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Warenkorb

  • Sara De Bondt, Fraser Muggeridg

    The Form of the Book Book

  • Antoni Folkers

    Modern Architecture in Africa

  • Paul O'Neill, Mick Wilson (Hg.)

    Curating and the Educational Turn

  • Judy Pray

    Garden Wisdom and Know-How

  • Kathrin Röggla

    Die Alarmbereiten

  • Unbedingte Universitäten (Hg.)

    Was passiert? Stellungnahmen zur Lage der Universität

  • Kunstverein für die Rheinlande und…

    Dubai Düsseldorf

  • John Sinclair (Hg.)

    Sun Ra. Interviews & Essays

  • Hans Ulrich Obrist

    Interviews Volume 2

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Volume #23

    Al Manakh 2. Gulf Continued

  • Luc Boltanski

    Soziologie und Sozialkritik

  • Schlammpeitziger

    Exotic Visuals and Tropical Videoworks. DVD

  • Juergen Teller

    Zimmermann

  • John May

    Handmade Houses & Other Buildings

  • Malte Friedrich

    Urbane Klänge. Popmusik und Imagination der Stadt

  • Feona Attwood (Hg.)

    Porn.com. Making Sense of Online Pornography

  • Mark Garcia

    Diagrams of Architecture (AD Reader)

  • Blexbolex

    Jahreszeiten

  • Angela McRobbie

    Top Girls. Feminismus und der Aufstieg des neoliberalen…

  • Metahaven (Daniel van der Velden, Vinca…

    Uncorporate Identity

  • Philippe Pirotte (Hg.)

    An invention of Allan Kaprow for the moment

  • Rosalind E. Krauss

    Perpetual Inventory

  • Mateo Kries

    Total Design - Die Inflation moderner Gestaltung

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Peter Roehr

    Film-Montagen DVD

  • 2G No. 52

    Sauerbruch Hutton

  • David Harvey

    A Companion to Marx's Capital

  • Selina Walder (Hg.)

    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

  • Cook, Graham, Gfader, Lapp (Hg.)

    A Brief History of Curating New Media Art

  • L. Lees, T. Slater, E. Wyly (Hg.)

    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

  • Gæoudjiparl Van Den Dobbelsteen

    Mort Aux Vaches Ekstra Extra

  • Anthony Huberman (Hg.)

    For the blind man in the dark room

  • Studio Blanco

    Recession Recessione - A Nonexistent Exhibition

  • Jaron Lanier

    You Are Not a Gadget. A Manifesto

  • Sasa 44 (Hg.)

    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

  • Dieter Daniels, Gunther Reisinger (Hg.)

    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

  • Harun Farocki

    Rote Berta Geht Ohne Liebe Wandern

  • Wang Shaoqiang

    Span. Span the Boundary between Space and Graphics

  • Estel Vilaseca, M. San Martin (Hg.)

    Blogs. Mad about Design

  • Konrad Becker, Felix Stalder (Hg.)

    Deep Search. Politik des Suchens jenseits von Google

  • Jacobo Krauel (Hg.)

    Veranstaltungen. Kreativität und Gestaltung

  • Zak Kyes (Hg.)

    Joseph Grigely. Exhibition Prosthetics

  • Tim Lawrence

    Hold On to Your Dreams. Arthur Russell and the Downtown…

  • Adam Phillips, Barbara Taylor

    On Kindness

  • John Carey (Hg.)

    The Faber Book of Utopias

  • Martino Gamper/Trattoria Team

    Total Trattoria

  • Cranfield and Slade

    12 Sun Songs

  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

  • Viction:ary (Hg.)

    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

  • Christel Vesters (Hg.)

    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

Book Worm

The spirits of books are fascinating, they spread their fragrance far and wide, and good contents are like words singing and dancing in the books.It s hard differentiate books with good qualities in front of voluminous of books. However, graphic designers have more concern about books than readers do: they pay close attention to the design of books, to paper selection, to binding craftsmanship, to the printing technique, to the packaging etc., they are even concerned with procedures like folding, stacking, cropping, cutting, pressing, gilding, framing, extending and tearing. Sometimes they forget the original idea of a good book when they focused too much on these techniques. A good content is necessary for a good book, while a good design reinforces the contents of the book, however no matter how good the design is it s not possible to improve the quality of bad contents and save the book. Book Worm has seek for 56 graphic designers all around the world introducing their innovative and fine book designs. Through their extraordinary works they showed their individual understanding of books : not letting design to overwhelm the features behind the contents; it also proves the designers understandings and confidences to printing skills; fine selections to the textures of paper, warmth and color; their concerns with binding details. The dimension of Book Worm is 17x28cm, experimentally folded with 6 holes-pierced and manual binding with thread, took a long time with quality hand craftsmanships. Book Worm is eventually on shelf for all readers.
The Designers are: 2xgoldstein (Germany), 3group (Poland), Abbasi, Majid (Iran), Ahn, Sang-Soo (Korea), Andersen M Studio (UK), Atelier Poisson (Switzerland), Atelier Reinhard Gassner (Austria), Au, Benny (Kong Kong), Balius, Andreu (Spain), Bouvet, Michel (France), Brechbühl, Erich (Switzerland), Chan, Alan (Hong Kong), Chen, Bob (China), Change is good (France), Cheong, Kuokwai (Macau,China), Chihara, Kuoh (Japan), Choi, Sandy (Hong Kong), CoDesign Ltd (Hong Kong), COUP (Netherlands), de designpolitie (Netherlends), dogdesign (Finland), Faydherbe/De Vringer (Netherlands), Ferrer, Isidro (Spain), Föllmer, Christina (Germany), Fons Hickman m23 (Germany), General Working Group (USA), Guang, Yu (China), hesign (Germany/China), Hi (Switzerland), Huang, Yang (China), John Morgan Studio (UK), Kakinokihara, Masahiro (Japan), Kan, Tai-Keung (Hong Kong), Meshki, Saed (Iran), Milkxhake (Hong Kong), Mirko Illic Corp (USA), Müller, Lars (Switzerland), Park, Kum-jun (Korea), Pixelgarten (Germany), Sagmeister, Stefan (USA), Sakamoto, Siho (Japan), Sonnabend, Catrin (Germany), Sonner Vallée & Partner (Germany), Studio Alfalfa (USA), Studio Boot (Netherlands), St. Pierre et Miquellon (UK), Stripe SF (USA), Sugisaki,Shinnoske (Japan), Superbüro (Switzerland), Tommy Li Design (Hong Kong), Tsukamoto, Akihiko (Japan), Xiao Mage & Chengzi (China), Wang, Xu (China), Wang, Zhi Hong (Taiwan), Welcome to.as (Switzerland)


Jianping He (Hg.)
Book Worm
Hesign, 2011, 978-3981054491