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  • Hans Ulrich Obrist

    Interviews Volume 2

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Volume #23

    Al Manakh 2. Gulf Continued

  • Luc Boltanski

    Soziologie und Sozialkritik

  • Schlammpeitziger

    Exotic Visuals and Tropical Videoworks. DVD

  • Juergen Teller

    Zimmermann

  • John May

    Handmade Houses & Other Buildings

  • Malte Friedrich

    Urbane Klänge. Popmusik und Imagination der Stadt

  • Feona Attwood (Hg.)

    Porn.com. Making Sense of Online Pornography

  • Mark Garcia

    Diagrams of Architecture (AD Reader)

  • Blexbolex

    Jahreszeiten

  • Angela McRobbie

    Top Girls. Feminismus und der Aufstieg des neoliberalen…

  • Metahaven (Daniel van der Velden, Vinca…

    Uncorporate Identity

  • Philippe Pirotte (Hg.)

    An invention of Allan Kaprow for the moment

  • Rosalind E. Krauss

    Perpetual Inventory

  • Mateo Kries

    Total Design - Die Inflation moderner Gestaltung

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Peter Roehr

    Film-Montagen DVD

  • 2G No. 52

    Sauerbruch Hutton

  • David Harvey

    A Companion to Marx's Capital

  • Selina Walder (Hg.)

    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

  • Cook, Graham, Gfader, Lapp (Hg.)

    A Brief History of Curating New Media Art

  • L. Lees, T. Slater, E. Wyly (Hg.)

    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

  • Gæoudjiparl Van Den Dobbelsteen

    Mort Aux Vaches Ekstra Extra

  • Anthony Huberman (Hg.)

    For the blind man in the dark room

  • Studio Blanco

    Recession Recessione - A Nonexistent Exhibition

  • Jaron Lanier

    You Are Not a Gadget. A Manifesto

  • Sasa 44 (Hg.)

    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

  • Dieter Daniels, Gunther Reisinger (Hg.)

    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

  • Harun Farocki

    Rote Berta Geht Ohne Liebe Wandern

  • Wang Shaoqiang

    Span. Span the Boundary between Space and Graphics

  • Estel Vilaseca, M. San Martin (Hg.)

    Blogs. Mad about Design

  • Konrad Becker, Felix Stalder (Hg.)

    Deep Search. Politik des Suchens jenseits von Google

  • Jacobo Krauel (Hg.)

    Veranstaltungen. Kreativität und Gestaltung

  • Zak Kyes (Hg.)

    Joseph Grigely. Exhibition Prosthetics

  • Tim Lawrence

    Hold On to Your Dreams. Arthur Russell and the Downtown…

  • Adam Phillips, Barbara Taylor

    On Kindness

  • John Carey (Hg.)

    The Faber Book of Utopias

  • Martino Gamper/Trattoria Team

    Total Trattoria

  • Cranfield and Slade

    12 Sun Songs

  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

  • Viction:ary (Hg.)

    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

  • Christel Vesters (Hg.)

    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

  • Eva Egerman, Anna Pritz (Hg.)

    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

  • Jean-Luc Nancy

    Wahrheit der Demokratie

  • RoseLee Goldberg (Hg.)

    Everywhere and All at Once. Performa 07

  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

Afropessimism

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.


Frank Wilderson III
Afropessimism
Liveright, 2020, 978-1-63149-614-1_hc