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  • Neda Atanasoski, Nassim Parvin (Hg)

    Technocreep and the Politics of Things Not Seen

  • Manfredo di Robilant, Manuel Orazi

    Gio Ponti. More than One. Critic, Editor, Graphic Artist,…

  • Clare Croft

    Jill Johnston in Motion. Dance, Writing, and Lesbian Life

  • Soma Chaudhuri, Jane Ward (Hg)

    The Witch Studies Reader

  • Okwui Enwezor, Atreyee Gupta (Hg)

    Postwar Revisited. A Global Art History

  • Marcus S. Kleiner

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  • Judith Butler

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  • Melanie Sehgal and Alex Wilkie (Eds)

    More-Than-Human Aesthetics. Venturing Beyond the…

  • Katrin Trautwein

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  • Prem Krishnamurthy, Asad Raza (Hg)

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  • Luïza Luz

    Beneath the Surface. Deep Listening, Buried Narratives, and…

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    Charlotte Malterre-Barthes / Eds.:…

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  • Maya Indira Ganesh

    AUTO-CORRECT. The Fantasies and Failures of AI, Ethics, and…

  • Jessica Backsell

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    Henriette Waal, Clemens Driessen (Hg)

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  • Josephine Berry

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  • Nils C. Kumkar

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    Home is Where the Heart Strives

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    Chronograms of Architecture

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    Anamarija Batista, Julia Siedle

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  • Yasmin Masri

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  • Jairus Banaji

    Wanting Something Completely Different: 111 Vignettes of…

  • Rosa Barotsi

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  • Janina Kriszio

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  • Marcel Bächtiger

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  • Matas Petrikas

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  • Rachel Pafe, Mimi Howard (eds.)

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  • Annette Krauss

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    Holly Dicker

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    Stevphen Shukaitis, Joanna Figiel

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  • Brian Massumi

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    Rasheedah Phillips

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    Andy Crysell

    Selling The Night: When Club Culture Meets Brands,…

  • Paul Gilroy

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  • Redaktion Protocol

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    100 Words for Water. A Projective Ecosocial Vocabulary

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  • Jenny Schlenzka, Julia Grosse

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    Anthony Dunne, Fiona Raby

    Not Here, Not Now. Speculative Thought, Impossibility, and…

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    Stephanie Loveless (Ed.)

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  • Hal Foster

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  • Charlotte Malterre-Barthes (Hg)

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  • Mario Asef, Golo Föllmer, Georg Klein,…

    Errant Sound Reader. Thoughts and Practies from the Berlin…

  • Katía Truijen and Brandon LaBelle (Eds)

    Epistemic Imaginaries. Learning as Festivity

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    Brandon LaBelle

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    IDEA Magazine

    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

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    IDEA Magazine

    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Spike

    Spike Art Magazine ISSUE 84 Vulgarity

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  • Ben Murphy

    Ears to the Ground. Adventures in Field Recording &…

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    Justin Patrick Moore

    The Radio Phonics Laboratory. Telecommunications, Speech…

  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

  • Initiative Haus Marlene Poelzig, Hannah…

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  • Frederik Schulze, Philipp Wolfesberger

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  • Anne Carson

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    Esther Buss

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    Max Turnheim

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  • Beatrice Leanza

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  • Hito Steyerl

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    Martina Angelotti, Matteo Lucchetti,…

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  • Christa Blümlinger (Hg.)

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    Pauline Oliveros

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  • Zasha Colah (Hg)

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  • Christian Nirvana Damato

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  • Mark Webber (Hg.)

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  • Jack Self (Ed.)

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  • Aleksandr Delev (Ed.)

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  • cover Fabien Girardin, Julian Bleecker…

    The Manual of Design Fiction

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    Morgane Billuart

    Becoming the Product. The Critical Internet Researcher as a…

  • Melanie Isverding, Thomas Düllo,…

    texturen Nr. 9 - Schmucken

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    Vaim Sarv with Anne Türnpu, Andreas…

    Radical Runosong. Decolonizing Self and Tradition

Cover Raphaela Vogel. Outside Form

Raphaela Vogel. Outside Form

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.
Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an "exhibition"? And how should we write about the new types of post-digital images we are seeing (in them)?
In Passing Images: Art in the Post-Digital Age, Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.
Marie-France Rafael (born 19984 in Munich) is a tenure-track professor in the Department of Fine Arts at the Zurich University of the Arts (ZHdK). She holds a PhD in art history; she studied art history and film studies in Berlin and Paris. From 2011 to 2015, she was a research associate at the Free University of Berlin and until 2019 at the Muthesius University Kiel, Department of Spatial Strategies/Curatorial Spaces. She is notably the author of Reisen im Imaginativ: Künstlerische Situationen und Displays (Travel in the Imaginary: Artistic Situations and Displays, 2017) and Ari Benjamin Meyers: Music on Display (2016).
Raphaela Vogel is a Berlin-based artist working primarily in video, installation, and sculpture. Her work has been exhibited at, among other places, Kunsthalle Basel, Haus der Kunst in Munich, the Berlinische Galerie, and the 2022 Venice Biennale.


Marie-France Rafael
Raphaela Vogel. Outside Form
Floating Opera Press, 2023, 978-3-9823894-5-5
gerade nicht auf Lager