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  • C. Menke, J. Rebentisch (Hg.)

    Kreation und Depression. Freiheit im gegenwärtigen…

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    Dark Matter. Art and Politics in the Age of Enterprise…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Junya Ishigami

  • Gert Urhahn

    The Spontaneous City

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    Naked City. The Death and Life of Authentic Urban Places

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    Herzog & de Meuron 2005-2010

  • Guy de Cointet

    TSNX C24VA7ME A play by Dr Hun

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    My Green City

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    "Mit-Sein". Gemeinschaft – ontologische und…

  • Paul Virilio, Philippe Petit

    Cyberwelt, die wissentlich schlimmste Politik

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    Traveling the Spaceways. Sun Ra, the Astro Black and other…

  • Ingmar Bergman

    Laterna Magica. Mein Leben. Autobiographie

  • Chris Kraus

    Where Art Belongs

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    The Sound Of Downloading Makes Me Want To Upload

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    Gerd Arntz. Graphic Designer

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    Something Fantastic. A Manifesto by Three Young Architects…

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    Photography After Conceptual Art

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    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

  • Steven Heller, Lita Talarico

    Graphic. Inside the Sketchbooks of the World's Great G…

  • Nils Röller

    Magnetismus. Eine Geschichte der Orientierung

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    What was the Hipster? A Sociological Investigation

  • Peter Hook

    The Hacienda. How Not to Run a Club

  • Buchanan, Doordan, Margolin (Hg.)

    The Designed World. Images, Objects, Environments

  • Tony Fry

    Design as Politics

  • Hans Venhuizen

    Game Urbanism. Manual for Cultural Spatial Planning

  • Gary Indiana

    Last Seen Entering the Biltmore. Plays, Short Fiction,…

  • Amos Vogel

    Film as a Subversive Art

  • Iris Holtkamp, Jan-Eric Stephan

    Closing Down — All Stock Reduced — The Role of Design in…

  • Tom Holert, Marion von Osten (Hg.)

    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

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    Clip, Stamp, Fold. The Radical Architecture of Little…

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    Journeys. How Travelling Fruit, Ideas and Buildings…

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    Small Scale. Creative Solutions for Better City Living

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    The Idea of Communism

  • Christian Hundertmark (C100)

    The Art Of Rebellion 3. The Book about Streetart

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    Autorenserien. Die Neuerfindung des Fernsehens

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    The Post-Modern Reader (AD Reader)

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    AA Book. Projects Review 2010

  • Bill Moggridge

    Designing Media

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    Architecture on Display. On the History of the Venice…

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    Civic City Cahier 2. Design and Democracy

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    Web Design Index by Content 5

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    Rich Texts. Selected Writing for Art

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    Tokyo Metabolizing

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    Art Society Feedback

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    Colonial Modern. Aesthetics of the Past, Rebellions for the…

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    Megacities. Exploring a sustainable Future

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    Fontology. Free Fonts Source Book

  • Peggy Buth

    Katalog. Desire in Represention

  • Creischer, Hinderer, Siekmann (Hg.)

    Das Potosí-Prinzip

  • Juan Maria Songel

    A Conversation with Frei Otto

  • Vito Campanelli

    Web Aesthetics. How Digital Media Affect Culture and…

  • Danielle Pario Perra

    Low Cost Design

  • Alice Foxley

    Distance and Engagement

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    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

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    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

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    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

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    The Just City

  • Teal Triggs

    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

  • Boris Groys

    History Becomes Form. Moscow Conceptualism

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    Selected Maria Lind Writing

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    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

  • dérive 40/41

    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

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    Kritische Masse. Von Profis und Amateuren im Design

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    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

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    Turning Pages. Editorial Design for Print Media

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    Kieler Woche. Geschichte eines Designwettbewerbs

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    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

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    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

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    Dara Birnbaum. Technology/Transformation: Wonder Woman

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    Assume Vivid Astro Focus

  • Michael Merrill

    Louis Kahn. On the Thoughtful Making of Spaces

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    Abstract City #04. Urbanes Hausen

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    Elfter September. 2010

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    Dance with Camera

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    Joan Jett

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    The Rejected, the Recycled, the Regenerated

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    Civic City Cahier 1. Social Movements in the (Post-)…

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    Contemporary Painting in Context

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    The Biennial Reader

Cover Assuming Asymmetries

Assuming Asymmetries. Conversations on Curating Public Art Projects in the 1980s and 1990s

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s: “Konstrukcja w Procesie,” an artist-driven collaboration with the Solidarność movement in Łódź, 1981; “Die Endlichkeit der Freiheit,” initiated by artists Rebecca Horn and Jannis Kounellis and playwright Heiner Müller on both sides of the former Berlin Wall in 1990; “Culture in Action,” curated by Mary Jane Jacob in Chicago in 1993; “Sonsbeek 93” in Arnhem, curated by Valerie Smith; “Fem trädgårdar,” curated by Carlos Capelán in Simrishamn and Ystad in 1996; INSITE, an ongoing series of exhibitions in San Diego and Tijuana launched in 1992; “U-media,” curated by VAVD Editions in Umeå in 1987; and Ida Biard’s “La Galerie des Locataires,” which, from 1972 until today, has used the window of a Parisian apartment as an exhibition space.

Assuming Asymmetries focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?

With contributions by Mario Airò, Sarah Alberti, Amal Alhaag, Naomi Beckwith, Ida Biard, Wigger Bierma, Barbara Bloom, Susan Bolgar, Jonna Bornemark, Carlos Capelán, Carmen Cuenca, Quinten Dierick, Mark Dion, Stephan Dillemuth, Andrea Fraser, Clarien van Harten, Wulf Herzogenrath, Irene Hohenbüchler, Mary Jane Jacob, Suzanne Lacy, Max Liljefors, Viola Krajewska, Michael Krichman, Rune Mields, Aernout Mik, Thomas Millroth, Marielle Nitoslawska, Alfredo Pernin, Betsabeé Romero, Andreas Siekmann, Valerie Smith, Petra Smits, Christoph Tannert, Sissel Tolaas, Madeleine Tunbjer, Ryszard Waśko, Sofia Wiberg, Måns Wrange, Sally Yard, Mel Ziegler

 


CuratorLab (Ed.)
Assuming Asymmetries. Conversations on Curating Public Art Projects in the 1980s and 1990s
Sternberg Press, 2022, 9783956796128
15,00 €