Direkt zum Inhalt

Warenkorb

  • Arnold Aronson

    Fifty Key Theatre Designers

  • Quentin Stevens, Kim Dovey

    Temporary and Tactical Urbanism: (Re)assembling Urban Space

  • Flavien Menu (Ed.)

    Proto-Habitat

  • Matteo Pasquinelli

    The Eye of the Master. A Social History of Artificial…

  • Angelika Burtscher, Daniele Lupo

    AS IF - 16 Dialogues about Sheep, Black Holes, and Movement…

  • Anna Unterstab

    Design intersektional unter die Lupe nehmen. Gestaltung als…

  • Silvio Lorusso

    What Design Can't Do. Essays on Design and Disillusion

  • OASE Journal for Architecture #116

  • Lena Enne

    Everyday Urban Design 8. Anmeldung not possible. Das…

  • Ruth Duma-Coman

    Everyday Urban Design 7. Der translokale Gebrauch des…

  • Andrew Berardini

    Colors

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 2. Reaktionen auf die…

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 1 Einführung / Italien…

  • Lukas Feireiss, Florian Hadler (Hg)

    Weak Signals. New Narratives in Art and Technology

  • dérive

    dérive N° 94, Wohnungslosigkeit beenden (Jan-Mär 2024).…

  • raumlaborberlin

    Polylemma. raumlaborberlin

  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

    Attending [to] Futures. Matters of Politics in Design…

  • Talja Blokland

    Gemeinschaft als urbane Praxis

  • Deirdre Loughridge

    Sounding Human. Music and Machines, 1740/2020

  • Claudia Hummel, Valeria Fahrenkrog,…

    Berliner Hefte zu Geschichte und Gegenwart der Stadt #10.…

  • Lukas Brecheler, Lionel Esche

    Wohnhochhaus

  • Gianpaolo Tucci

    Aesthetics Imperfections. How AI is Changing the Landscape…

  • Gary Zhexi Zhang

    Catastrophe Time!

  • Pier Vittorio Aureli

    Architecture and Abstraction

  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

    Bronisław Zelek. In the letter wonderland

  • Lorraine Daston

    Regeln. Eine kurze Geschichte

  • Bernadette Krejs

    Instagram Wohnen

  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

  • Loretta Lees, Tom Slater, Elvin Wyly (…

    The Planetary Gentrification Reader

  • Penny Lewis, Lorens Holm, Sandra Costa…

    Architecture and Collective Life

  • Anthony Brand

    Touching Architecture. Affective Atmospheres and Embodied…

  • Sarah Pink, Vaike Fors, Debora Lanzeni…

    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

    Architecture from Public to Commons

  • Edna Bonhomme, Alice Spawls (Eds)

    After Sex

  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

    A Queer Theory of the State

  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

    Bruno Munari. Fantasia. Erfindung, Kreativität und…

  • Simone Jung, Steffi Hobuß, Sven Kramer

    Öffentlichkeiten zwischen Fakt und Fiktion.

  • Ben Schwartz (ed)

    UNLICENSED. Bootlegging As a Creative Practice

  • Rick Poynor

    Why Graphic Culture Matters

  • Katharina Sussek, Jens Müller

    PUMA - The Graphic Heritage

  • Jens Müller (Hg)

    ZDF TV+Design. Sechs Jahrzehnte Fernseh- und Corporate…

  • Roger Behrens, Jonas Engelmann, Frank…

    testcard #27. Rechtspop

  • Jonathan Cary

    Tricks of the Light. Essays on Art and Spectacle

  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

    Bosses

  • Samia Henni (Hg)

    Deserts Are Not Empty

  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

    Aeropolis. Queering Air in Toxicpolluted Worlds

  • George Papam, David Bergé (Eds.)

    Islands After Tourism. Escaping the Monocultures of Leisure

  • Sofia Grigoriadou, Eliana Otta, David…

    Urban Lament. Collective Expressions of Pain, Rage, and…

  • Mark Manders

    Mark Manders. House With All Existings Words

  • Peter Mörtenböck, Helge Mooshammer

    In/formal Marketplaces. Experiments with Urban…

  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

  • Hemma Schmutz (Hg.)

    Haus-Rucker-Co. Atemzonen

  • McKenzie Wark

    Love and Money, Sex and Death. A Memoir

  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

  • Maurin Dietrich, Fiona Alison Duncan

    Pippa Garner. Act Like You Know Me

  • Marieke Behne, Justus Griesenberg,…

    Kooperative Standards

  • Stefan Wellgraf, Christine Hentschel (…

    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

    Feminist Designer. On the Personal and the Political in…

  • Slanted

    Slanted 42. Books

  • Graeme Thomson & Silvia Maglioni

    b for the birds by Graeme Thomson & Silvia Maglioni

  • Gabriela Burkhalter (Hg)

    The Playground Project

  • LIQUIFER Systems Group, Jennifer…

    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

  • Anke Haarmann, Alice Lagaay, Tom…

    Specology. Zu einer ästhetischen Forschung

  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

  • Regina Bittner, Katja Klaus, Catherine…

    The New Designer - Design as a Profession

  • Rowan Coupland, Anastasiia Zhuravel (…

    Re:imagine Your City. Rethinking Urban Paradigms

  • Desiree Heiss, Ines Kaag, Manuel Raeder…

    BLESS. Celebrating 25 Years of Always Stress with BLESS N°…

  • Werner Sobek

    non nobis – über das Bauen in der Zukunft Band 2

  • Félix Guattari

    Schizoanalytische Kartografien

  • J. Logan Smilges

    Crip Negativity

  • Sabine von Fischer

    Architektur kann mehr

  • Damon Murray, Stephen Sorrell, Roberto…

    Brutalist Italy. Concrete Architecture from the Alps to the…

  • Carson Chan (ed)

    Emerging Ecologies. Architecture and the Rise of…

  • Kotte, Schulz, Weber, Witt, Brants (Hg.)

    Inklusion gestalten

  • Peter Arlt

    PRAKTISCHES STADT ABC. Lexikon + Übungen

  • Christine Schranz (Ed.)

    Commons in Design

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 253. The Great Repair. Praktiken der Reparatur / A…

  • dérive

    dérive N° 92/93, Urban Commons (Okt-Dez 2023). Zeitschrift…

  • Deborah Enzmann

    Emojisierung. Eine historische und semiotische Studie zu…

  • Nina Möntmann

    Decentring the Museum: Contemporary Art Institutions and…

  • Hans Ibelings

    Modern Architecture: A Planetary Warming History

Yvonne Rainer. Work 1961-73

Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art. The publication provides multifaceted insight into some of the artist’s most celebrated choreographic works, including Terrain (1962), Trio A (1966), Continuous Project-Altered Daily (1970), War (1970), Street Action (1970), and This is the story of a woman who … (1973), among many others.
Assembled ostensibly as a survey, Work 1961-73 features a multitude of documentary forms, including scripts, excerpts from the artist’s notebooks, press reviews, correspondence, photographic documentation, literary excerpts, contextualizing texts by the artist, diagrams, film stills, floor plans, scores, and more. As such, the publication resembles an artist book that generously gives the reader access to Rainer’s modes of working, as well as the social and political context around which the work was made. The publication is also a book of writing, with the artist’s frank, witty, and sometimes humorous prose intimately leading the reader through each work.
As the artist states in the book’s introduction:
I have a longstanding infatuation with language, a not-easily assailed conviction that it, above all else, offers a key to clarity. Not that it can replace experience, but rather holds a mirror to our experience, give us distance when we need it. So here I am, in a sense, trying to ‘replace’ my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book ‘out of’ the remains of my performances, letting the language fall where it may. Let it be said simply “She usually makes performances and has also made a book.”
Work 1961-73 is an indispensable publication for anyone interested in the artist and the radical developments in dance and performance in the 1960s.
Yvonne Rainer (b. 1934) is a dancer, choreographer, writer,and filmmaker. She is a co-founding member of the Judson Dance Theater and worked primarily as a dancer and choreographer from the early 1960s through the early 1970s. Her choreographic work is widely recognized for blurring the lines between performers and non-performers, incorporating gestural and pedestrian movements, as well as classical dance steps and theatre. In 1972, Rainer began making films, producing seven experimental features, including Lives of Performers (1972), Privilege (1990), and MURDER and murder (1996). She returned to dance in 2000, producing new works commissioned by the Baryshnikov Dance Foundation, the Performa Biennial, and The Museum of Modern Art. She is the author of several books including Feelings Are Facts: A Life (2006), A Woman Who…: Essays, Interviews, Scripts (1999), and Poems (2012). She is the recipient of a MacArthur Fellowship, two Guggenheim Awards, The Foundation for Contemporary Art’s Merce Cunningham Award, and a USA Grant.


James Hoff (Ed.)
Yvonne Rainer. Work 1961-73
Primary Information, 2020, 9781732098633
39,90 €