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  • Masure, Anthony

    Manifestes 5. Artificial Design: Creation Versus Machine…

  • Ahmed Abdullah

    A Strange Celestial Road: My Time in the Sun Ra Arkestra

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  • Sven Lütticken

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  • Gerda Breuer

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  • Marc Bonner

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  • Matthew Beaumont

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    Formafantasma: Oltre Terra. Why Wool Matters

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    Flores & Prats. Drawing without Erasing and Other Essays

  • Akwugo Emejulu

    Fugitive Feminism

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    Kathrin Böhm. Art on the Scale of Life

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    Art's Properties

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    The Politics of Vibration. Music as a Cosmopolitical…

  • Kyle Parry

    A Theory of Assembly. From Museums to Memes

  • McKenzie Wark

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    Die Neuordnung der Küchen

  • Jean Painlevé

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    Politics of Curatorship. Collective and Affective…

  • Marcel Bois, Bernadette Reinhold (eds.)

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  • Anja Schwanhäußer

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  • Ingo Uhlig

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  • Beckerath, Verena von

    A Room With A View

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    Enfleshed. Ecologies of Entities and Beings

  • Ernst Van Alphen

    Productive Archiving. Artistic Strategies, Future Memories…

  • Benek Cincik, Tiago Torres-Campos

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  • Demian Conrad, Rob van Leijsen, David…

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    IDEA 402. Opening paths with small press publishing:…

  • Unabhängige Historikerkommission

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  • Michael Jakob

    Faux Mountains

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    Arch+ 252. Open for Maintenance - Wegen Umbau geöffnet

  • Anna Bokov

    Lessons from the Social Condensers. 101 Soviet Workers’…

  • David Kishik

    Self Study. Notes on the Schizoid Condition

  • Edited by Elena Biserna

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Modernism's Magic Hat

Modernism's Magic Hat - Architecture and the Illusion of Development without Capital

(Lateral Exchanges: Architecture, Urban Development, and Transnational Practices)

In Modernism’s Magic Hat, Ijlal Muzaffar examines how modern architects and planners help resolve one of the central dilemmas of the mid-twentieth-century world order: how to make decolonization plausible without accounting for centuries of capital drain under colonial rule. In the years after World War II, architects and planners found extensive opportunities in new international institutions—such as the World Bank, the UN, and the Ford Foundation—and helped shape new models of global intervention that displaced the burden of change onto the inhabitants. Muzaffar argues that architecture in this domain didn’t just symbolically represent power, but formed the material domain through which new modes of power acquired sense. Looking at a series of architectural projects across the world, from housing in Ghana to village planning in Nigeria and urban planning in Venezuela and Pakistan, Muzaffar explores how architects and planners shaped new ideas of time, land, climate, and the decolonizing body, making them appear as sources of untapped value. What resulted, Muzaffar argues, is a widespread belief in spontaneous Third World “development” without capital, which continues to foreclose any global discussion of colonial theft. 


Ijlal Muzaffar
Modernism's Magic Hat - Architecture and the Illusion of Development without Capital

(Lateral Exchanges: Architecture, Urban Development, and Transnational Practices)

University of Texas Press, 2024, 9781477329665
38,50 €