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  • Gloria Moure (Ed.)

    Marcel Broodthaers. Collected Writings

  • Brigitte Schultz

    Was heißt hier Stadt? 50 Jahre Stadtdiskurs am Beispiel der…

  • Alex Coles, Catharine Rossi (Eds.)

    The Italian Avant-Garde. 1968–1976 EP Vol. 1

  • Alice Rawsthorn

    Hello World. Where Design Meets Life

  • David Evans

    The Art of Walking. A field guide

  • Iris Därmann, Anna Echterhölter (Hg.)

    Konfigurationen. Gebrauchsweisen des Raums

  • Sylvia Leydecker (Hg.)

    Innenräume entwerfen. Konzept, Typologie, Material,…

  • Ila Bêka & Louise Lemoine

    Koolhaas Houselife (Book + DVD)

  • Branka Stipancic (Ed.)

    Mladen Stilinovic. Sing!

  • Genesis Breyer P-Orridge

    30 Years of Being Cut Up

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • René Furer

    Landschaften. Eine Architekturtheorie in Bildern

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Lucy Steeds and other authors

    Making Art Global (Part 2). Magiciens de la Terre 1989

  • Stefan Hölscher, Gerald Siegmund (Hg.)

    Dance, Politics & Co-Immunity

  • Kunsthaus Bregenz (Hg.)

    Anfang Gut, Alles Gut. Actualizations of the Futurist Opera…

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Atelier Bow-Wow

    A Primer

  • Beatrice von Bismarck, Jörn Schafaff,…

    Cultures of the Curatorial

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Louis I. Kahn

    Silence and Light

  • Unit Editions (Ed.)

    Herb Lubalin. American Graphic Designer 1918—81

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • Elke Bippus, Jörg Huber, Robert Nigro (…

    Ästhetik x Dispositiv

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Clog

    Brutalism

  • Index Book

    Geo Graphic. A Book for Map Lovers

  • Marbacher Katalog

    Zettelkästen. Maschinen der Phantasie

  • Andreas Rumpfhuber

    Architektur immaterieller Arbeit

  • Axel Simon (Hg.)

    Knapkiewicz & Fickert. Wohnungsbau/Housing

  • Julie Ault

    Tell It To My Heart

  • René Pollesch

    "Der Schnittchenkauf". 2011-2012

  • Armen Avanessian (Hg.)

    Realismus Jetzt

  • Schnittpunkt (Hg.)

    Educational Turn. Handlungsräume der Kunst- und…

  • Clog 5

    National Mall

  • Kristien Ring (Hg.)

    Selfmade City

  • Elena Filipovic (Hg.)

    Leigh Ledare, et al.

  • Lina Bo Bardi

    Stones Against Diamonds (Architecture Words 12)

  • Ronan & Erwan Bouroullec

    Drawing

  • Markus Miessen, Chantal Mouffe

    The Space of Agonism. Critical Spatial Practice 2

  • Elena Basteri, Emanuele Guidi, Elisa…

    Rehearsing Collectivity - Choreography Beyond Dance

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Lucy Lippard

    4,492,040 (Postkartenset)

  • Avigail Moss, Kerstin Stakemeier (Hg.)

    Painting - The Implicit Horizon

  • Gregor Sailer

    Closed Cities

  • Ludwig Hilberseimer

    Metropolisarchitecture and Selected Essays

  • Theresa Beyer, Thomas Burkhalter (Hg.)

    Out of the Absurdity of Life. Globale Musik

  • Dennis Elbers (Hg.)

    Search Find Like Share. Perspectives in visual storytelling

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Janet Harbord

    Chris Marker. La Jetee

  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Viction Workshop (Hg.)

    Geo Graphics (Geo/Graphics). Simple Form Graphics in Print…

  • Kulturen des Kuratorischen, HGB Leipzig…

    The Subjective Object

  • Makoto Azuma

    Encyclopedia of Flowers

  • Enzo Mari

    Autoprogettazione?

  • Dieter Daniels, Inke Arns (Hg.)

    Sounds Like Silence. John Cage - 4’33” – Silence Today

  • Nikola Mihov

    Forget your past. Communist-Era Monuments in Bulgaria

  • Magdalina Stancheva

    Stefan Kanchev. Logo Book

  • Pieterjan Grandry

    What is the future of architecture?

  • Clog 4

    Rendering

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Meg McLagan, Yates McKee (Hg.)

    Sensible Politics. The Visual Culture of Nongovernmental…

  • Drawing Room Confessions Issue #6

    Rosalind Nashashibi

  • Katja Gretzinger (Hg.)

    In a Manner of Reading Design (The Blind Spot)

  • Thierry De Duve

    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

  • Slavs and Tatars

    Khhhhhhh

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Christoph Düesberg

    Megastrukturen. Architekturutopien zwischen 1955 und 1975

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • John Miller

    The Ruin of Exchange

  • Nikolaus Hirsch, Markus Miessen (Hg.)

    Critical Spatial Practice. What Is Critical Spatial…

  • Hito Steyerl

    The Wretched of the Screen (e-flux journal )

  • Ilka und Andreas Ruby (Hg.)

    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

  • IDEA Magazine

    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

  • Wolfgang Tillmans

    Neue Welt

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

How I Became One of the Invisible (New Edition)

Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers.
Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.”
Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Edited by Chris Kraus
Introduction by Robert Dewhurst
Afterword by Rachel Kushner


David Rattray
How I Became One of the Invisible (New Edition)
Semiotext(e), 2019, 9781635900729