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  • Kathrin Röggla

    Die Alarmbereiten

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    Was passiert? Stellungnahmen zur Lage der Universität

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    Dubai Düsseldorf

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    Sun Ra. Interviews & Essays

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    Interviews Volume 2

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    Al Manakh 2. Gulf Continued

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    Zimmermann

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    Urbane Klänge. Popmusik und Imagination der Stadt

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    Porn.com. Making Sense of Online Pornography

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    Uncorporate Identity

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    An invention of Allan Kaprow for the moment

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    Perpetual Inventory

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    Total Design - Die Inflation moderner Gestaltung

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    Film-Montagen DVD

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    Sauerbruch Hutton

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    A Companion to Marx's Capital

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    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

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    A Brief History of Curating New Media Art

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    The Gentrification Reader

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    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

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    Situation Aesthetics. The Work of Michael Asher

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    Mort Aux Vaches Ekstra Extra

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    For the blind man in the dark room

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    Recession Recessione - A Nonexistent Exhibition

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    You Are Not a Gadget. A Manifesto

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    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

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    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

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    Rote Berta Geht Ohne Liebe Wandern

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    Span. Span the Boundary between Space and Graphics

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    The Wire. Urban Decay and American Television

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    Insurgencies. Constituent Power and the Modern State

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    -arium. Weather and Architecture

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    Never Use White Type on a Black Background

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    Studies in Organic

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    The Tao of Wu

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    Supercritical. Peter Eisenman & Rem Koolhaas

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    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

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    Modern Architecture and the Mediterranean

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    Lecture Performance

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

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    The Rest is Noise. Das 20. Jahrhundert hören

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    I was (t)here.

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    Graphic Europe. An Alternative Guide to 31 European Cities

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  • Christopher Dell

    Tacit Urbanism

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    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

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    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

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    Portable Document Format

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

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    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

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    Louis Vuitton. Art, Fashion and Architecture

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

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    The Fall of the Studio. Artists at Work

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    Colour in Contemporary Architecture

Art in the Periphery of the Center

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.
This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach
Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke
Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig


Behnke, Kastelan, Knoll, Wuggenig (Eds.)
Art in the Periphery of the Center
Sternberg Press, 2015, 978-3-95679-077-5