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    What Comes after Farce?

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    The German Cinema Book (second edition)

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    Salticidae Icius - a Research on Independent Art Spaces and…

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    The gestures of participatory art

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    Intersektionalität. Von der Antidiskriminierung zur…

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    Psychogeografie

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    Operative Mapping. Maps as Design Tools

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    Jenseits unserer Haut. Körper als umkämpfter Ort im…

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    The Manifesto Handbook. 95 Theses on an Incendiary Form

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    Cedric Price Works 1958 - 2003. A Forward-Minded…

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    Universalenzyklopädie der menschlichen Klugheit

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    Join the Future. Bleep Techno and the Birth of British Bass…

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    Allegories of the End of Capitalism. Six Films on the…

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    How I Became One of the Invisible (New Edition)

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    Snowden’s Box. Trust in the Age of Surveillance

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    Real-Time Realist #2: Typefaces don't care, Typefaces…

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    Sleeveless. Fashion, Image, Media, New York 2011-2019

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    Sprache und Sein

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    Augmented Spaces and Maps. Das Design von kartenbasierten…

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    IDEA 389. Feminist Moments: Thoughts on graphic design…

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    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

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    Music - A Subversive History

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    Die neue Krise der Städte

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    Set the Night on Fire - L.A. in the Sixties

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    Hybride Ökologien

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    Designing Disorder. Experiments and Disruptions in the City

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    October Files 24: Michael Snow

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    Ruth Wolf-Rehfeldt: Introverse Arrangements

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    Beyond Plant Blindness : Seeing the Importance of Plants…

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    Good Times in Dystopia

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    Materials and Meaning in Architecture

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    GRAV : Groupe de Recherche d'Art Visuel "…

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    Everything She Touched. The Life of Ruth Asawa

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    Filmed Thought. Cinema as Reflective Form

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    Uneven Innovation. The Work of Smart Cities

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    Whose Tradition? Discourses on the Built Environment

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    Migrant Mother, Migrant Gender

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    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

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    How We Die Is How We Live Only More So

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    The Demon of Writing. Powers and Failures of Paperwork

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    Clubkultur. Dimensionen eines urbanen Phänomens

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    Harun Farocki. Ich habe genug!

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    Heritage and Debt. Art in Globalization

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    Merce Cunningham. After the Arbitrary

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    Betrachtungen zur Schwulenfrage

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    Making and Being: Embodiment, Collaboration, and…

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    The Presence Project. Computer Related Design Research…

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    Statista. Staatskunst am Haus der Statistik

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    Smart Cities

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    The Pornographic Age

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    Das Grafische Atelier Stankowski + Duschek

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    Scheingleichheit. Drei Essays

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    Hexen. Die unbesiegte Macht der Frauen

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    Females. Everyone is female, and everyone hates it

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    Work Want Work. Labour and Desire at the End of Capitalism

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    Immanence and Immersion. On the Acoustic Condition in…

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    Modes of Criticism 5. Design Systems

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    Hacking Urban Furniture. HUF

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    Flaming Creatures

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    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Reverse Cowgirl

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    Ways of Knowing Cities

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    Althusser and Art

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    Visuelle Zeitgestaltung

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    Die Welt wieder verzaubern. Feminismus, Marxismus &…

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    The Materials Book

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    Planet Earth: 21st Century

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    The Force of Non-Violence. An Ethico-Political Blind

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    An Apartment on Uranus

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AUDINT. Unsound : Undead

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead.
For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena).
For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present.
This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present.
The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead.
Contributors
Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.


Goodman, Heys, Ikoniadou (Eds.)
AUDINT. Unsound : Undead
Urbanomic, 2019, 9781916405219