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  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

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    Rock/Music Writings

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    The Urban Connection. An Actor-Relational Approach to Urban…

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    -arium. Weather and Architecture

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    Never Use White Type on a Black Background

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    The Situationists and the City

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    Studies in Organic

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    Supercritical. Peter Eisenman & Rem Koolhaas

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    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

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    Modern Architecture and the Mediterranean

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    Lecture Performance

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

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    The Rest is Noise. Das 20. Jahrhundert hören

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    I was (t)here.

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    Red Water

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    Weiss

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    Graphic Europe. An Alternative Guide to 31 European Cities

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    Tacit Urbanism

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    The Soul At Work. From Alienation to Autonomy

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    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

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    Portable Document Format

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

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    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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    Louis Vuitton. Art, Fashion and Architecture

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

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    Architecture's Desire. Reading the Late Avant-Garde

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    Colour in Contemporary Architecture

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    Blue Peter. Sixth Book

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    Wahrheit der Demokratie

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    Open City. Designing Coexistence

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    Valences of the Dialectic

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    Kino des Minimalismus

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    Der Wind, das Licht ECM und das Bild

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    Dynamische Erscheinungsbilder im kulturellen und…

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    Commonwealth

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    Education Automation: Comprehensive Learning for Emergent…

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    Ideas and Integrities. A Spontaneous Autobiographical…

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    Extra. Enzyklopädie der experimentellen Druckveredelung

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    Adventures of Perception. Cinema as Exploration. Essays/…

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    157 - September/October 2009

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    My Wonderful World of Fashion. A Book for Drawing, Creating…

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    Mittelmeer Anämie - Damaskus, Beirut, Kairo

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    The Wire Primers. A Guide to Modern Music

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    Spaces of Experience. Art Gallery Interiors from 1800 to…

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    Papercraft. Design and Art with Paper

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    The Disco Files 1973-78. New York's Underground, Week…

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    A Precarious Existence. Vulnerability in the Public Domain

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    Christian Kerez 2000-2009

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    Displayer 03

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    Smoke Gets in Your Eyes

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    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

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    Unfolded. Papier in Design, Kunst, Architektur und Industrie

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    Dissolving Absolute Structures

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    Geometrie des Verfahrens. Schriften zur Methode

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    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

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    Urban Reports. Urban strategies and visions in mid-sized…

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    Listening to Grasshoppers. Field Notes on Democracy

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Hito Steyerl. I will Survive

Die Arbeiten und Texte von Hito Steyerl gehören zu den zentralen Positionen, wenn es um die aktuelle Reflexion der gesellschaftlichen Rolle von Kunst und Museum geht, um das Experimentieren mit medialen Präsentationsformen und um die kritische Auseinandersetzung beim Einsatz von künstlicher Intelligenz. In den letzten 30 Jahren verfolgt die Künstlerin die Mutationen von Kamerabildern, vom analogen Bild und seinen vielfältigen Montagen hin zum geteilten, flüssig werdenden digitalen Bild und den sich daraus ergebenden Implikationen für die Repräsentation von Kriegen, Genoziden, Kapitalströmen. »Wir haben es nicht mehr mit dem Virtuellen zu tun, sondern mit einer verwirrenden und möglicherweise fremden Konkretheit, die wir erst beginnen zu verstehen«, schreibt Brian Kuan Wood zu den digitalen Bildwelten, die die Künstlerin vorführt. Die Publikation erscheint anlässlich der Überblicksschau von Hito Steyerl, die im Herbst 2020 im Centre Pompidou, Paris, und in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, stattfindet. Das Kooperationsprojekt wird von der Kulturstiftung des Bundes gefördert.
The positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. “We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,” writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl’s survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. The cooperative project is funded by the German Federal Cultural Foundation. Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12


Florian Ebner, Susanne Gaensheimer, Doris Krystof, Marcella Lista
Hito Steyerl. I will Survive
Spector Books, 2020, 9783959053921