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  • David Harvey

    Limits to Capital

  • Bob Jessop

    Kapitalismus, Regulation, Staat. Ausgewählte Schriften

  • Naomi Klein

    Die Schock-Strategie. Der Aufstieg des Katastrophen-…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • Urs Stäheli

    Spektakuläre Spekulation

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

IDEA 332. How does graphic design CHANGE?

Are we not living in a time of change?
More than eighty years have passed since the term “graphic design” was born in the early twentieth century. Nonetheless, the nature of work carried out by graphic designers has not experienced any fundamental change. Yet, it is apparent that the line between the private and public domains of activity is blurring. The movement to acquire autonomy in client-oriented, heteronomous activities as well as the movement to gain a larger public audience for the products of self-initiated, autonomous activities are already underway. These two movements are not isolated from one another but, in fact, intermingle in the daily practice of designers.
So let us ask: in modern society, what mode of production will designers attempt to utilize and, on a daily basis, how will they attempt to construct the world in which they live? The projects gathered here may not lead to a dramatic change that is visible to the eye. But, make no mistake: these projects depict the reality before our eyes.


IDEA Magazine
IDEA 332. How does graphic design CHANGE?
Seibundo Shinkosha, 2009, IDEA332 2009.1
33,50 €