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  • IDEA Magazine

    IDEA 393. MANGA bridges the world: The actualities of manga…

  • Joost Grootens

    Blind Maps and Blue Dots. The Blurring of the Producer-User…

  • Urs Stäheli

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  • Kathi Hofer

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  • Philippe Askenazy

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  • SPACE10

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  • Anaïs Wiedenhöfer & Lena Wolfart

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    Eine kurze Geschichte der Linien

  • Renate Boere

    Beyond Design. Making Socially Relevant Projects Successful

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  • Fredric Jameson

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    Cybernetics of the Poor

  • Paul Hegarty

    Annihilating Noise

  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

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  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

    Technoprecarious

  • Céline Condorelli

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  • Annette Maechtel

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  • Ariella Masboungi (ed.)

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  • Mark Wigley

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  • Hans-Rudolf Meier

    Spolien. Phänomene der Wiederverwendung in der Architektur

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    Critique and the Digital

  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Andreas Dornbracht (Hg.)

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  • Philipp Stamm

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  • Gemma Villegas

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  • Andreas H. Apelt, Ron Jagers

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  • Kengo Kuma

    Kengo Kuma. My Life as an Architect in Tokyo

  • Elske Rosenfeld, Suza Husse (Hg.)

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  • Lukas Feireiss, Tatjana Schneider,…

    Living the City. Of Cities, People and Stories

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    Die Bodenfrage. Klima, Ökonomie, Gemeinwohl

  • Caspar Stracke (Ed.)

    Godard Boomerang. Artists on Godardian Conceptualism

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  • Kai van Eikels

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  • Hendrik Weber

    Italic. What gives Typography Its emphasis

  • Tibor Joanelly

    Shinoharistics. An Essay About a House

  • Thomas Moynihan

    X-Risk. How Humanity Discovered Its Own Extinction

  • Bert Rebhandl

    Jean-Luc Godard. Der permanente Revolutionär

  • Heide Schlüpmann

    Raumgeben - der Film dem Kino

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    Lechts und Rinks. Auseinandersetzungen mit dem Design der…

  • Jesko Fezer, Anita Kaspar, Andreas…

    Displaying Political and Cultural Concerns. Kooperative für…

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    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

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    Resource Hungry. Our Cultured Landscape and its Ecological…

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    Die technologische Singularität

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    Curatorial Thing (Cultures of the Curatorial 4)

  • Louise Michel

    Die Pariser Commune

The First Days of Berlin. The Sound of Change

Berlin in the early 1990s, right after the fall of the Berlin Wall: this is the place to be. Berlin-Mitte, the central district of the city, with its wastelands and decaying houses, has become the centre of a new movement. Artists, musicians, squatters, club owners, DJs and ravers are reclaiming the old city centre and bringing it back to life. This interregnum between two systems - the collapse of the old East Germany, the gentrification of the new Berlin - lasts only a few years. West Berliners, East Berliners and new residents from abroad join together to create music, art and fashion, to open bars and clubs and galleries, even if only for a few weeks. In the months following the fall of the Wall, there is a feeling of new beginnings and immense possibilities: life is now, and to be in the here and now feels endless. The phrase 'temporary autonomous zone' is circulating, it describes the idea - romantic and naive but, in the circumstances, not absurd - that, at a certain moment in history, you can actually do whatever you want.
 
Ulrich Gutmair moved to West Berlin as a student in autumn 1989: two weeks later the Wall came down. He spent the next few years studying during the day in the West and exploring the squats, bars and techno clubs in the East at night. He fell in love with House and Techno and raved at Tresor, Elektro, Bunker and many other places that in the meantime have almost disappeared from collective memory. Ten years later he decided to write a book about that period in between, when one regime was brought down and a new one wasn't yet established. When utopia was actually a place to inhabit for a moment.


Ulrich Gutmair
The First Days of Berlin. The Sound of Change
Polity Press, 2021, 9781509547302