Direkt zum Inhalt

Warenkorb

  • Gerrit Terstiege (Hg.)

    The Making of Design. Vom Modell zum fertigen Produkt

  • Alexandra Gerstein (Hg.)

    Beyond Bloomsbury. Designs of the Omega Workshops 1913-19

  • Della Chuang

    Kyoteau. Bottled Memories

  • Wolfgang Kil (Hg.)

    Wolfgang Hänsch. Architekt der Dresdner Moderne

  • Ken Hillis

    Online a Lot of the Time. Ritual, Fetish, Sign

  • Stephan Trüby (Hg.)

    Hertzianismus. Elektromagnetismus in Architektur, Design…

  • Barkow Leibinger

    An Atlas of Fabrication

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • Stiftung Bauhaus Dessau (Hg.)

    Bauhaus Streit. 1919-2009. Kontroversen und Kontrahenten.

  • Jon Savage

    The England's Dreaming Tapes

  • Peter C. Bunnell

    Inside the Photograph. Writings on Twentieth-Century…

  • Kelly Coyne, Erik Knutzen

    The Urban Homestead. Your Guide to Self-sufficient Living…

  • Ian Wilson

    The Discussions

  • Jason Sperb, Scott Balcerzak

    Cinephilia in the Age of Digital Reproduction. Film,…

  • Momus

    Solution 11-167. The Book of Scotlands

  • Barbican Art Gallery (Hg.)

    Radical Nature. Art and Architecture for a Changing Planet…

  • Verein 100 Beste Plakate

    100 Beste Plakate 08. Deutschland - Österreich - Schweiz

  • Liam Gillick

    All Books

  • Cosmic Wonder Free Press

    Cosmic Wonder Light Source 3. Light Streams

  • Alastair Fuad-Luke

    Design Activism. Beautiful Strangeness for a Sustainable…

  • Oliviero Toscani, Olivier Saillard

    Workwear. Work Fashion Seduction

  • Shepard Fairey

    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Dominik Landwehr, Verena Kuni (Hg.)

    Home made electronic arts. Do-it-yourself Piratensender,…

  • Sara Maysles, Rebekah Maysles (Hg.)

    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

  • Tobias Huber, Marcus Steinweg (Hg.)

    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Stephan Rabimov (Hg.)

    Depesha. Russian Lifestyle Magazine

  • Richard Reynolds

    Guerilla Gardening. Ein botanisches Manifest

  • Luigi Snozzi, Andrew Frear, Richard…

    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

  • Christian Schittich (Hg.)

    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

  • Roland Hagenberg (Hg.)

    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Jean Burgess, Joshua Green

    YouTube. Online Video and Participatory Culture

  • Lars Denicke, Peter Thaler (Hg.)

    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

  • Monika Szewczyk (Hg.)

    Meaning Liam Gillick

  • Nato Thompson (Hg.)

    A Guide to Democracy in America

  • Jan Wehrheim

    Der Fremde und die Ordnung der Räume

  • Robert Castel

    Negative Diskriminierung. Jugendrevolten in den Pariser…

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Susanne Pfeffer, Beatrix Ruf, Nicolaus…

    Annette Kelm

  • John Stezaker

    The 3rd Person Archive

  • Eva Egermann, Anna Pritz (Hg.)

    School Works. Beiträge zu vermittelnder, künstlerischer und…

  • Faitiche/Jan Jelinek (Hg.)

    Die Gesellschaft zur Emanzipation des Samples presents:…

  • Georg Spehr (Hg.)

    Funktionale Klänge. Hörbare Daten, klingende Geräte und…

  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

  • Kunstmuseum Basel, Lenbachhaus München…

    Tom Burr

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • Michaela Ott, Harald Strauß (Hg.)

    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Iain Morland (Hg.)

    Journal of Lesbian and Gay Studies. Intersex and After.…

  • Wladimir Velminski (Hg.)

    Leonhard Euler. Die Geburt der Graphentheorie

  • Katarina Bonnevier

    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

  • Catherine David, Georges Khalil, Bernd…

    Di/Visions. Kultur und Politik des Nahen Ostens

  • Sarah Chaplin, Alexandra Stara (Hg.)

    Curating Architecture and the City

  • Laurie Anderson

    Nothing in My Pockets

  • Paolo Cherchi Usai, David Francis,…

    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

  • J. Armleder, G. Metzger, P. Pirotte, u.…

    Voids. A Retrospective

  • Elisabeth Sussman

    William Eggleston. Democratic Camera. Photographs and Video…

  • Peter J. Schneemann, Wolfgang Brückle (…

    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

  • Sayaka Ishi (Hg.)

    Logo a Lot

  • Kouichi Yabuuchi (Hg.)

    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

  • Sangeeta Ray

    Gayatri Chakravorty Spivak. In Other Words

  • Sophie Wolfrum, Winfried Nerdinger (Hg.)

    Multiple City. Stadtkonzepte 1908 I 2008

  • Elisabeth Blum, Peter Neitzke

    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

  • A. Bangma, D.M. Donoghue, L. Issa, K.…

    Resonant Bodies, Voices, Memories

  • Justine Frank, Roee Rosen

    Sweet Sweat

  • R. Klanten, H. Hellige (Hg.)

    Naïve. Modernism and Folklore in Contemporary Graphic Design

  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

    Mechanical Sound. Technology, Culture, and Public Problems…

  • Andrew Losowsky (Hg.)

    We Make Magazines. Inside the Independents

  • Jörg Koopmann (Hg.)

    Cat Seen (bwab #1)

  • Charlie Hailey

    Camps. A Guide to 21st-Century Space

  • Marina Sorbello, Antje Weitzel (Hg.)

    Cairoscape. Images, Imagination and Imaginary of a…

  • Carsten Nicolai

    Grid Index

  • Nato Thompson (Hg.)

    Experimental Geography. Radical Approaches to Landscape,…

  • Mourad Boutros et al.

    Talking about Arabic (Dot-Font)

  • MoMu (Hg.)

    Maison Martin Margiela 20. The Exhibition

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €