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  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

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    Tom Burr

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • Michaela Ott, Harald Strauß (Hg.)

    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Iain Morland (Hg.)

    Journal of Lesbian and Gay Studies. Intersex and After.…

  • Wladimir Velminski (Hg.)

    Leonhard Euler. Die Geburt der Graphentheorie

  • Katarina Bonnevier

    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

  • Catherine David, Georges Khalil, Bernd…

    Di/Visions. Kultur und Politik des Nahen Ostens

  • Sarah Chaplin, Alexandra Stara (Hg.)

    Curating Architecture and the City

  • Laurie Anderson

    Nothing in My Pockets

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    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

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    Voids. A Retrospective

  • Elisabeth Sussman

    William Eggleston. Democratic Camera. Photographs and Video…

  • Peter J. Schneemann, Wolfgang Brückle (…

    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

  • Sayaka Ishi (Hg.)

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  • Kouichi Yabuuchi (Hg.)

    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

  • Sangeeta Ray

    Gayatri Chakravorty Spivak. In Other Words

  • Sophie Wolfrum, Winfried Nerdinger (Hg.)

    Multiple City. Stadtkonzepte 1908 I 2008

  • Elisabeth Blum, Peter Neitzke

    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

  • A. Bangma, D.M. Donoghue, L. Issa, K.…

    Resonant Bodies, Voices, Memories

  • Justine Frank, Roee Rosen

    Sweet Sweat

  • R. Klanten, H. Hellige (Hg.)

    Naïve. Modernism and Folklore in Contemporary Graphic Design

  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

    Mechanical Sound. Technology, Culture, and Public Problems…

  • Andrew Losowsky (Hg.)

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    Cat Seen (bwab #1)

  • Charlie Hailey

    Camps. A Guide to 21st-Century Space

  • Marina Sorbello, Antje Weitzel (Hg.)

    Cairoscape. Images, Imagination and Imaginary of a…

  • Carsten Nicolai

    Grid Index

  • Nato Thompson (Hg.)

    Experimental Geography. Radical Approaches to Landscape,…

  • Mourad Boutros et al.

    Talking about Arabic (Dot-Font)

  • MoMu (Hg.)

    Maison Martin Margiela 20. The Exhibition

  • Jens Müller, Karen Weiland, Dt.…

    Film Kunst Grafik. Ein Buch zur neuen deutschen Filmgrafik…

  • Tom Avermaete, Klaske Havik, Hans…

    Architectural Positions. Architecture, Modernity and the…

  • Gail Pearce, Cahal McLaughlin (Hg.)

    Truth or Dare. Art or Documentary

  • Hans-Christian Dany, Martin Ebner,…

    Starship - The Early Years 1998 - 2001

  • Alain Badiou

    Conditions

  • Jeremy Till

    Architecture Depends

  • Olmes Carretti

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    Collecting Contemporary Art

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    Klaus Weber. Secession

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    Art of Projection

  • Mariana Castillo Deball

    Kaleidoscopic Eye

  • Annette Stahmer (Hg.)

    Parole #1. The Body of the Voice / Stimmkörper (inkl. CD)

  • Richard J. Williams

    Brazil. Modern Architectures in History

  • Horst Bredekamp, Birgit Schneider, Vera…

    Das technische Bild. Kompendium für eine Stilgeschichte…

  • Berlin Haushoch Magazin Nr. 3

    Charlottenburg

  • R. Klanten, L. Feireiss (Hg.)

    Beyond Architecture. Imaginative Buildings and Fictional…

  • Hans Ulrich Obrist

    A Brief History of Curating

  • R. Klanten, L. Feireiss (Hg.)

    Spacecraft 2. More Fleeting Architecture and Hideouts

  • Aaron Rose (Hg.)

    Mike Mills. Graphics Films

  • Oliver Elser, Michael Pieper,…

    Wohnmodelle. Experiment und Alltag

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    Nach Bourdieu. Visualität, Kunst und Politik

  • Nikolaj Miljutin

    Sozgorod. Faksimile der Erstausgabe von 1930

  • A. Deuber-Mankowsky, C. Holzhey, A.…

    Der Einsatz des Lebens

  • David J. Gibson

    The Wayfinding Handbook. Information Design for Public…

  • George E. Lewis

    A Power Stronger Than Itself. The AACM and American…

  • Nicholas Fox Weber

    Le Corbusier. A Life

  • Cesare Casarino, Antonio Negri

    In Praise of the Common. A Conversation on Philosophy and…

  • Dominikus Müller, Kito Nedo

    Das Beste aus 2007

  • R. Klanten, S. Ehmann, M. Hübner (Hg.)

    Tangible. High Touch Visuals

  • Gabu Heindl (Hg.)

    Arbeit Zeit Raum. Bilder und Bauten der Arbeit im…

  • Lina Dokuzovic, Eduard Freudmann, Peter…

    Intersections. At the Crossroads of the Production of…

  • Christiane Paul (Hg.)

    New Media in the White Cube and Beyond. Curatorial Models…

  • Hedi El Kholti, Paul Gellman (Hg.)

    Animal Shelter. Art, Sex & Literature, Issue 1

  • John C. Welchman (Hg.)

    Institutional Critique and After. SoCCAS Symposium Volume…

  • Guy Debord

    Correspondence. The Foundation of the Situationist…

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    Perspecta 41. Grand Tour. The Yale Architectural Journal

  • Daniel Birnbaum, Anders Olsson

    As a Weasel Sucks Eggs. An Essay on Melancholy and…

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    OASE 75. 25 years of critical Reflection on Architecture

  • Matteo Pasquinelli

    Animal Spirits. A Bestiary of the Commons

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    Architecture Between Spectacle and Use

  • IDEA Magazine

    IDEA 332. How does graphic design CHANGE?

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    SUM Nr. 5

  • Pauline Boudry, Renate Lorenz

    Normal Work

  • Jessica Morgan (Hg.)

    Th 2058. Dominique Gonzalez-Foerster

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Victor Papanek

    Design für die reale Welt. Anleitungen für eine humane…

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Angela McRobbie

    The Aftermath of Feminism. Gender, Culture and Social Change

  • Y. Rainer, L. Berio, D. Kishik, J.-L.…

    Allesdurchdringung. Texte, Essays, Gespräche über den Tanz

  • Hilar Stadler, Martino Stierli

    Las Vegas Studio. Bilder aus dem Archiv von Robert Venturi…

  • David Crowley, Jane Pavitt (Hg.)

    Cold War Modern Design 1945-1970

Afropessimism

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.


Frank Wilderson III
Afropessimism
Liveright, 2020, 978-1-63149-614-1_hc