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    The Radical Cut-Up Reader: No Single Narrative

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    These Girls. Ein Streifzug durch die feministische…

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    Ashes to Ashes. The Songs of David Bowie, 1976-2016

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    Art-Rite

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    Dr Space Junk vs The Universe. Archaeology and the Future

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    Volksfronten / Popular Fronts. Art and Populism in an Era…

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    Architecture of Appropriation. On Squatting as Spatial…

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    Women and Work. Feminism, Labour, and Social Reproduction

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    Love, Icebox. Letters from John Cage to Merce Cunningham

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    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

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    Jacques and Jacqueline Groag, Architect and Designer: Two…

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    Gera Ostmodern

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    Dialectic of Pop

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    Alina Popa. Square of Will in Square of Love. Texts, Notes…

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    Exploring Xenakis. Performance, Practice, Philosophy

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    From Crisis to Crisis: Debates on Why Architecture Criticsm…

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    Vergessene Orte in Berlin und Brandenburg

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    Studio Muoto (Paris)

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    Branded Protest. The Power of Branding and its Influence on…

  • Wiel Arets

    Un-Conscious-City

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    Necropolitics

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    ...and Other Such Stories: 2019 Chicago Architecture…

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    Charlotte Perriand: Inventing A New World

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    R. Buckminster Fuller - Pattern-Thinking

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    Quirino De Giorgio. An Architect's Legacy

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    Mycelium

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    RuPaul's Drag Race and Philosophy. Sissy That Thought

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    The Glossary of Cognitive Activism (For a not so distant…

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    Sustainability is not enough. Non-Conventional…

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    The Museum Is Not Enough

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    Objekte der Begierde. Surrealismus und Design 1924 - Heute

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    Radical Cut-Up: Nothing Is Original

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    Permanent Recession: A Handbook on Art, Labour and…

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    Paper: Creative interpretations of common materials

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    Radical Matter: Rethinking Materials for a Sustainable…

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    Eileen Gray: Her Life and Work

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    Forensic Architecture: Violence at the Threshold of…

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    Citizenship (Essential Knowledge Series)

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    Revolution Will Be Stopped Halfway: Oscar Niemeyer in…

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    Scandalous Space - Between architecture and archaeology

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    After Geoengineering: Climate Tragedy, Repair, and…

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    Serpentine Pavilion 2019

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    Epics in the Everyday: Photography, Architecture, and the…

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    Capital Is Dead: Is This Something Worse?

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    Being Numerous. Essays on Non-Fascist Life

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    Sound Art: Sound as a Medium of Art

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    From static oblivion

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    Plunder of the Commons: A Manifesto for Sharing Public…

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    Geschichte(n) des Kunststreiks

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    Vom Stand der Dinge. Eine kleine Philosophie des Design

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    Breaking Ground: Architecture by Women

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    Omnicide: Mania, Fatality, and the Future-in-Delirium

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    My Mother Laughs

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    Die Seele bei der Arbeit: Von der Entfremdung zur Autonomie

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    Vogue. M29 Special.09/2019 September

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    This Is Not A Drill: An Extinction Rebellion Handbook

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    Degrowth / Postwachstum zur Einführung

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    Designing Japan. A Future Built on Aesthetics

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    Creation and Anarchy: The Work of Art and the Religion of…

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    Schemas of Uncertainty

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    Reclaiming Artistic Research

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    Raummaschine: Exploring the Manifold Spaces

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    Musikmaschinen: Die Geschichte der Elektromusik

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    Plastic Capitalism. Contemporary Art and the Drive to Waste

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The Terraforming

The Terraforming is the comprehensive project to fundamentally transform Earth's cities, technologies, and ecosystems to ensure that the planet will be capable of supporting Earth-like life. Artificiality, astronomy, and automation form the basis of that alternative planetarity.
This short book was written in July 2019. It is is an opening brief and manifesto for The Terraforming urban design research programme at the Strelka Institute in Moscow. It is a narrowly targeted polemic against dominant modes of planetarity and a rejoinder to inadequacies seen in how critical philosophy and design seeks to confront them.
The title refers both to the terraforming that has taken place in recent centuries in the form of urbanisation, and to the terraforming that must now be planned and conducted as the planetary design initiative of the next centuries if true catastrophes are to be prevented. The term 'terraforming' usually refers to transforming the ecosystems of other planets or moons to make them capable of supporting Earth-like life, but the looming ecological consequences of what is called the Anthropocene suggest that in the decades to come, we will need to terraform Earth if it is to remain a viable host for Earth-like life.
Planetarity itself comes into focus through orbiting imagining and terrestrial modeling technologies (satellites, sensors, servers in sync) that have made it possible to measure climate change with any confidence. We will explore a renewed Copernican turn, and how the technologically mediated shift away from anthropocentric perspectives is crucially necessary in both theory and practice. The Copernican turn is also a trauma, as Freud once suggested, but this is one that demands more agency, not less.
The implications of the shift are perhaps counterintuitive. Instead of reviving ideas of 'nature,' we will reclaim 'the artificial'—not as in 'fake,' but rather 'designed'—as a foundation which links the mitigation of anthropogenic climate change to the geopolitics of automation. For this, urban-scale automation is seen as part of an expanded landscape of information, agency, labor, and energy that is part of a living ecology, not a substitute for one. As such, the focus of urban design research shifts toward the governance of infrastructures that operate on much longer timescales than our cultural narratives.


Benjamin Bratton
The Terraforming
Strelka, 2019, 9785907163010