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    Candide. Journal for Architectural Knowledge Heft 2

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    Dialogue between Fashion and Death

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    Formlose Ähnlichkeiten oder die Fröhliche Wissenschaft des…

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    Restless Cities

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    Rethinking the Power of Maps

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    The Clandestine in the Work of Jef Cornelis

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    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

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    Max Bill: Form, Function, Beauty = Gestalt.

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    Utopia of Sound. Immediacy and Non-Simultaneity

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    89/90

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    Living in the End Times

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    The Studio Reader. On the Space of Artists

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    IDEA 341. Dialogues with Tatsuya Ariyama

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    Design/Research 02

  • Ryoko Aoki

    Chain Ring

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    Show and Tell. A Chronicle of Group Material

  • Duy Nguyen

    Über Origami

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    The Politics of Recorded Sound (Social Text)

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    49 Cities

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    Introduction to Civil War (Semiotexte)

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    The Journal of HomeShop

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    Solution 168-185. America

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    The Architectures of Atelier Bow-Wow. Behaviorology

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    Pink Noises. Women on Electronic Music and Sound

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    (Mis)reading Masquerades

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    Cities under Siege. The New Military Urbanism

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    Acoustic Territories. Sound Culture and Everyday Life.…

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    The Form of the Book Book

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    Modern Architecture in Africa

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    Al Manakh 2. Gulf Continued

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    An invention of Allan Kaprow for the moment

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    Total Design - Die Inflation moderner Gestaltung

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    Sauerbruch Hutton

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    A Companion to Marx's Capital

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    Situation Aesthetics. The Work of Michael Asher

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    You Are Not a Gadget. A Manifesto

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    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

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    Net Pioneers 1.0. Contextualizing Early Net-Based Art

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    Afterimages of Gilles Deleuze's Film Philosophy

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    Rote Berta Geht Ohne Liebe Wandern

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    Span. Span the Boundary between Space and Graphics

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  • Adam Phillips, Barbara Taylor

    On Kindness

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    Total Trattoria

Being in Flux: A Post-Anthropocentric Ontology of the Self

Reality exists independently of human observers, but does the same apply to its structure? Realist ontologies usually assume so: according to them, the world consists of objects, these have properties and enter into relations with each other, more or less as we are accustomed to think of them.
Against this view, Rein Raud develops a radical process ontology that does not credit any vantage point, any scale or speed of being, any range of cognitive faculties with the privilege to judge how the world ‘really’ is. In his view, what we think of as objects are recast as fields of constitutive tensions, cross-sections of processes, never in complete balance but always striving for it and always reconfiguring themselves accordingly. The human self is also understood as a fluctuating field, not limited to the mind but distributed all over the body and reaching out into its environment, with different constituents of the process constantly vying for control.
The need for such a process philosophy has often been voiced, but rarely has there been an effort to develop it in a systematic and rigourous manner that leads to original accounts of identity, continuity, time, change, causality, agency and other topics. Throughout his new book, Raud engages with an unusually broad range of philosophical schools and debates, from New Materialism and Object-Oriented Ontology to both phenomenological and analytical philosophy of mind, from feminist philosophy of science to neurophilosophy and social ontology.
Being in Flux will be of interest to students and scholars in philosophy and the humanities generally and to anyone interested in current debates about realism, materialism and ontology.


Rein Raud
Being in Flux: A Post-Anthropocentric Ontology of the Self
Polity Press, 2021, 978-1-5095-4951-1
23,80 €