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  • Marnie Fogg

    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

  • Zbynek Baladran, Vit Havranek (Hg.)

    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

  • S. Gaensheimer, S. von Olfers (Hg.)

    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

  • Susan S. Fainstein

    The Just City

  • Teal Triggs

    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

  • Boris Groys

    History Becomes Form. Moscow Conceptualism

  • Brian Kuan Wood (Hg.)

    Selected Maria Lind Writing

  • Artspeak / Fillip Editions

    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

  • dérive 40/41

    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

  • Florian A. Schmidt, Peter Lasch,…

    Kritische Masse. Von Profis und Amateuren im Design

  • TwoPoints.Net (Hg.)

    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

  • Tony Conrad, Jutta Koether, John Miller

    XXX Macarena LP

  • Paul Le Blanc, Helen C. Scott (Hg.)

    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

  • S. Ehmann, R. Klanten (Hg.)

    Turning Pages. Editorial Design for Print Media

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

  • Harald Bodenschatz, Thomas Flierl (Hg.)

    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

  • T.J. Demos

    Dara Birnbaum. Technology/Transformation: Wonder Woman

  • C. S. Rabinowitz, N. Kovacs (Hg.)

    Assume Vivid Astro Focus

  • Michael Merrill

    Louis Kahn. On the Thoughtful Making of Spaces

  • Bettina Götz (Hg.)

    Abstract City #04. Urbanes Hausen

  • Rainald Goetz

    Elfter September. 2010

  • Jenelle Porter (Hg.)

    Dance with Camera

  • Todd Oldham

    Joan Jett

  • Umool Umool Vol.9

    The Rejected, the Recycled, the Regenerated

  • Margit Mayer

    Civic City Cahier 1. Social Movements in the (Post-)…

  • Anne Ring Petersen (Hg.)

    Contemporary Painting in Context

  • M. van Hal, S. Ovstebo, E. Filipovic (…

    The Biennial Reader

  • Laura Meseguer

    Typomag. Typography in Magazines

  • R. Klanten, A. Mollard (Hg.)

    Los Logos. Compass

  • Carsten Nicolai

    Moiré Index

  • Pierre Guyotat

    Coma

  • Sara De Bondt, Fraser Muggeridge (Hg.)

    The Master Builder. Talking with Ken Briggs

  • K. T. Edelmann, G. Terstiege (Hg.)

    Gestaltung denken. Ein Reader für Designer und Architekten

  • Axel Sowa, Susanne Schindler (Hg.)

    Candide. Journal for Architectural Knowledge Heft 2

  • Giacomo Leopardi

    Dialogue between Fashion and Death

  • Sakamoto, Hwang, Ferré (Hg.)

    Total Housing. Alternatives to Urban Sprawl

  • Antony Hudek, Athanasios Velios (Hg.)

    The Portable John Latham

  • Nina Möntmann (Hg.)

    New Communities

  • Beyond 3

    Trends and Fads

  • Igor Marjanovic, Katerina Rüedi Ray

    Marina City. Bertrand Goldberg's Urban Vision

  • Ingo Niermann

    Solution 186–195. Dubai Democracy

  • Pedro Paiva, Joao Maria Gusmao

    On the Movement of the Fried Egg and Other Astronomical…

  • Harald Bodenschatz

    Städtebau in Berlin. Schreckbild und Vorbild für Europa

  • Andrew Lewthwaite (Hg.)

    Dead on Arrival

  • Théo Lessour

    Berlin Sampler. Le son de Berlin de 1904 à 2009

  • Jeremy Millar (Hg.)

    Every Day is a Good Day. The Visual Art of John Cage

  • Deutsche Bauzeitung

    Wohnlabor Berlin

  • ANBB (Alva Noto & Blixa Bargeld)

    Ret Marut Handshake (Vinyl)

  • Georges Didi-Huberman

    Formlose Ähnlichkeiten oder die Fröhliche Wissenschaft des…

  • Matthew Beaumont, Gregory Dart (Hg.)

    Restless Cities

  • Denis Wood

    Rethinking the Power of Maps

  • Koen Brams, Dirk Pültau

    The Clandestine in the Work of Jef Cornelis

  • Bless

    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

  • Architecture Words 5

    Max Bill: Form, Function, Beauty = Gestalt.

  • D. Diederichsen, C. Ruhm (Hg.)

    Utopia of Sound. Immediacy and Non-Simultaneity

  • Michael Schmidt

    89/90

  • Slavoj Zizek

    Living in the End Times

  • Mary Jane Jacob, Michelle Grabner (Hg.)

    The Studio Reader. On the Space of Artists

  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

  • Unit

    Design/Research 02

  • Ryoko Aoki

    Chain Ring

  • Julie Ault (Hg.)

    Show and Tell. A Chronicle of Group Material

  • Duy Nguyen

    Über Origami

  • Gustavus Stadler

    The Politics of Recorded Sound (Social Text)

  • Work AC

    49 Cities

  • Tiqqun

    Introduction to Civil War (Semiotexte)

  • Wear. Number Two

    The Journal of HomeShop

  • Tirdad Zolghadr

    Solution 168-185. America

  • Yoshiharu Tsukamoto, Momoyo Kaijima

    The Architectures of Atelier Bow-Wow. Behaviorology

  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Frederique Bergholtz, Iberia Perez (Hg.)

    (Mis)reading Masquerades

  • Stephen Graham

    Cities under Siege. The New Military Urbanism

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

  • Helmut Höge

    Pollerforschung

  • Sara De Bondt, Fraser Muggeridg

    The Form of the Book Book

  • Antoni Folkers

    Modern Architecture in Africa

  • Paul O'Neill, Mick Wilson (Hg.)

    Curating and the Educational Turn

  • Judy Pray

    Garden Wisdom and Know-How

  • Kathrin Röggla

    Die Alarmbereiten

  • Unbedingte Universitäten (Hg.)

    Was passiert? Stellungnahmen zur Lage der Universität

  • Kunstverein für die Rheinlande und…

    Dubai Düsseldorf

  • John Sinclair (Hg.)

    Sun Ra. Interviews & Essays

A Book About Colab (and Related Activities)

Printed Matter is pleased to announce the publication of A Book About Colab (and Related Activities). Edited by Max Schumann, Director of Printed Matter, and with a Foreword and Afterword by art writer and Colab member Walter Robinson, the book traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970’s through the mid 1980’s.
A Book About Colab serves as an exhaustive homage to the group’s work and a testimonial about their particular practice of collaboration, collectivity, and social engagement, while reflecting an iconic period of NYC cultural history. Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, crafted their own PR, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970’s, the Reagan era of budget cuts and nuclear armament, the housing crisis and gentrification in New York City, and other pressing social issues.
In form, A Book About Colab captures the busy energy of the group as it focused on a battery of overlapping projects staged in artists’ lofts, vacant storefronts and abandoned buildings, as well as on the airwaves and in print. With extensive documentation of the printed material and media (posters, books, ephemera, films, broadcasts) steadily produced in the course of their collaborative undertakings, A Book About Colab offers a vivid account of the diverse aesthetics and concerns of the group as they embarked on X-Magazine, The Real Estate Show, The Times Square Show, the A. More Store, the cable access TV show Potato Wolf, and a myriad of other projects.
To illustrate the broader reach of the group, the book also explores a number of Colab-related efforts which took place in addition to their communal activity. Artists’ initiatives such as Fashion Moda, the New Cinema, Spanner Magazine, and ABC No Rio, while not purely Colab projects, derived their vitality from its members and reflected the spirit of that community.
In keeping with the democratic “by and for artists” ethos of Colab, the publication places this material alongside newly solicited texts from many of the group’s members – a mix of reflections and anecdotes, statements, manifestos, and excerpts from the ‘Colab Annual Report’, which provide a close perspective on the meaning of Colab for those who came into its orbit.
A Book About Colab (and Related Activities) is published by Printed Matter, printed full color, paperback, 256 pages, in an edition of 1000 copies. The book features a two-sided color wraparound cover, with the interior showing a selection of Fingerpaint Portraits of Colab group members by Cara Perlman.


Max Schumann (Ed.)
A Book About Colab (and Related Activities)
Printed Matter, 2016, 9780894390852