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  • Ingo Niermann

    The Monadic Age. Notes on the Coming Social Order

  • Dennis Pohl

    Building Carbon Europe

  • Julieta Aranda, Kaye Cain-Nielsen,…

    Wonderflux - A Decade of e-flux Journal

  • Regine Ehleiter, Clio Nicastro, titre…

    HaFI 020: Erika Runge: Überlegungen beim Abschied von der…

  • Natascha Sadr Haghighian, Tom Holert

    HaFI 019: Natascha Sadr Haghighian: Was ich noch nicht…

  • Sónia Vaz Borges, Madeleine Bernstorff…

    HaFI 018: Skip Norman: On Africa

  • Clémentine Deliss

    Skin in the Game

  • Peter G. Rowe, Yoeun Chung

    Design Thinking and Storytelling in Architecture

  • Richard Weller

    To the Ends of the Earth. A Grand Tour for the 21st Century

  • François J. Bonnet, Bartolomé Sanson (…

    Spectres IV. A Thousand Voices / Mille Voix

  • Edited by Jolanthe Kugler and Scott…

    Keep it Flat. A little history on flat earth

  • Edited by Jolanthe Kugler and Scott…

    Objective: Earth - Designing our Planet

  • Daniel Martin Feige, Sandra Meireis (Hg…

    Ästhetik und Architektur

  • Luis Manuel Garcia-Mispireta

    Together, Somehow. Music, Affect, and Intimacy on the…

  • Arnold Aronson

    Fifty Key Theatre Designers

  • Quentin Stevens, Kim Dovey

    Temporary and Tactical Urbanism: (Re)assembling Urban Space

  • Flavien Menu (Ed.)

    Proto-Habitat

  • Matteo Pasquinelli

    The Eye of the Master. A Social History of Artificial…

  • Angelika Burtscher, Daniele Lupo

    AS IF - 16 Dialogues about Sheep, Black Holes, and Movement…

  • Anna Unterstab

    Design intersektional unter die Lupe nehmen. Gestaltung als…

  • Silvio Lorusso

    What Design Can't Do. Essays on Design and Disillusion

  • OASE Journal for Architecture #116

  • Lena Enne

    Everyday Urban Design 8. Anmeldung not possible. Das…

  • Ruth Duma-Coman

    Everyday Urban Design 7. Der translokale Gebrauch des…

  • Andrew Berardini

    Colors

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 2. Reaktionen auf die…

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 1 Einführung / Italien…

  • Lukas Feireiss, Florian Hadler (Hg)

    Weak Signals. New Narratives in Art and Technology

  • dérive

    dérive N° 94, Wohnungslosigkeit beenden (Jan-Mär 2024).…

  • raumlaborberlin

    Polylemma. raumlaborberlin

  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

    Attending [to] Futures. Matters of Politics in Design…

  • Talja Blokland

    Gemeinschaft als urbane Praxis

  • Deirdre Loughridge

    Sounding Human. Music and Machines, 1740/2020

  • Claudia Hummel, Valeria Fahrenkrog,…

    Berliner Hefte zu Geschichte und Gegenwart der Stadt #10.…

  • Lukas Brecheler, Lionel Esche

    Wohnhochhaus

  • Gianpaolo Tucci

    Aesthetics Imperfections. How AI is Changing the Landscape…

  • Gary Zhexi Zhang

    Catastrophe Time!

  • Pier Vittorio Aureli

    Architecture and Abstraction

  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

    Bronisław Zelek. In the letter wonderland

  • Lorraine Daston

    Regeln. Eine kurze Geschichte

  • Bernadette Krejs

    Instagram Wohnen

  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

  • Loretta Lees, Tom Slater, Elvin Wyly (…

    The Planetary Gentrification Reader

  • Penny Lewis, Lorens Holm, Sandra Costa…

    Architecture and Collective Life

  • Anthony Brand

    Touching Architecture. Affective Atmospheres and Embodied…

  • Sarah Pink, Vaike Fors, Debora Lanzeni…

    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

    Architecture from Public to Commons

  • Edna Bonhomme, Alice Spawls (Eds)

    After Sex

  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

    A Queer Theory of the State

  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

    Bruno Munari. Fantasia. Erfindung, Kreativität und…

  • Simone Jung, Steffi Hobuß, Sven Kramer

    Öffentlichkeiten zwischen Fakt und Fiktion.

  • Ben Schwartz (ed)

    UNLICENSED. Bootlegging As a Creative Practice

  • Rick Poynor

    Why Graphic Culture Matters

  • Katharina Sussek, Jens Müller

    PUMA - The Graphic Heritage

  • Jens Müller (Hg)

    ZDF TV+Design. Sechs Jahrzehnte Fernseh- und Corporate…

  • Roger Behrens, Jonas Engelmann, Frank…

    testcard #27. Rechtspop

  • Jonathan Cary

    Tricks of the Light. Essays on Art and Spectacle

  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

    Bosses

  • Samia Henni (Hg)

    Deserts Are Not Empty

  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

    Aeropolis. Queering Air in Toxicpolluted Worlds

  • George Papam, David Bergé (Eds.)

    Islands After Tourism. Escaping the Monocultures of Leisure

  • Sofia Grigoriadou, Eliana Otta, David…

    Urban Lament. Collective Expressions of Pain, Rage, and…

  • Mark Manders

    Mark Manders. House With All Existings Words

  • Peter Mörtenböck, Helge Mooshammer

    In/formal Marketplaces. Experiments with Urban…

  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

  • Hemma Schmutz (Hg.)

    Haus-Rucker-Co. Atemzonen

  • McKenzie Wark

    Love and Money, Sex and Death. A Memoir

  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

  • Maurin Dietrich, Fiona Alison Duncan

    Pippa Garner. Act Like You Know Me

  • Marieke Behne, Justus Griesenberg,…

    Kooperative Standards

  • Stefan Wellgraf, Christine Hentschel (…

    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

    Feminist Designer. On the Personal and the Political in…

  • Slanted

    Slanted 42. Books

  • Graeme Thomson & Silvia Maglioni

    b for the birds by Graeme Thomson & Silvia Maglioni

  • Gabriela Burkhalter (Hg)

    The Playground Project

  • LIQUIFER Systems Group, Jennifer…

    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

  • Anke Haarmann, Alice Lagaay, Tom…

    Specology. Zu einer ästhetischen Forschung

  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

  • Regina Bittner, Katja Klaus, Catherine…

    The New Designer - Design as a Profession

  • Rowan Coupland, Anastasiia Zhuravel (…

    Re:imagine Your City. Rethinking Urban Paradigms

  • Desiree Heiss, Ines Kaag, Manuel Raeder…

    BLESS. Celebrating 25 Years of Always Stress with BLESS N°…

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3