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  • Giulia Boller, Matthias Beckh, Rainer…

    Heinz Isler. Built Experiments – Entrepreneurial Networks

  • Carolyn F. Strauss (ed.)

    Slow Technology Reader

  • Geert Lovink

    Platform Brutality. Closing Down Internet Toxicity

  • Javier Mozas, Aurora Fernández Per

    Housing Loops. Opulence, Precarity, Dignity, Prosperity and…

  • Marijke Goeting & Maaike van Neck (…

    Algorithmic Imaginations. Critical Reflections on AI in Art…

  • Riccarda Cappeller

    Cooperative Architecture. Urban Transformation as Process,…

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    Promiscuous Infrastructures. Practising Care

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    Ecoslay – An Anthology

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    Empires Over Skin. How we Fashioned our World

  • Claus Krieger

    111 Architekturbaukästen

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    Carceral Architecture

  • Charlotte Laubard

    Manifestes 8. Changing Art from the Outside in

  • Philippe Rahm

    Manifestes 6. The Anthropocene Style

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    Stella do Patrocínio. Falatório/Chatter

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    Daidalos 24-25

  • Mick Wilson

    On Discourse and the Curatorial

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    Breaking and Making Models

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    We the Bacteria. Notes Toward Biotic Architecture

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    Housing Under Platform Capitalism. The Contentious…

  • Alexander Alberro

    Interstices. Negotiations at Contemporary Art’s Boundaries

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  • Amy Ireland, Maya B. Kronic

    Cuter Akzelerationismus

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  • Paul Guillibert

    Anthropocene Communism

  • Ralf Hoffrogge

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  • Hito Steyerl

    Medium Hot. Bilder in Zeiten der Hitze

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    Unfinished Atlas. 19 Projects by Manuel Herz Architects

  • Emanuel Christ, Victoria Easton, Giulio…

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    Viscose Journal 08. Sound

  • András Szántó

    The Future of the Art World. 38 Dialogues

  • Lucius Burckhardt, Martin Schmitz (Hg)

    Lucius Burckhardt und der Werkbund

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    Baustelle Transformation. Zehn Strategien für Stadt und Land

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    Der Rest und der Westen. Kapital und Macht in einer…

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    Curatorial Design. A Place Between

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  • Carlo Bramanti

    Conspiratorial Design. Information design for the bigger…

  • Mona Schieren, Oscar Svanelid

    Lygia Clarks künstlerische Methode der Strukturierung des…

  • Andreas Broeckmann

    The Making of Les Immatériaux

  • Sandra Hofmeister (Hg)

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  • Blaise Agüera y Arcas

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    Kristoffer Tjalve, Elliott Cost (Eds.)

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  • Annette Gilbert, Andreas Bülhoff (Hg)

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  • Dagmar Pelger

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  • Caroline Böttcher

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  • Dagmar Herzog

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    DAS MINSK Kunsthaus in Potsdam (Hg)

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  • Mark D. Linder

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  • Katherine Ball

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  • Bethan Hughes

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    Kunst, Spektakel und Revolution No. 9.

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Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology

The fall of the Berlin Wall and the ripple effects felt over the following years from Bucharest to Prague to Moscow demarcate a significant moment when artists were able to publicly reassess their histories and question the opposition between the former East and the former West. Art and Theory of Post-1989 Central and Eastern Europe takes the pivotal political changes between 1989 and 1991 as its departure point to reflect on the effects that communism's disintegration across Central and Eastern Europe—including the Soviet Union's fifteen republics—had on the art practices, criticism, and cultural production of the following decades. This book presents a selection of the period's key voices that have introduced recent critical perspectives. Particular attention is given to the research and viewpoints of a new generation of artists, scholars, and curators who have advanced fresh critical perspectives and who are rewriting their own histories. Their examination of artistic practices and systems of cultural production proposes distinct outlooks for acting in the contemporary world while simultaneously rethinking the significance of the socialist legacy on art today. Art and Theory of Post-1989 Central and Eastern Europe is an indispensable volume on modern and contemporary art and theory from the region.
Contributors. Branislava Andjelkovic, Edit András, Inke Arns, Marius Babias, Zdenka Badovinac, Ivana Bago, Zbynek Baladrán, Claire Bishop, Luchezar Boyadjiev, Andreas Broeckmann, Boris Buden, Ilya Budraitskis, Ondrej Chrobák, Keti Chukhrov, Kim Conaty, Cosmin Costinas, Eda Cufer, Bojana Cvejic, Ekaterina Degot, Branislav Dimitrijevic, Michelle Elligott, Octavian Esanu, Yevgeniy Fiks, Meghan Forbes, Maja Fowkes, Reuben Fowkes, Boris Groys, Daniel Grún, Marina Gržinic, Vít Havránek, Jon Hendricks, IRWIN (Miran Mohar, Andrej Savski, Roman Uranjek, and Borut Vogelnik), Sanja Ivekovic, Ana Janevski, David Joselit, Tímea Junghaus, Klara Kemp-Welch, Juliet Kinchin, Zofia Kulik, Andres Kurg, Katalin Ladik, Václav Magid, Eva Majewska, David Maljkovic, Roxana Marcoci, Lina Michelkevice, Aldo Milohnic, Viktor Misiano, Rastko Mocnik, Magdalena Moskalewicz, Deimantas Narkevicius, Ksenia Nouril, Ewa Opalka, Martina Pachmanová, Bojana Pejic, Dan Perjovschi, Nataša Petrešin-Bachelez, Piotr Piotrowski, Bojana Piškur, David Platzker, Paulina Pobocha, Tomáš Pospiszyl, Lýdia Pribišová, Oleksiy Radynski, Karol Radziszewski, Christian Rattemeyer, Cristina Ricupero, Georg Schöllhammer, David Senior, Alina ?erban, Slavs and Tatars, Sven Spieker, Tamas St.Auby, Zuzana Štefková, Jakub Stejskal, Mladen Stilinovic, subREAL, Tomás Svoboda, Ovidiu Ṯichindeleanu, Margarita Tupitsyn, Gediminas Urbonas, Nomeda Urbonas, Jonas Valatkevicius, Jelena Vesic, Dmitry Vilensky, Raluca Voinea, What, How & for Whom (Ivet Curlin, Ana Devic, Nataša Ilic, and Sabina Sabolovic), Igor Zabel, Artur Zmijewski


A. Janevski, R. Marcoci, K. Nouril (Hg)
Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology
Duke, 2018, 9781633450646
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