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    märklinMODERNE: Vom Bau zum Bausatz und zurück

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    The Largest Art. A Measured Manifesto for a Plural Urbanism

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    New Commons for Europe

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    Automatic Architecture: Motivating Form After Modernism

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    Unruhig bleiben. Die Verwandtschaft der Arten im Chthuluzän

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    Aber jetzt… denn Lieder bewirken viel. Smareazy 002

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    Marmor und Asphalt. Soziale Oberflächen im Berlin des 20.…

  • Giorgio Agamben

    The Adventure

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    All Gates Open: The Biography of Can

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    Grounds for Possible Music

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    Mies van der Rohe. Schlicht und ergreifend. Landhaus Lemke

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    Prose Poetry and the City

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    Porous City: From Metaphor to Urban Agenda

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    Raumproduktionen II. Theoretische Kontroversen und…

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    How to Love Brutalism

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    On Accident. Episodes in Architecture and Landscape

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    The History of Animals. An Essay On Negativity, Immanence…

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    Der Glaube an das Grosse in der Architektur der Moderne:…

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    Co-machines. The Mobile Disruptive Architecture

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    Flintstone Modernism. Or the Crisis in Postwar American…

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    Social Reproduction Theory. Remapping Class, Recentering…

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    Liquidation World: On the Art of Living Absently

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    Werkzeuge des Entwerfens

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    Necessarily Eurometropolitan

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    Renzo Piano Before Renzo Piano

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    Notes on Space. Monumental Painting in Estonia 1947-2012

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    Uncut Funk. A Contemplative Dialogue

Architecture in Uniform. Designing and Building for the 2nd World War

This fascinating book offers a new perspective on the architectural history of the Second World War, which in previous accounts has most often been viewed as a hiatus between peaceful periods of production. Jean-Louis Cohen contends instead that during the years between the bombings of Guernica in 1937 and of Hiroshima in 1945, specific advances were fundamental to the process of modernization and led to the definitive supremacy of modernism in architecture. Centering the discussion on ten main themes, the author investigates various aspects of architecture's mobilization in the war years, as well as the trajectories of individual architects. He analyzes architectural developments worldwide and takes into account each of the major participants in the war, including the United States, Japan, Great Britain, France, Italy, the Netherlands, Germany, and the Soviet Union. The book not only focuses on plans, buildings, and technological inventions but also examines the many types of visual representation used for war purposes, enhanced by a rich array of more than 300 illustrations.
http://www.cca.qc.ca/en/exhibitions/1112-architecture-in-uniform
http://arttattler.com/architectureinuniform.html


Jean-Louis Cohen
Architecture in Uniform. Designing and Building for the 2nd World War
Ed. Hazan, 2011, 9782754105309