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  • Ursula K. Le Guin

    The Carrier Bag Theory of Fiction

  • Ben Eastham (Ed.)

    Luis Camnitzer. One Number Is Worth One Word

  • John Beck, Ryan Bishop

    Technocrats of the Imagination. Art, Technology, and the…

  • Louise Amoore

    Cloud Ethics. Algorithms and the Attributes of Ourselves…

  • David Grubbs

    The Voice in the Headphones

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    From Xenakis’s UPIC to Graphic Notation Today

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    Isle of Models. Architecture and Scale

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    Der Gebrauch der Körper

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    In einer anderen Welt. Notizen 2014-2017

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    The Future of Difference. Beyond the Toxic Entanglement of…

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    Minor Cinema. Experimental Film in Switzerland

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    Revenge Capitalism. The Ghosts of Empire, the Demons of…

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    Tbilisi - It's Complicated. Onomatopee 173

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    Isa Genzken. I Love New York, Crazy City

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    Wir Untoten des Kapitals. Über politische Monster und einen…

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    Politische Gleichheit

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    Manifest der künstlerischen Forschung / Manifesto of…

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    Age-Inclusive Public Space

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    Christian Werner. Everything Is So Democratic and Cool

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    Designed Future or selected writings by Paulo Mendes da…

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    Index Cards

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    Sinnenleben

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    Arch+. The Property Issue: Politics of Space and Data.

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    Bedingungsloses Grundeinkommen. Grundlagentexte

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    Fully Automated Luxury Communism

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    Reinventing Daily Life

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    Lina Bo Bardi. Habitat

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    Eileen Gray. Designer and Architect

  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

  • Chus Martínez (Ed.)

    The Wild Book of Inventions

  • Mary Bosworth, Khadija von Zinnenburg…

    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

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    The Botanical City

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    Formafantasma Cambio

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    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

    Design Justice. Community-led Practices to build the Worlds…

  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

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    La Grève Humaine et l’art de créer la liberté

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    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

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    The World as an Architectural Project.

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    The City as a Project

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    The Projectionists. Eadweard Muybridge and the Future…

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    Idiocracy. Denken und Handeln im Zeitalter des Idioten

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    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

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    Degrowth in Movement(s). Exploring Pathways for…

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    Claire Fontaine. Newsfloor

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    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

  • Joachim Hamou, Maija Rudovska, Barbara…

    Active Art

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    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

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    Utopia. The History of an Idea

  • Frieda Grafe

    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

  • Etel Adnan

    Wir wurden kosmisch

  • D. R. McElroy

    Signs & Symbols of the World: Over 1,001 Visual Signs…

  • David Yaffe

    Joni Mitchell - Ein Porträt

  • Gloria Meynen

    Inseln und Meere. Zur Geschichte und Geografie fluider…

  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

  • Alastair Hemmens, Gabriel Zacarias (Eds…

    The Situationist International. A Critical Handbook

  • Claudia Mareis, Michael Rottmann

    Entwerfen mit System

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    Novozän: Das kommende Zeitalter der Hyperintelligenz

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    Lebhafte Materie. Eine politische Ökologie der Dinge

  • Naomi Hennig, Anna-Lena Wenzel (Hg.)

    General Public 2005-2015

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    Ubiquitäre Literatur. Eine Partikelpoetik

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    Gender (&) Design. Positionen zur Vergeschlechtlichung…

  • Oliver Flügel-Martinsen

    Radikale Demokratietheorien zur Einführung

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    Theorien der Serie zur Einführung

  • Eugene Thacker

    Im Staub dieses Planeten: Horror der Philosophie

  • Peter Wilson

    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

  • Hubertus Butin

    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

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    Mutation und Morphose. Landschaft als Aggregat

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    Datennaturen. Ein Gespräch zwischen Biologie, Kunst,…

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    Winzig, zäh und zahlreich. Ein Bakterienatlas

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    Afrotopia

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    Future Food. Essen für die Welt von Morgen

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    Gesellschaftsspiele. Politisches Theater heute

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    Nicht mein Ding − Gender im Design

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    Clog 17. Cannabis

Being in Flux: A Post-Anthropocentric Ontology of the Self

Reality exists independently of human observers, but does the same apply to its structure? Realist ontologies usually assume so: according to them, the world consists of objects, these have properties and enter into relations with each other, more or less as we are accustomed to think of them.
Against this view, Rein Raud develops a radical process ontology that does not credit any vantage point, any scale or speed of being, any range of cognitive faculties with the privilege to judge how the world ‘really’ is. In his view, what we think of as objects are recast as fields of constitutive tensions, cross-sections of processes, never in complete balance but always striving for it and always reconfiguring themselves accordingly. The human self is also understood as a fluctuating field, not limited to the mind but distributed all over the body and reaching out into its environment, with different constituents of the process constantly vying for control.
The need for such a process philosophy has often been voiced, but rarely has there been an effort to develop it in a systematic and rigourous manner that leads to original accounts of identity, continuity, time, change, causality, agency and other topics. Throughout his new book, Raud engages with an unusually broad range of philosophical schools and debates, from New Materialism and Object-Oriented Ontology to both phenomenological and analytical philosophy of mind, from feminist philosophy of science to neurophilosophy and social ontology.
Being in Flux will be of interest to students and scholars in philosophy and the humanities generally and to anyone interested in current debates about realism, materialism and ontology.


Rein Raud
Being in Flux: A Post-Anthropocentric Ontology of the Self
Polity Press, 2021, 978-1-5095-4951-1
23,80 €