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  • Hertz-Labor Hg. (Peter Weibel, Ludger…

    From Xenakis’s UPIC to Graphic Notation Today

  • Cyril Veillon, Nadja Maillard (Eds.)

    Isle of Models. Architecture and Scale

  • Giorgio Agamben

    Der Gebrauch der Körper

  • Isabelle Graw

    In einer anderen Welt. Notizen 2014-2017

  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Adeena Mey, Anton Rey, François Bovier…

    Minor Cinema. Experimental Film in Switzerland

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

  • Silvia Henke, Dieter Mersch, Thomas…

    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

  • ARCH+, Anh-Linh Ngo, Arno Brandlhuber,…

    Arch+. The Property Issue: Politics of Space and Data.

  • Philip Kovce, Birger P. Priddat (Hg.)

    Bedingungsloses Grundeinkommen. Grundlagentexte

  • Aaron Bastani

    Fully Automated Luxury Communism

  • Martijn De Rijk, Thomas Spijkerman

    Reinventing Daily Life

  • Adriano Pedrosa, Jose Esparza Chong Cuy…

    Lina Bo Bardi. Habitat

  • Cloe Pitiot, Nina Stritzler-Levine (Hg)

    Eileen Gray. Designer and Architect

  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

  • Chus Martínez (Ed.)

    The Wild Book of Inventions

  • Mary Bosworth, Khadija von Zinnenburg…

    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

  • Matthew Gandy, Sandra Jasper (Hg)

    The Botanical City

  • Riccardo Badano, Rebecca Lewin, Natalia…

    Formafantasma Cambio

  • Rozemin Keshvani (Ed.)

    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

    Design Justice. Community-led Practices to build the Worlds…

  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

  • Claire Fontaine

    La Grève Humaine et l’art de créer la liberté

  • Christian Nae (Editor)

    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

  • Hashim Sarkis, Roi Salgueiro Barrio,…

    The World as an Architectural Project.

  • Pier Vittorio Aureli (Hg)

    The City as a Project

  • Stephen Barber

    The Projectionists. Eadweard Muybridge and the Future…

  • Zoran Terzić

    Idiocracy. Denken und Handeln im Zeitalter des Idioten

  • Paul B. Preciado

    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

  • Corinna Burkhart, Matthias Schmelzer,…

    Degrowth in Movement(s). Exploring Pathways for…

  • Anita Chari, Claire Fontaine, Jaleh…

    Claire Fontaine. Newsfloor

  • Angela McRobbie

    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

  • Joachim Hamou, Maija Rudovska, Barbara…

    Active Art

  • Institut für Raumexperimente e.V.,…

    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

  • Gregory Claeys

    Utopia. The History of an Idea

  • Frieda Grafe

    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

  • Etel Adnan

    Wir wurden kosmisch

  • D. R. McElroy

    Signs & Symbols of the World: Over 1,001 Visual Signs…

  • David Yaffe

    Joni Mitchell - Ein Porträt

  • Gloria Meynen

    Inseln und Meere. Zur Geschichte und Geografie fluider…

  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

  • Alastair Hemmens, Gabriel Zacarias (Eds…

    The Situationist International. A Critical Handbook

  • Claudia Mareis, Michael Rottmann

    Entwerfen mit System

  • James Lovelock

    Novozän: Das kommende Zeitalter der Hyperintelligenz

  • Jane Bennett

    Lebhafte Materie. Eine politische Ökologie der Dinge

  • Naomi Hennig, Anna-Lena Wenzel (Hg.)

    General Public 2005-2015

  • Holger Schulze

    Ubiquitäre Literatur. Eine Partikelpoetik

  • Tom Bieling (Hg.)

    Gender (&) Design. Positionen zur Vergeschlechtlichung…

  • Oliver Flügel-Martinsen

    Radikale Demokratietheorien zur Einführung

  • Simon Rothöhler

    Theorien der Serie zur Einführung

  • Eugene Thacker

    Im Staub dieses Planeten: Horror der Philosophie

  • Peter Wilson

    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

  • Hubertus Butin

    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

  • Günther Vogt, Thomas Kissling (Hg.)

    Mutation und Morphose. Landschaft als Aggregat

  • Markus Miessen, Zoë Ritts (Hg.)

    Para-Plattformen. Die Raumpolitik des Rechtspopulismus

  • Fischer, Gramelsberger, Hoffmann,…

    Datennaturen. Ein Gespräch zwischen Biologie, Kunst,…

  • Ludger Weß, Judith Schalansky (Hg.)

    Winzig, zäh und zahlreich. Ein Bakterienatlas

  • Felwine Sarr

    Afrotopia

  • Anna-Lisa Dieter, Viktoria Krason (Hg.)

    Future Food. Essen für die Welt von Morgen

  • Florian Malzacher

    Gesellschaftsspiele. Politisches Theater heute

  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €