlikely to slow. If our technologies have advanced beyond our ability to conceptualize their implications, such gaps can be perilous. In response, one impulse is to pull the emergency brake and to try put all the genies back in all the bottles. This is ill-advised (and hopeless). Better instead to invest in emergence, in contingency: to map the new normal for what it is, and to shape it toward what it should be.
Part manifesto and part syllabus, this essay by design theorist, Benjamin H. Bratton describes his vision for how design should approach and intervene in the new normal and what kinds of cities we should be planning for now.
Bratton is Programme Director of The Strelka Institute of Architecture, Media and Design in Moscow, a resilient beacon of generous futurism in a time and place at the centre of contemporary twists and turns. The essay outlines The New Normal post-graduate think-tank at Strelka, which brings together architects, programmers, interaction designers, game designers, artists, philosophers, filmmakers, novelists, economists, and 'free-range’ computer scientists. They study with Keller Easterling, Lev Manovich, Metahaven (Vinca Kruk and Daniel Van Der Velden), Casey Reas, Liam Young, and many others.


Benjamin H.Bratton
The New Normal
Strelka, 2019
9,50 €