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  • Boris Groys

    Zum Kunstwerk werden

  • Luise Rellensmann, Alexander Stumm (Hg.)

    Die Abrissfrage. Fundamente Ökologisches Bauen No 1

  • Marlon Miguel, Elena Vogman (eds.)

    Psychotherapy and Materialism. Essays by François…

  • Olya Kuzovkina

    Road Works (version 1.0)

  • Nadi Abusaada, Wesam Al Asali (eds.)

    Arab Modern. Architecture and the Project of Independence

  • Luc Boltanski, Arnaud Esquerre

    The Making of Public Space. News, Events and Opinions in…

  • Nick Couldry

    The Space of the World. Can Human Solidarity Survive Social…

  • Mark Stoll

    Profit. An Environmental History

  • Guillaume Paoli

    Etwas Besseres als der Optimismus

  • Barragán Foundation

    Barragán Outside Barragán

  • Leila Taylor

    Sick Houses. Haunted Homes and the Architecture of Dread

  • Christina Köchling (Hg.)

    Ästhetik der Technik. Drei Ökohäuser in den 1970-90er Jahre

  • Prof. Dr. Richard Woditsch (Hg.)

    Chronologie einer Ideologie. Architektur-Biografien im…

  • Wenke Seemann

    Wenke Seemann. Utopie auf Platte

  • Stefan Heidenreich

    Attraktion und Mitmacht. Wie Kunst dem Kult des Exklusiven…

  • Aylin Akyildiz, Karoline Fahl, Steffen…

    Einrichten in der Normalität – Wie Kinder und Jugendliche…

  • Henning Lundkvist

    Columns

  • Joseph Vogl

    Meteor. Versuch über das Schwebende

  • Sezgin Boynik, Tom Holert

    Engström/Farocki: About Narration (1975). Materials,…

  • Derek Jarman

    Derek Jarman. A Finger in the Fishes Mouth

  • Jean-Pierre Chupin

    Analogical Thinking in Architecture. Connecting Design and…

  • Scott Colman

    Ludwig Hilberseimer. Reanimating Architecture and the City

  • Ammar Azzouz

    Domicide. Architecture, War and the Destruction of Home in…

  • Marko Jobst, Naomi Stead (eds.)

    Queering Architecture. Methods, Practices, Spaces,…

  • Marina Tabassum

    Khudi Bari. A social project by Marina Tabassum Architects…

  • IDEA Magazine

    IDEA 408. Pixels Speak: Worlds of Tiny Dots and Design…

  • IDEA Magazine

    IDEA 407. Towards a Future Bound to Print Media: Those Who…

  • IDEA Magazine

    IDEA 406. Ikki Kobayashi - Life through Design Drawings

  • IDEA Magazine

    IDEA 405. Sneaking a Look. Cross Sections, Floor Plans…

  • Ludwig Heimbach (Hg.)

    Mäusebunker und Hygieneinstitut. Eine Berliner…

  • Pascal Gielen

    Trust. Building on the Cultural Commons

  • Irene Revell, Sarah Shin (eds.)

    Bodies of Sound. Becoming a Feminist Ear

  • Ilaria Marotta, Andrea Baccin &…

    The Uncanny House

  • Enzo Traverso

    Gaza Faces History

  • Irene V. Small

    The Organic Line

  • Sandra Schäfer

    Contested Landscapes

  • Nina Franz

    Militärische Bildtechniken. Von der frühen Neuzeit bis ins…

  • Volker Pantenburg

    Einfachheit ohne Vereinfachung. Zur Praxis Harun Farockis

  • Justin Barton, Steve Goodman, Maya B.…

    Sonic Faction. Audio Essay as Medium and Method

  • Torsten Andreasen, Emma Sofie Brogaard…

    Finance Aesthetics. A Critical Glossary

  • Lucas Ferraço Nassif

    Unconscious/Television

  • Terry Farrell, Adam Nathaniel Furman

    Postmodernism. Architecture That Changed Our World

  • Natasha Aruri, Katleen De Flander,…

    Critical Mapping for Municipalist Mobilization. Housing…

  • Nida Abdullah, Chris Lee, Xinyi Li (…

    Through Witnessing. Threading the critiquing, making,…

  • Cecilia Casabona, Ginevra Petrozzi (Eds…

    Death Design Data

  • Miriam Rasch, Jojanneke Gijsen, Harma…

    hands on research for artists, designers & educators

  • Rosi Braidotti

    Posthuman Knowledge and the Critical Posthumanities

  • Anna Colin

    Alternative Pedagogical Spaces: From Utopia to…

  • Annett Jahn, Ulrike Mönnig (Hg.)

    An den Rändern taumelt das Glück. Die späte DDR in der…

  • Silvia Franceschini, Nikolaus Hirsch,…

    Pre-Architectures

  • David Toop

    Two-Headed Doctor. Listening For Ghosts in Dr. John's…

  • Thordis Arrhenius, Ellen Braae, Guttorm…

    Architecture and Welfare. Scandinavian Perspectives

  • NIcole Schweitzer (Hg.)

    Uriel Orlow. Forest Times

  • Michael Schäfer

    Invasive Links

  • Daniel Berndt, Susanne Huber, Christian…

    ambivalent work*s. queer perspectives and art history

  • Jorge Silvetti, Hg. von Nicolás Delgado…

    Large, Lasting and Inevitable. Jorge Silvetti in Dialogues…

  • Giulio Bettini, Daniel Penzis

    Typostruktur. Sehnsucht nach architektonischer Relevanz

  • Laura U. Marks

    The Fold. From Your Body to the Cosmos

  • Emmanuele de Donno

    Construction of the Universe - Artists' Magazines and…

  • Julia Grosse, Jenny Schlenzka

    Rirkrit Tiravanija: On Making Less

  • Harry Vogt,  Martina Seeber (Hg.)

    Radio Cologne Sound. Das Studio für Elektronische Musik des…

  • Marion Hirte, Daniel Ott, Manos…

    Schnee von morgen. Statements zum Musiktheater der Zukunft

  • Oana Stănescu, Chase Galis (Hg)

    Cover me softly

  • Claire Bishop

    Merce Cunningham's Events: Key Concepts

  • Viyaleta Zhurava

    FIGUREN / SHAPES

  • Diskursiv (Hg.)

    Diskursiv No. 2, Colors

  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 258. Urbane Praxis

  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism and the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

    Martialische Ästhetik

  • Matthias Ballestrem, Katharina Benjamin…

    Constructive Disobedience

  • Sofie De Caigny, Hülya Ertas, Bie…

    As Found. Experiments in Preservation

  • !Mediengruppe Bitnik, Janez Fakin Janša

    (un)real data ☁️ – (🧊)real effects

  • Docomomo International (Ed)

    Modernism in Africa

  • Daniela Hamaui (Ed.)

    Archivio Magazine N°10. The Design Issue

  • Derk Loorbach, Véronique Patteeuw, Léa-…

    It's About Time. The Architecture of Climate Change

  • Noemi Biasetton

    Superstorm

  • Steven Henry Madoff

    Why I Do What I Do - Global Curators Speak

  • Leopoldina Fortunati, Carla Lonzi

    Folio G: Gendered Labour and Clitoridean Revolt

  • Carlos Moreno

    Die 15-Minuten-Stadt. Ein Konzept für lebenswerte Städte

  • Julian Rose

    Building Culture

  • Sandro Mezzadra, Brett Neilson

    The Rest and the West. Capital and Power in a Multipolar…

  • Charlotte Malterre-Barthes (Ed.)

    On Architecture and the Greenfield

  • Ulrike Brückner, Bianca Herlo

    Design als Haltung. Handlungsfelder jenseits des…

  • Folke Köbberling

    WOLLBAU. Wolle - Eine unterschätzte Ressource.

  • Melanie Franke (Hg.)

    Selbsterzählungen und Umbruchspuren im Œuvre von Künstler:…

  • Stellan Gulde (Ed.)

    Banal Buildings. Anthology

  • Franz Liebl

    Steakholder Management. Bausteine eines Culinary Turn in…

  • Urszula Kozminska, Nacho Ruiz Allen

    Time Matters

  • Anja Kaiser, Rebecca Stephany

    Glossary of Undisciplined Design

  • Ursula K. Le Guin

    Steering the Craft. A Twenty-First-Century Guide to Sailing…

  • Helmut Draxler

    Was tun? Was lassen? Politik als symbolische Form

  • Enzo Traverso

    Gaza im Auge der Geschichte

  • Gene Ray

    After the Holocene. Planetary Politics for Commoners

  • Paolo Cirio

    Climate Tribunal. Fossil Fuels Industry on Trial

Cover Assuming Asymmetries

Assuming Asymmetries. Conversations on Curating Public Art Projects in the 1980s and 1990s

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s: “Konstrukcja w Procesie,” an artist-driven collaboration with the Solidarność movement in Łódź, 1981; “Die Endlichkeit der Freiheit,” initiated by artists Rebecca Horn and Jannis Kounellis and playwright Heiner Müller on both sides of the former Berlin Wall in 1990; “Culture in Action,” curated by Mary Jane Jacob in Chicago in 1993; “Sonsbeek 93” in Arnhem, curated by Valerie Smith; “Fem trädgårdar,” curated by Carlos Capelán in Simrishamn and Ystad in 1996; INSITE, an ongoing series of exhibitions in San Diego and Tijuana launched in 1992; “U-media,” curated by VAVD Editions in Umeå in 1987; and Ida Biard’s “La Galerie des Locataires,” which, from 1972 until today, has used the window of a Parisian apartment as an exhibition space.

Assuming Asymmetries focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?

With contributions by Mario Airò, Sarah Alberti, Amal Alhaag, Naomi Beckwith, Ida Biard, Wigger Bierma, Barbara Bloom, Susan Bolgar, Jonna Bornemark, Carlos Capelán, Carmen Cuenca, Quinten Dierick, Mark Dion, Stephan Dillemuth, Andrea Fraser, Clarien van Harten, Wulf Herzogenrath, Irene Hohenbüchler, Mary Jane Jacob, Suzanne Lacy, Max Liljefors, Viola Krajewska, Michael Krichman, Rune Mields, Aernout Mik, Thomas Millroth, Marielle Nitoslawska, Alfredo Pernin, Betsabeé Romero, Andreas Siekmann, Valerie Smith, Petra Smits, Christoph Tannert, Sissel Tolaas, Madeleine Tunbjer, Ryszard Waśko, Sofia Wiberg, Måns Wrange, Sally Yard, Mel Ziegler

 


CuratorLab (Ed.)
Assuming Asymmetries. Conversations on Curating Public Art Projects in the 1980s and 1990s
Sternberg Press, 2022, 9783956796128
15,00 €