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  • Jaleh Mansoor

    Universal Prostitution and Modernist Abstraction. A…

  • Martino Tattara, Federico Zanfi (eds.)

    What's Next for Mom and Dad's House?

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  • Jenny Schlenzka, Julia Grosse

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  • Anthony Dunne, Fiona Raby

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  • Stephanie Loveless (Ed.)

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  • Hal Foster

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  • Charlotte Malterre-Barthes (Hg)

    On Architecture and Work. The Political Economy of Space…

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    Errant Sound Reader. Thoughts and Practies from the Berlin…

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    Poetics of Listening: Inner Life, Social Transformation,…

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    IDEA Magazine

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  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

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  • Anne Carson

    The Gender of Sound

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  • Max Turnheim

    The Use of Space

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  • Matrijaršija

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  • Luc Merx

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  • Hito Steyerl

    Medium Hot. Images in the Age of Heat

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    Martina Angelotti, Matteo Lucchetti,…

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  • Pierre Hourquet, Christophe Daviet-…

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  • Pauline Oliveros

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  • Christian Nirvana Damato

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    Françoise Fromonot

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    The Afterimage Reader

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  • Robert Klanten, Joe Gibbs

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    Erhard Schüttpelz

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    Omar El Akkad

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    Stefan Rettich, Sabine Tastel

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    Tavia Nyong'o

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    Évelyne Gayou

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  • Dorothee Albrecht (Hg)

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    Rosanna McLaughlin

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  • Rahel Hartmann Schweizer

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  • Elena Guidetti

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  • Chantal Akerman

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  • Urban Fragment Observatory

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    Owen Hatherley

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  • dérive

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    Constantin Petcou, Doina Petrescu, EJ…

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    Nieuwland

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  • Jürgen Ledderboge

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  • Arch+ Zeitschrift für Architektur und…

    ARCH+ 259. Wonders of the Modern World

  • Paola Vigano

    The Biopolitical Garden. Space, Life, Transition

  • Ramon Gras, Jeremy Burke

    City Science. Performance follows Form

  • Paul B. Preciado

    Dysphoria Mundi

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    Barrault Pressacco

    Wallness. Nature and culture of insulation. Building with…

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3
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