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  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

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  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism in the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

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    Martialische Ästhetik

  • Matthias Ballestrem, Katharina Benjamin…

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    As Found. Experiments in Preservation

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  • Helmut Draxler

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  • Enzo Traverso

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  • Patrick McGraw, Heavy Traffic

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  • Simon O'Sullivan

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  • Sara Ahmed

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  • George MacBeth

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  • Giorgi Vachnadze

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  • Alessandro Sbordoni

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  • Jill Johnston, Clare Croft (ed.)

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  • Anna-Sophie Springer, Raul Walch (eds.)

    Owned by Others: A Map to Possession Island

  • Canadian Centre for Architecture

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    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

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  • Franziska Bollerey

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  • Richard Sennett

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  • Yuk Hui

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  • Cédric Durand

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  • Estelle Hoy, edited by Antonia Carrara

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  • Nick Mauss, Edited by Antonia Carrara…

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  • Clémence Imbert

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  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

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  • Raafat Majzoub (ed.)

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  • Bianca Felcori (Ed.)

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  • Kathrin Wildner, metroZones

    metroZine #1. Reading the Map. Anleitung zum Kartenlesen

  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

  • Anne Huffschmid, metroZones

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  • Ian Trowell

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  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

  • Jon Dowling

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  • Domen Ograjensek

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  • Steffen Köhn, Nestor Siré

    Handmade Networks

(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbors)) (in neoliberal times)?

OUT OF PRINT
Public Design Support / Öffentliche Gestaltungsberatung 2016 - 2021
A critical discussion about work is urgently needed—in the field of design as much as anywhere else. Since 2011, Studio Experimentelles Design at the HFBK Hamburg has experimented with local design-assistance projects carried out within the framework of the St. Pauli Public Design Support initiative. The student-led program advocates a community based and cooperative approach, involving people who are usually only impacted by design or excluded from it. This partisan practice questions our understanding of what design can be, and who benefits or suffers from it. It also fundamentally questions how we work.
In the summer of 2020, Studio Experimentelles Design organized the three-week online research festival “(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbors)) (in neoliberal times)?” Hosted by the Kunstgewerbemuseum Berlin’s Design Lab #6, the festival invited friends, experts, and activists to discuss self-organizing academia, artistic collectivism, care work, and creative self-exploitation. Talks, performances, and readings explored the dilemmas of project logic, the radical expansion of precarity, alternatives to the formal economy, immaterial labor in the context of aesthetic capitalism, the problem of the art strike, and new forms of subjective alienation.
Divided into two parts, this publication extends Studio Experimentelles Design’s socially committed approach through conversations, lectures, research, debates, and project documentation, drawing on the research festival as well as five years of work by Public Design Support. Both of these—an international debate on working conditions and a local design practice committed to its community—strive to critically examine design’s current practices. They ask questions of how designers work today, demanding a fundamental reorientation in the issues design addresses and the social actors it serves.


Jesko Fezer & Studio experimentelles Design
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbors)) (in neoliberal times)?
Sternberg Press, 2021, 978-3-95679-604-3