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    Die sanfte Stadt

  • Henk Slager (Ed.)

    The Postresearch Condition

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    Bauteile wiederverwenden. Ein Kompendium zum zirkulären…

  • Manuela Zechner

    Commoning Care & Collective Power. Childcare Commons…

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    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

  • Duncan Bell, Bernardo Zacka (Eds.)

    Political Theory and Architecture

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    Yoyogi National Gymnasium And Kenzo Tange

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    (Forced) Movement. Across the Aegean Archipelago

  • Markus Gabriel

    Die Macht der Kunst

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    Illiberal Arts

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    Autobilder. Bleistiftzeichungen von Automobilen im gebauten…

  • Luis Berríos-Negrón

    Breathtaking Greenhouse Parastructures

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    IDEA 395. Designing the Digital World: Game Experience and…

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    The Turn of the Century. A Reader about Architecture within…

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    All Incomplete

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    Art Writing in Crisis

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    The Extreme Self. Age of You

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    Can the Monster Speak? Report to an Academy of…

  • Will McLean, Pete Silver

    Environmental Design Sourcebook. Innovative Ideas for a…

  • Walter D. Mignolo

    The Politics of Decolonial Investigations

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    Degeyter - Architect

  • Daniel Decker

    Not Available. Platten, die nicht erschienen sind

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  • Sou Fujimoto

    Futurospektive Architektur

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    Spectres 2. Résonances / Resonances

  • Frances Scott

    Incantation, Wendy

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    Der Streitwert der Denkmale. Berliner Texte

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    Denkmalwelten und Erbediskurse

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    Trans*Positionen zu Geschlecht und Architektur

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    Das Neue Hoyerswerda. Ideenhaushalt, Aufbau und Diskurs der…

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    Platform Urbanism and its discontents.

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  • Matthew Fuller, Eyal Weizman

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    Maryanne Amacher: Selected Writings and Interviews

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    198 Wood Joints

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    The Revenge of the Real. Politics for a Post-Pandemic World

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    Das Schaltbild. Philosophie des Fernsehens

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    Biennials: The Exhibitions We Love to Hate

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    Architecture. From Prehistory to Climate Emergency

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GDM: Grand Dad's Visitor Center

“Since her beginnings, Prouvost’s work has been invested in questioning the meaning of things presumed unquestionable. The recurring question, explicitly or implicitly posed, has continuously been what if? What if everything had gone differently? And what if what you see is not what you think it is? One encounters environments that feel familiar, reminiscent of everyday life. But here, the condition of objects […] often appear peculiar. Paintings become serving trays, plants proclaim to feel lonely, travel agencies offer trips to imaginary places […].”—Anna Goetz
Published in 2019, GDM – Grand Dad’s Visitor Center is an homage to Laure Prouvost’s grandparents and takes its title from the artist’s first major solo exhibition in Italy, a Gesamtkunstwerk that brings together installations, videos and projections, sculptures and found objects. As the show held in 2017 at Pirelli HangarBicocca was conceived as a dreamlike universe, a labyrinthine all-compassing installation made of surreal and irregular architectures, the book aims to place the visitor/reader at the center of an immersive setting. Designed on a series of shifting layers, which challenge the linearity of contents with an apparently irregular flow, GDM – Grand Dad’s Visitor Center revolves around the endeavor or construction—of stories, of buildings—aiming to erode the distinction between history and fiction, knowledge and (seeming) nonsense.
Texts by Barbara Casavecchia, Anna Goetz, Giulia Grappoli, Esmèe Lyington, Roberta Tenconi, Stefano Vittorini


Laure Prouvost
GDM: Grand Dad's Visitor Center
Mousse, 2019, 9788867493708
27,00 €