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    Hybrid Modernism. Movie Theatres in South India

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    Fundamental Acts. Life, Education, Ceremony, Love, Death

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    Selbst

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    The Urban Apparatus. Mediapolitics and the City

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    Slow Reader: A Resource for Design Thinking and Practice

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    Taking a Line for a Walk: Assignments in design education

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    Elemental Living. Contemporary Houses in Nature

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    Territory: On the Development of Landscape and City

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    Staying With the Trouble: Making Kin in the Chthulucene

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    Fantasies of the Library

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    Architecture and Surrealism. A Blistering Romance

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    Weltentwerfen. Eine politische Designtheorie

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    The Structure: Works of Mahendra Raj

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    Vertical Urban Factory

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    Molecular Red. Theory for the Anthropocene

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    Modern Futures

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    State and Politics: Deleuze and Guattari on Marx

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    Paranomia

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    Dysfunctional Comedy. A Reader

Oriental Silk

Can corporate history be art? This question can only be asked if one is not familiar with the fascinating long-term project by the Chinese artist Xiaowen Zhu. Anyone who has experienced Oriental Silk will answer this question with a clear “yes.” The project’s title is also the name of a company founded in Los Angeles in the early 1970s. Specializing in trading and distributing silks, it was headed for decades by Kenneth Wong and his family. Through her multi-sensory works Zhu opens up a multifaceted view of a firm that is distinguished, like its silk products, through its own haptics, style, colors, and values. The people, places, and stories that make up the phenomenon of Oriental Silk form a fascinating, vivid tapestry in which the past and present, art and life, are closely interwoven.


Xiaowen Zhu
Oriental Silk
Hatje Cantz, 2020, 978-3-7757-4785-1
40,00 €