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  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

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    Unjustified Texts. Perspectives on Typography

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    Hands-On Urbanism 1850 - 2012

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    Performing the Curatorial With and Beyond Art

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    Das ABC eines Typografen

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    Revolution. A Reader

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    The Number and the Siren

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    Making Paradise. Art, Modernity, and the Myth of the French…

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    Amber. Anrhem Mode Biennale

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    Home-Made Europe. Contemporary Folk Artifacts

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    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

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    The Least of All Possible Evils

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    Rebel Cities. From the Right to the City to the Urban…

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    Fashion & Sustainability. Design for Change

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Der Klang der Familie. Berlin, Techno und die Wende

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    Fabriken des Wissens. Streifen und Glätten 1

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    Vibrant Matter. A Political Ecology of Things

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    Die urbanen Wurzeln der Finanzkrise

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    Designing for Social Change

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    How to Do Things with Videogames

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    Inside Prefab. The Ready-Made Interior

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    Construction of a State

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    Notizen zu Berlin

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    Design Act. Socially and Politically Engaged Design Today

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    Toward a New Interior

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    Das wilde Netzwerk. Ein ethnologischer Blick auf Facebook

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    Light up Playbutton

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    SANAA. The Conversation Series 26

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Colonialism and Modern Architecture in Germany

Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany’s built environment in profound ways. The economic challenges of Germany’s colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself.
Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.


Itohan Osayimwese
Colonialism and Modern Architecture in Germany
Pittsburgh University Press, 2020, 9780822945086