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    Mortal Cities and Forgotten Monuments

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    Manifestly Haraway

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    Nervous Systems

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    Landscapes of Communism. A History Through Buildings

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    Visual Cultures as Opportunity

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    This Brutal World

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    Banking on Images. From the Bettmann Archive to Corbis

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    Into the Maelstrom: Music, Improvisation and the Dream of…

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    Modern Forms. A Subjective Atlas of 20th-Century…

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    Against the Double Blackmail: Refugees, Terror and Other…

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    How Music Dies (or Lives): Field Recording and the Battle…

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    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    New Laboratories. Historical and Critical Perspectives on…

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    The Magazine (Documents of Contemporary Art)

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    Digital Design Theory

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    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Nanotecture: Tiny Built Things

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    Max Bill

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    Scenes from the Good Life. Nine investigations into the…

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    Obsolescence. An Architectural History

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    Bauen mit Künstlern: Architekt Peter Ottmann

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    80*81: What Happened?

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    The Form of the Book Book

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    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

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    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

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    Boooook: The Life and Work of Bob Cobbing

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    Research Methods for Architecture

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    The Use of Bodies

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    Pirate Essays. A Reader on International Media Piracy

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Space of Production. Projects and Essays on Rationality,…

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Reformarchitektur. Die Konstituierung der Ästhetik der…

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    Best of Detail: Beton / Concrete

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    Private Utopia: Cultural Setting of the Interior in the…

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    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

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    Planetary Gentrification

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    The Radicality of Love

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

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    The Anatomy of the Architectural Book

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    Die Kunst der Anderen. "Weltkunst" und die…

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    Fashion Studies. Research Methods, Sites and Practices

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    Arme Gemeinschaft. Die Moderne Rousseaus

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    Schriften zur Kunst

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    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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    Disorientation: Bernard Rudofsky in the Empire of Signs.…

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    Die Undercommons. Flüchtige Planung und schwarzes Studium

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    The Ministry of Nostalgia. Consuming Austerity

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    Better than de Kooning

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    Die Notwendigkeit von Irrtümern

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    Design Objects and the Museum

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    Austerity Ecology & the Collapse-porn Addicts. A…

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    IDEA 373. Post Independent Magazine

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The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €