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    Kreation und Depression. Freiheit im gegenwärtigen…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Junya Ishigami

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    The Spontaneous City

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    Naked City. The Death and Life of Authentic Urban Places

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    Herzog & de Meuron 2005-2010

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    TSNX C24VA7ME A play by Dr Hun

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    Laterna Magica. Mein Leben. Autobiographie

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    Design as Politics

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    Game Urbanism. Manual for Cultural Spatial Planning

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    Film as a Subversive Art

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    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

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    Civic City Cahier 2. Design and Democracy

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    Web Design Index by Content 5

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    Rich Texts. Selected Writing for Art

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    Tokyo Metabolizing

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    A Conversation with Frei Otto

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    Low Cost Design

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    Distance and Engagement

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    The Nightmare of Participation

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    Atlas of Transformation

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    High Society. Mind Altering Drugs in History and Culture

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    A Story of Deception

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    Baumschule. Kultivierung des Stadtdschungels

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    The Just City

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    Fanzines

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    Tell Me What You Want, What You Really, Really Want

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    History Becomes Form. Moscow Conceptualism

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    Selected Maria Lind Writing

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    Judgment and Contemporary Art Criticism

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    From Hieroglyphics to Isotype. A Visual Autobiography

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    Atmosphäre. Hypothesen zum Prozess der räumlichen…

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    Understanding Stadtforschung

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    Shadowplayers. The Rise and Fall of Factory Records

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    Nacktheiten

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    Kritische Masse. Von Profis und Amateuren im Design

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    Reason and Resonance. A History of Modern Aurality

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    Small Scale, Big Change

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    Graue Architektur. Nachkriegsarchitektur

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    Assume Vivid Astro Focus

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    Elfter September. 2010

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    The Rejected, the Recycled, the Regenerated

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    Civic City Cahier 1. Social Movements in the (Post-)…

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    The Biennial Reader

A Book About Colab (and Related Activities)

Printed Matter is pleased to announce the publication of A Book About Colab (and Related Activities). Edited by Max Schumann, Director of Printed Matter, and with a Foreword and Afterword by art writer and Colab member Walter Robinson, the book traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970’s through the mid 1980’s.
A Book About Colab serves as an exhaustive homage to the group’s work and a testimonial about their particular practice of collaboration, collectivity, and social engagement, while reflecting an iconic period of NYC cultural history. Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, crafted their own PR, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970’s, the Reagan era of budget cuts and nuclear armament, the housing crisis and gentrification in New York City, and other pressing social issues.
In form, A Book About Colab captures the busy energy of the group as it focused on a battery of overlapping projects staged in artists’ lofts, vacant storefronts and abandoned buildings, as well as on the airwaves and in print. With extensive documentation of the printed material and media (posters, books, ephemera, films, broadcasts) steadily produced in the course of their collaborative undertakings, A Book About Colab offers a vivid account of the diverse aesthetics and concerns of the group as they embarked on X-Magazine, The Real Estate Show, The Times Square Show, the A. More Store, the cable access TV show Potato Wolf, and a myriad of other projects.
To illustrate the broader reach of the group, the book also explores a number of Colab-related efforts which took place in addition to their communal activity. Artists’ initiatives such as Fashion Moda, the New Cinema, Spanner Magazine, and ABC No Rio, while not purely Colab projects, derived their vitality from its members and reflected the spirit of that community.
In keeping with the democratic “by and for artists” ethos of Colab, the publication places this material alongside newly solicited texts from many of the group’s members – a mix of reflections and anecdotes, statements, manifestos, and excerpts from the ‘Colab Annual Report’, which provide a close perspective on the meaning of Colab for those who came into its orbit.
A Book About Colab (and Related Activities) is published by Printed Matter, printed full color, paperback, 256 pages, in an edition of 1000 copies. The book features a two-sided color wraparound cover, with the interior showing a selection of Fingerpaint Portraits of Colab group members by Cara Perlman.


Max Schumann (Ed.)
A Book About Colab (and Related Activities)
Printed Matter, 2016, 9780894390852