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  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

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    Tom Burr

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

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  • Katarina Bonnevier

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  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

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  • Emilio Prini

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    Voids. A Retrospective

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  • Claude Schnaidt

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  • Sangeeta Ray

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    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

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  • Justine Frank, Roee Rosen

    Sweet Sweat

  • R. Klanten, H. Hellige (Hg.)

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  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

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  • Carsten Nicolai

    Grid Index

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    Experimental Geography. Radical Approaches to Landscape,…

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    Starship - The Early Years 1998 - 2001

  • Alain Badiou

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  • Jeremy Till

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  • Berlin Haushoch Magazin Nr. 3

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  • Hans Ulrich Obrist

    A Brief History of Curating

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    Wohnmodelle. Experiment und Alltag

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    Nach Bourdieu. Visualität, Kunst und Politik

  • Nikolaj Miljutin

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    Der Einsatz des Lebens

  • David J. Gibson

    The Wayfinding Handbook. Information Design for Public…

  • George E. Lewis

    A Power Stronger Than Itself. The AACM and American…

  • Nicholas Fox Weber

    Le Corbusier. A Life

  • Cesare Casarino, Antonio Negri

    In Praise of the Common. A Conversation on Philosophy and…

  • Dominikus Müller, Kito Nedo

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    Tangible. High Touch Visuals

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  • Christiane Paul (Hg.)

    New Media in the White Cube and Beyond. Curatorial Models…

  • Hedi El Kholti, Paul Gellman (Hg.)

    Animal Shelter. Art, Sex & Literature, Issue 1

  • John C. Welchman (Hg.)

    Institutional Critique and After. SoCCAS Symposium Volume…

  • Guy Debord

    Correspondence. The Foundation of the Situationist…

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    Perspecta 41. Grand Tour. The Yale Architectural Journal

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    As a Weasel Sucks Eggs. An Essay on Melancholy and…

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    OASE 75. 25 years of critical Reflection on Architecture

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    IDEA 332. How does graphic design CHANGE?

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  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Victor Papanek

    Design für die reale Welt. Anleitungen für eine humane…

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Angela McRobbie

    The Aftermath of Feminism. Gender, Culture and Social Change

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    Allesdurchdringung. Texte, Essays, Gespräche über den Tanz

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    Las Vegas Studio. Bilder aus dem Archiv von Robert Venturi…

  • David Crowley, Jane Pavitt (Hg.)

    Cold War Modern Design 1945-1970

Can the Monster Speak? Report to an Academy of Psychoanalysts

In November 2019, Paul B. Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne's annual conference in Paris. Standing up in front of the profession for whom he is a 'mentally ill person' suffering from 'gender dysphoria', Preciado draws inspiration in his lecture from Kafka's 'Report to an Academy', in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Speaking from his own 'mutant' cage, Preciado does not so much criticize the homophobia and transphobia of the founding fathers of psychoanalysis as demonstrate the discipline's complicity with the ideology of sexual difference dating back to the colonial era, an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Further, Preciado calls for a radical transformation of psychological and psychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing heteropatriarchal and colonial violence. Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with no regard for exactitude. Eighteen months on, Can the Monster Speak? Report to an Academy of Psychoanalysts is published in a definitive translation for the first time.


Paul B. Preciado
Can the Monster Speak? Report to an Academy of Psychoanalysts
Fitzcarraldo Editions, 2021, 9781913097585