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  • Nieuwland

    The Lost Termini of Berlin

  • Fareed Armaly

    Orphée 1990

  • Jürgen Ledderboge

    Friedrichstadtpalast. Vom Neubau zum Denkmal

  • Arch+ Zeitschrift für Architektur und…

    ARCH+ 259. Wonders of the Modern World

  • Paola Vigano

    The Biopolitical Garden. Space, Life, Transition

  • Ramon Gras, Jeremy Burke

    City Science. Performance follows Form

  • Paul B. Preciado

    Dysphoria Mundi

  • Barrault Pressacco

    Wallness. Nature and culture of insulation. Building with…

  • Olivier Kaeser (Ed.)

    Dance First Think Later. The Thinking Body between Dance…

  • Sven Durst

    3 objects (Issue 2)

  • Paul-Antoine Lucas, Bui Quy Son (Hg)

    Housing, Micropolitics, and Pedagogies. Designing and…

  • Itsuko Hasegawa, Kersten Geers, Jelena…

    Itsuko Hasegawa. Shonandai - Exposing the World

  • Chris Dähne, Martin Mäntele, Helge…

    Programmed for Hope. Architectural Experiments at the HfG…

  • Alexander Kluge

    Aus dem Bauhaus der Natur. Die Republik der Tiere in uns

  • Elizabeth Duval

    Nach Trans. Sex, Gender und die Linke

  • SendPoints

    Creative Book Design

  • Bruno Munari

    Bruno Munari. Fantasy. Invention, Creativity, and…

  • Nick Dyer-Witheford, Alessandra Mularoni

    Cybernetic Circulation Complex. Big Tech and Planetary…

  • Andjelka Badnjar, Kristina Pujkilovic,…

    Trees, Time, Architecture! Entwerfen im Wandel

  • Sico Carlier

    Currency #6

  • Julia Bee, Irina Gradinari, Katrin…

    digital:gender – de:mapping affect. Eine spekulative…

  • Zhiyi Cao

    Sediments

  • Tal Stadler

    Strategies for Landing

  • Vladimir Safatle

    Zynismus und das Scheitern der Kritik

  • Philippe Lacoue-Labarthe, Jean-Luc Nancy

    Der Nazi-Mythos

  • Boris Groys

    Zum Kunstwerk werden

  • Luise Rellensmann, Alexander Stumm (Hg.)

    Die Abrissfrage. Fundamente Ökologisches Bauen No 1

  • Marlon Miguel, Elena Vogman (eds.)

    Psychotherapy and Materialism. Essays by François…

  • Olya Kuzovkina

    Road Works (version 1.0)

  • Nadi Abusaada, Wesam Al Asali (eds.)

    Arab Modern. Architecture and the Project of Independence

  • Luc Boltanski, Arnaud Esquerre

    The Making of Public Space. News, Events and Opinions in…

  • Nick Couldry

    The Space of the World. Can Human Solidarity Survive Social…

  • Mark Stoll

    Profit. An Environmental History

  • Guillaume Paoli

    Etwas Besseres als der Optimismus

  • Barragán Foundation

    Barragán Outside Barragán

  • Leila Taylor

    Sick Houses. Haunted Homes and the Architecture of Dread

  • Christina Köchling (Hg.)

    Ästhetik der Technik. Drei Ökohäuser in den 1970-90er Jahre

  • Prof. Dr. Richard Woditsch (Hg.)

    Chronologie einer Ideologie. Architektur-Biografien im…

  • Wenke Seemann

    Wenke Seemann. Utopie auf Platte

  • Stefan Heidenreich

    Attraktion und Mitmacht. Wie Kunst dem Kult des Exklusiven…

  • Aylin Akyildiz, Karoline Fahl, Steffen…

    Einrichten in der Normalität – Wie Kinder und Jugendliche…

  • Henning Lundkvist

    Columns

  • Joseph Vogl

    Meteor. Versuch über das Schwebende

  • Sezgin Boynik, Tom Holert

    Engström/Farocki: About Narration (1975). Materials,…

  • Derek Jarman

    Derek Jarman. A Finger in the Fishes Mouth

  • Jean-Pierre Chupin

    Analogical Thinking in Architecture. Connecting Design and…

  • Scott Colman

    Ludwig Hilberseimer. Reanimating Architecture and the City

  • Ammar Azzouz

    Domicide. Architecture, War and the Destruction of Home in…

  • Marko Jobst, Naomi Stead (eds.)

    Queering Architecture. Methods, Practices, Spaces,…

  • Marina Tabassum

    Khudi Bari. A social project by Marina Tabassum Architects…

  • IDEA Magazine

    IDEA 408. Pixels Speak: Worlds of Tiny Dots and Design…

  • IDEA Magazine

    IDEA 407. Towards a Future Bound to Print Media: Those Who…

  • IDEA Magazine

    IDEA 406. Ikki Kobayashi - Life through Design Drawings

  • IDEA Magazine

    IDEA 405. Sneaking a Look. Cross Sections, Floor Plans…

  • Ludwig Heimbach (Hg.)

    Mäusebunker und Hygieneinstitut. Eine Berliner…

  • Pascal Gielen

    Trust. Building on the Cultural Commons

  • Irene Revell, Sarah Shin (eds.)

    Bodies of Sound. Becoming a Feminist Ear

  • Ilaria Marotta, Andrea Baccin &…

    The Uncanny House

  • Enzo Traverso

    Gaza Faces History

  • Irene V. Small

    The Organic Line

  • Sandra Schäfer

    Contested Landscapes

  • Nina Franz

    Militärische Bildtechniken. Von der frühen Neuzeit bis ins…

  • Volker Pantenburg

    Einfachheit ohne Vereinfachung. Zur Praxis Harun Farockis

  • Justin Barton, Steve Goodman, Maya B.…

    Sonic Faction. Audio Essay as Medium and Method

  • Torsten Andreasen, Emma Sofie Brogaard…

    Finance Aesthetics. A Critical Glossary

  • Lucas Ferraço Nassif

    Unconscious/Television

  • Terry Farrell, Adam Nathaniel Furman

    Postmodernism. Architecture That Changed Our World

  • Natasha Aruri, Katleen De Flander,…

    Critical Mapping for Municipalist Mobilization. Housing…

  • Nida Abdullah, Chris Lee, Xinyi Li (…

    Through Witnessing. Threading the critiquing, making,…

  • Cecilia Casabona, Ginevra Petrozzi (Eds…

    Death Design Data

  • Miriam Rasch, Jojanneke Gijsen, Harma…

    hands on research for artists, designers & educators

  • Rosi Braidotti

    Posthuman Knowledge and the Critical Posthumanities

  • Anna Colin

    Alternative Pedagogical Spaces: From Utopia to…

  • Annett Jahn, Ulrike Mönnig (Hg.)

    An den Rändern taumelt das Glück. Die späte DDR in der…

  • Silvia Franceschini, Nikolaus Hirsch,…

    Pre-Architectures

  • David Toop

    Two-Headed Doctor. Listening For Ghosts in Dr. John's…

  • Thordis Arrhenius, Ellen Braae, Guttorm…

    Architecture and Welfare. Scandinavian Perspectives

  • NIcole Schweitzer (Hg.)

    Uriel Orlow. Forest Times

  • Michael Schäfer

    Invasive Links

  • Daniel Berndt, Susanne Huber, Christian…

    ambivalent work*s. queer perspectives and art history

  • Jorge Silvetti, Hg. von Nicolás Delgado…

    Large, Lasting and Inevitable. Jorge Silvetti in Dialogues…

  • Giulio Bettini, Daniel Penzis

    Typostruktur. Sehnsucht nach architektonischer Relevanz

  • Laura U. Marks

    The Fold. From Your Body to the Cosmos

  • Emmanuele de Donno

    Construction of the Universe - Artists' Magazines and…

  • Julia Grosse, Jenny Schlenzka

    Rirkrit Tiravanija: On Making Less

  • Harry Vogt,  Martina Seeber (Hg.)

    Radio Cologne Sound. Das Studio für Elektronische Musik des…

  • Marion Hirte, Daniel Ott, Manos…

    Schnee von morgen. Statements zum Musiktheater der Zukunft

  • Oana Stănescu, Chase Galis (Hg)

    Cover me softly

  • Claire Bishop

    Merce Cunningham's Events: Key Concepts

  • Viyaleta Zhurava

    FIGUREN / SHAPES

  • Diskursiv (Hg.)

    Diskursiv No. 2, Colors

  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 258. Urbane Praxis

  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism and the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

    Martialische Ästhetik

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3